{"id":176475885,"date":"2017-08-25T14:37:41","date_gmt":"2017-08-25T19:37:41","guid":{"rendered":"http:\/\/kalamu.com\/neogriot\/?p=176475885"},"modified":"2017-08-25T14:37:41","modified_gmt":"2017-08-25T19:37:41","slug":"history-mumbo-jumbo","status":"publish","type":"post","link":"https:\/\/kalamu.com\/neogriot\/2017\/08\/25\/history-mumbo-jumbo\/","title":{"rendered":"HISTORY: Mumbo Jumbo"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"attachment_176475078\" style=\"width: 359px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-176475078\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-176475078\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/07\/GUARDIAN.jpg\" alt=\"\" width=\"349\" height=\"74\" srcset=\"https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/07\/GUARDIAN.jpg 349w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/07\/GUARDIAN-300x64.jpg 300w\" sizes=\"(max-width: 349px) 100vw, 349px\" \/><p id=\"caption-attachment-176475078\" class=\"wp-caption-text\">Tuesday 1 August 2017<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"content__header tonal__header\">\n<div class=\"gs-container\">\n<div class=\"content__main-column u-cf\">\n<h1 class=\"content__headline\"><span style=\"color: #000000; font-size: 36pt;\">Mumbo Jumbo: <\/span><\/h1>\n<h1 class=\"content__headline\"><span style=\"color: #000000; font-size: 36pt;\">a dazzling classic<\/span><\/h1>\n<h1 class=\"content__headline\"><span style=\"color: #000000; font-size: 36pt;\"> finally gets <\/span><\/h1>\n<h1 class=\"content__headline\"><span style=\"color: #000000; font-size: 36pt;\">the recognition <\/span><\/h1>\n<h1 class=\"content__headline\"><span style=\"color: #000000; font-size: 36pt;\">it deserves<\/span><\/h1>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"tonal__standfirst u-cf\">\n<div class=\"gs-container\">\n<div class=\"content__main-column\">\n<div class=\"content__standfirst\" data-link-name=\"standfirst\" data-component=\"standfirst\">\n<p><span style=\"color: #000000; font-size: 18pt;\"><strong>Praised by the likes of Tupac and<br \/>\nThomas Pynchon, Ishmael Reed\u2019s<br \/>\nexperimental novel about race in the US<br \/>\nis, more than ever, a book for today<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"attachment_176475886\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-176475886\" decoding=\"async\" loading=\"lazy\" class=\" wp-image-176475886\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-01-1024x614.jpg\" alt=\"\" width=\"600\" height=\"360\" srcset=\"https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-01-1024x614.jpg 1024w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-01-300x180.jpg 300w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-01-768x461.jpg 768w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-01-920x552.jpg 920w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-01.jpg 1065w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-176475886\" class=\"wp-caption-text\"><span style=\"color: #000000; font-size: 10pt;\">Immortal pertinence \u2026 detail from the cover art for the Penguin Modern Classic edition of Mumbo Jumbo. Illustration: Ishmael Reed\/Penguin Random House<\/span><\/p><\/div>\n<p>&nbsp;<\/p>\n<div class=\"content__meta-container js-content-meta js-football-meta u-cf content__meta-container--twitter \">\n<p class=\"byline\" data-link-name=\"byline\" data-component=\"meta-byline\"><span style=\"color: #000000; font-size: 14pt;\"><strong><a class=\"tone-colour\" href=\"https:\/\/www.theguardian.com\/profile\/jonathan-mcaloon\" rel=\"author\" data-link-name=\"auto tag link\">By Jonathan McAloon<\/a><\/strong><\/span><\/p>\n<div class=\"meta__twitter\"><\/div>\n<\/div>\n<div class=\"content__article-body from-content-api js-article__body\" data-test-id=\"article-review-body\">\n<p><span style=\"font-size: 14pt;\">America, wrote Ishmael Reed in his 1972 novel Mumbo Jumbo, is \u201cmercurial, restless, violent &#8230; the travelling salesman who can sell the world a Brooklyn Bridge every day, can put anything over on you\u201d.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Forty-five years later, Reed has performed a magic trick reminiscent of something found in that book, a dazzling novel about Voodoo, jazz and white supremacy: his personification of the US has taken a step beyond rhetoric and become flesh, in the mercurial, violent and restless salesman who is now America\u2019s president.<\/span><\/p>\n<div id=\"attachment_176475890\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-176475890\" decoding=\"async\" loading=\"lazy\" class=\" wp-image-176475890\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/Ishmael-Reed-01.jpg\" alt=\"\" width=\"600\" height=\"412\" srcset=\"https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/Ishmael-Reed-01.jpg 580w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/Ishmael-Reed-01-300x206.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-176475890\" class=\"wp-caption-text\"><span style=\"color: #000000; font-size: 10pt;\"><strong>Ishmael Reed<\/strong><\/span><\/p><\/div>\n<p><span style=\"font-size: 14pt;\">Mumbo Jumbo, which has just been reissued as a Penguin Modern Classic, reeks of some kind of immortal pertinence. Reed has a certain immortality himself, as the author of novels, poetry, plays and music for more than 50 years. His work is embedded in every level of black culture in America. He has written about Muhammad Ali and Barack Obama; in turn, Tupac Shakur once rapped about him. (\u201cMy man Ishmael Reed\u201d makes an appearance in <a class=\"u-underline\" href=\"http:\/\/www.metrolyrics.com\/still-i-rise-lyrics-2pac-outlawz.html\" data-link-name=\"in body link\">Still I Rise<\/a>.)<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">His 10 novels are, for the most part, subtle satires on race, worked into settings such as the OJ Simpson trials, a US civil war in which photocopiers exist and a wild west where cowboys wield laser guns. But Mumbo Jumbo is the most dazzling of them all. Set ostensibly in the 1920s, Reed\u2019s novel follows conspiracy theories ranging backwards and forwards through time. A \u201cplague\u201d called Jes Grew has spread from New Orleans and caused half the country to dance recklessly, enjoy jazz and have a new appreciation for African American culture. Religious orders like the Knights Templar and the hi-tech Wallflower Order (responsible in Reed\u2019s novel for the Depression and the US occupation of Haiti) seek to destroy an ancient Egyptian text that the Jes Grew may \u201cwant\u201d.<\/span><\/p>\n<aside class=\"element element-pullquote element--supporting\">\n<blockquote>\n<p class=\"pullquote-paragraph\"><span style=\"font-size: 14pt;\"><strong>Like jazz, the novel feels improvisatory and ambitious.<\/strong><\/span><\/p>\n<\/blockquote>\n<\/aside>\n<p><span style=\"font-size: 14pt;\">But Jes Grew is \u201can anti-plague\u201d, the spirit of innovation and freedom of self-expression itself: \u201cJazz. Blues. The new thang \u2026 Your style.\u201d Reed took a snatch of the preface to 1922\u2019s The Book of American Negro Poetry, in which James Weldon Johnson says \u201cthe earliest Ragtime songs, like Topsy, \u2018jes\u2019 grew\u2019\u201d \u2013 they just happened \u2013 and turned it into a clever literary device that exposes people\u2019s prejudice.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">While some believe the media invented Jes Grew to sell papers, Harlem Voodoo priest Papa LaBas is drawn into the search for its ancient text. Unbeknown to him, a Muslim scholar has already found it, translated it and had it rejected by a publishing house. The slip is found next to his dead body: \u201cThe \u2018Negro Awakening\u2019 fad seems to have reached its peak and once more people are returning to serious writing \u2026 A Negro editor here said it lacked \u2018soul\u2019 and wasn\u2019t \u2018Nation\u2019 enough.\u201d<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Made up of newspaper cuttings and party invites, handwritten notes and footnotes, contemporaneous and contemporary photographs, Mumbo Jumbo gives one a sense of Reed just using everything that captures his own imagination. This is exhilarating because, like jazz, the novel feels improvisatory and ambitious. Reed embraces ridiculousness, while lending the ridiculous weight. It is a funny book about conspiracy theories that nonetheless feels serious and true, encompassing potted histories of Voodun loas and the Crusades, essays on Christ\u2019s laughter and the cotton trade (\u201cWas it some unusual thrill at seeing the black hands come in contact with the white crop?\u201d), and a postmodern alternative creation myth involving Osiris, Incas, Homer and Moses.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">The weight of ideas, along with the time-hopping and slapstick, makes Reed\u2019s book read like something by contemporary novelist Ned Beauman. Or rather, Beauman\u2019s books feel at home in Reed\u2019s lineage: Beauman takes his cue from Pynchon, and Pynchon admires Reed, even name-checking him in Gravity\u2019s Rainbow: \u201cWell, and keep in mind where those Masonic Mysteries came from in the first place. (Check out Ishmael Reed. He knows more about it than you\u2019ll ever find here.)\u201d<\/span><\/p>\n<aside class=\"element element-rich-link element--thumbnail element-rich-link--upgraded\" data-component=\"rich-link\" data-link-name=\"rich-link-1 | 1\">\n<div class=\"rich-link tone-media--item rich-link--audio\"><\/div>\n<\/aside>\n<p><span style=\"font-size: 14pt;\">It is tempting to say that Mumbo Jumbo is \u201cprophetic\u201d, shining a spotlight on the US\u2019s modern racial tensions: the vilification of the #blacklivesmatter movement, the sudden political prominence of white supremacists, Twitter outrage when Netflix commissions a show called Dear White People. But this would be patronising. The truth is that, since Reed saw his novel published in 1972, the world has changed very little. The only upshot is that we can read his work now with a similar urgency to what its first readers might have felt.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Yet there is a rightness to Mumbo Jumbo \u2013 already considered one of the best novels in the western canon by revered critic Harold Bloom \u2013 being canonised as a Penguin Classic a year after Paul Beatty\u2019s Man Booker win for The Sellout, another philosophical and ingenious American race satire. As Papa LaBas says, Jes Grew is always there, always observable. But it flares up when \u201csomething is going on\u201d. No one can deny, in the US today, that something is going on, and needs to be addressed.<\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&gt;via:\u00a0<a href=\"https:\/\/www.theguardian.com\/books\/booksblog\/2017\/aug\/01\/mumbo-jumbo-a-penguin-classic-2017-ishmael-reed#img-1\">https:\/\/www.theguardian.com\/books\/booksblog\/2017\/aug\/01\/mumbo-jumbo-a-penguin-classic-2017-ishmael-reed#img-1<\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000; font-size: 18pt;\">____________________<\/span><b><br \/>\n<\/b><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_176475888\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-176475888\" decoding=\"async\" loading=\"lazy\" class=\" wp-image-176475888\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-02.jpg\" alt=\"\" width=\"600\" height=\"360\" srcset=\"https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-02.jpg 620w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2017\/08\/mumbo-jumbo-02-300x180.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-176475888\" class=\"wp-caption-text\"><span style=\"color: #000000; font-size: 10pt;\"><strong>Photograph: Keystone Features\/Getty Images<\/strong><\/span><\/p><\/div>\n<h1 class=\"content__headline\"><span style=\"font-size: 36pt;\"><strong><span style=\"color: #000000;\">Mumbo Jumbo and<\/span><\/strong><\/span><\/h1>\n<h1 class=\"content__headline\"><span style=\"font-size: 36pt;\"><strong><span style=\"color: #000000;\"> Paul Robeson \u2013<\/span><\/strong><\/span><\/h1>\n<h1 class=\"content__headline\"><span style=\"font-size: 36pt;\"><strong><span style=\"color: #000000;\"> books podcast<\/span><\/strong><\/span><\/h1>\n<p>&nbsp;<\/p>\n<p><b><iframe width=\"100%\" height=\"300\" style=\"background-color:transparent; display:block; padding: 0; max-width: 700px;\" frameborder=\"0\" allowtransparency=\"allowtransparency\" scrolling=\"no\" src=\"\/\/embeds.audioboom.com\/posts\/6161170-black-history-mumbo-jumbo-and-paul-robeson-books-podcast\/embed\/v4?eid=AQAAABMcoFkSA14A\" title=\"audioBoom player\"><\/iframe><\/b><\/p>\n<div class=\"content__meta-container js-content-meta js-football-meta u-cf \">\n<p class=\"byline\" data-link-name=\"byline\" data-component=\"meta-byline\"><span style=\"font-size: 14pt;\">Presented by <a class=\"tone-colour\" href=\"https:\/\/www.theguardian.com\/profile\/clairearmitstead\" rel=\"author\" data-link-name=\"auto tag link\">Claire Armitstead<\/a><br \/>\nand produced by <a class=\"tone-colour\" href=\"https:\/\/www.theguardian.com\/profile\/susannah-tresilian\" rel=\"author\" data-link-name=\"auto tag link\">Susannah Tresilian<\/a><\/span><\/p>\n<p class=\"content__dateline\" aria-hidden=\"true\">\n<\/div>\n<div class=\"from-content-api\">\n<p><span style=\"font-size: 14pt;\">On this week\u2019s podcast, we return to the Harlem Renaissance, the great flowering of African American literature and music centred on New York in the early 20th century. The novelist Ishmael Reed introduces his 1972 novel Mumbo Jumbo, acclaimed as one of the 500 most important books in the Western canon by Harold Bloom and now reissued as a Penguin Modern Classic.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Mumbo Jumbo imagines a US seized by a virus that infects black Americans with a fever for dance and freedom. In his freewheeling satirical fantasy, Reed namechecks many of the great figures of Harlem\u2019s glory years \u2013 including several who were connected to our second subject, the singer, actor and activist Paul Robeson, who got his start in these years.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">The Australian writer Jeff Sparrow explains why he felt a new biography of Robeson was needed, and how his research carried him from Harlem to Moscow and from the south Wales valleys to the killing fields of the Spanish civil war in pursuit of a talented but troubled hero who should not be forgotten.<\/span><\/p>\n<\/div>\n<p>&gt;via:\u00a0<a href=\"https:\/\/www.theguardian.com\/books\/audio\/2017\/jul\/25\/black-history-mumbo-jumbo-and-paul-robeson-books-podcast#comments\">https:\/\/www.theguardian.com\/books\/audio\/2017\/jul\/25\/black-history-mumbo-jumbo-and-paul-robeson-books-podcast#comments<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; Mumbo Jumbo: a dazzling classic finally gets the recognition it deserves Praised by the likes of Tupac and Thomas Pynchon, Ishmael Reed\u2019s experimental novel about race in the US is, more than ever, a book for today &nbsp; &nbsp; By Jonathan McAloon America, wrote Ishmael Reed in his 1972 novel Mumbo Jumbo, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_s2mail":"yes"},"categories":[6],"tags":[4,12,11],"_links":{"self":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176475885"}],"collection":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/comments?post=176475885"}],"version-history":[{"count":2,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176475885\/revisions"}],"predecessor-version":[{"id":176475891,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176475885\/revisions\/176475891"}],"wp:attachment":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/media?parent=176475885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/categories?post=176475885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/tags?post=176475885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}