{"id":176458788,"date":"2015-08-18T00:16:30","date_gmt":"2015-08-18T05:16:30","guid":{"rendered":"http:\/\/kalamu.com\/neogriot\/?p=176458788"},"modified":"2015-08-18T00:16:30","modified_gmt":"2015-08-18T05:16:30","slug":"pov-njoki-wa-ngugi-returning-to-kenya-after-eleven-years-its-a-thin-line-between-love-and-hate","status":"publish","type":"post","link":"https:\/\/kalamu.com\/neogriot\/2015\/08\/18\/pov-njoki-wa-ngugi-returning-to-kenya-after-eleven-years-its-a-thin-line-between-love-and-hate\/","title":{"rendered":"POV: Njoki Wa Ngugi &#8211; Returning to Kenya after eleven years: It\u2019s a thin line between love and hate\u2026"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><span style=\"color: #000000; font-size: 18pt;\"><strong><a style=\"color: #000000;\" href=\"https:\/\/wamuingi.wordpress.com\/\">wamuingi<\/a><\/strong><br \/>\n<span style=\"font-size: 12pt;\">June 27, 2015<\/span><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 class=\"posttitle\"><span style=\"color: #000000; font-size: 36pt;\">Returning to Kenya<\/span><\/h2>\n<h2 class=\"posttitle\"><span style=\"color: #000000; font-size: 36pt;\"> after eleven years: <\/span><\/h2>\n<h2 class=\"posttitle\"><span style=\"color: #000000; font-size: 36pt;\">It\u2019s a thin line<\/span><\/h2>\n<h2 class=\"posttitle\"><span style=\"color: #000000; font-size: 36pt;\"> between love and<\/span><\/h2>\n<h2 class=\"posttitle\"><span style=\"color: #000000; font-size: 36pt;\">hate\u2026<\/span><\/h2>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/08\/njoki-01.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-176458789\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/08\/njoki-01.jpg\" alt=\"njoki 01\" width=\"400\" height=\"400\" srcset=\"https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/08\/njoki-01.jpg 400w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/08\/njoki-01-150x150.jpg 150w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/08\/njoki-01-300x300.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><strong><span style=\"color: #000000; font-size: 14pt;\">By\u00a0Njoki Wa Ngugi<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">I have always had a love\/hate relationship with Kenya, my country of birth. I was born in 1978 and unbeknown to me, my tempestuous relationship with Kenya had begun the year before. In December of 1977 my dad\u00a0Ngugi\u00a0wa\u00a0Thiong\u2019o\u00a0was imprisoned by the Jomo Kenyatta\u00a0government for his novel,\u00a0<i>Petals of Blood,<\/i>\u00a0and his G\u0129k\u0169y\u0169 language play, Ngaahika ndeenda\/I will Marry when I want. So Baba missed my grand entrance into the world. I would learn later, that my mother, Nyambura, made up for it by sending him my picture, which he and the other political prisoners welcomed by naming me, Kaana Ka Bothita\/ Post office baby. Seeing me as a symbol of hope, the members of\u00a0Kam\u0129r\u0129th\u0169 Community theater named me Wam\u0169ing\u0129\/One who belong\u2019s to the people. Even outside of Kenya, Wole Soyinka and the African writers organization he then headed would name me Ayerubo.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">In 1982, four years after my grand entrance, the Moi\u00a0government\u00a0forced him to go into\u00a0exile, but not before they had tried to stop the publication of the G\u0129k\u0169y\u0169 language novel,\u00a0<i>Caitaani M\u0169tharabain\u0129\/Devil on the Cross,<\/i>\u00a0written in prison on toilet paper, and worse, their destruction of the Kam\u0129r\u0129th\u0169 Community Education and Cultural Center, the space of his people\u2019s theater. Prison and then exile meant separation. Growing up without his being around me \u00a0physically, was hard but his spirit through his home library was always with me. The library became part of my play ground. Who could complain of playing all day, or cuddling in a corner of our house reading,\u00a0Hardy\u00a0Boys, Nancy Drew,Pipi Longstocking\u00a0or The Adventures of Abunuwasi?<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">I had a wonderful childhood with my mother, siblings and extended family. My siblings always teased me for literally living on my moms lap or for always crawling in bed with her but I didn\u2019t care. We were always a team. We stuck together. I still recall the excitement I felt waiting for my brothers to come home from school, to\u00a0regale\u00a0the adventures of Mwangi\u00a0Cowboy the hero who always showed up from nowhere to serve up some justice for the people! Mwangi Cowboy had been invented by my father in the stories he told my older siblings. Taken in by the magic and art of story telling, they each created a unique heroic Mwangi Cowboy. I became the beneficiary of the different episodes!<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">But even in my joy, I felt my father\u2019s absence, a void, sometimes made unbearable by the government spies who snooped on us to see what we were up to. Every other month or so we had\u00a0so-called\u00a0\u201cthugs\u201d knock down our doors, sometimes beating us up and threatening our very lives, demanding to know what he was up to in Europe or the U.S. or even whether he sneaked back home from Europe at night.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">I was 12 years old when I finally reunited with my dad, in exile, in the USA. I left Kenya in 1990 for Zimbabwe from where he came for me.\u00a0Although I was excited to be on this new adventure in a new country, making new friends and getting to finally know my dad face to face, it once again meant I had to be\u00a0separated\u00a0from my mother. Once again my life was being dictated by those that were more interested in silencing my dad and could have cared less about\u00a0the upheaval\u00a0they created in the life of a\u00a012-year-old\u00a0girl and her family.\u00a0I would return to Kenya in June 1996, on my 18th birthday, to bury my mom. \u00a0The memory of my reunion with friends and relatives in Kenya at the time would always be associated with the sorrow of my loss.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">My next trip to Kenya was in 2004 for the criminal trial of four gunmen and their \u201cengineers\u201d \u00a0who had tried to assassinate my father and step-mother, Njeeri, in their Nairobi Hotel. They had only been in the country for 11 days after 23 years of my father\u2019s exile, only to be greeted with that murderous attack. \u00a0The gunmen were charged with \u201carmed robbery\u201d. If they had succeeded in their plans, it would have meant yet another loss. I felt rejected by my own country.\u00a0I vowed I would never return to Kenya leave alone raise a family there. But I would miss Africa! Maybe I would have to relocate to Tanzania, Uganda, or even Zimbabwe, any of the neighbouring countries\u2026.. But deep inside I longed for Kenya. \u00a0I ached for a Kenya that would embrace me as its own.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">My time came earlier this year. With my siblings, I visited Kenya for my dad\u2019s 50th anniversary of his novel \u201cWeep Not Child\u201d, organized by his Publishers The East Africa Educational Publishers. It turned out to be more than just a celebration of a single text, for the novel, first published in April 1964, that is 14 years before my own grand entry, had birthed the national literature of an Independent Kenya. Among the new generation of writers were some of my siblings who used to wow me with the Mwangi Cow boy stories. There was Tee Thiong\u2019o \u00a0with his\u00a0<i>Stories of Love and Despair<\/i>; \u00a0Wanjik\u0169 with her\u00a0<i>The Fall of Saints<\/i>; Mukoma, with his\u00a0<i>Nairobi Heat<\/i>; and Nd\u0169c\u0169, with his\u00a0<i>City Murders.<\/i>They were all published by the publishers of\u00a0<i>Weep not Child!<\/i><\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">The country I once remembered as a static landscape of my childhood and youth had completely changed. The grandmothers and grandfathers of my childhood neighbourhood had long passed on; the aunts and uncles had become the grandparents. My childhood friends now had children older than my 12 years when I first left the country. But the memory of loss was more than balanced by the welcome. People were genuinely happy to share our space, break bread with us and even share their stories with us. I recalled those days when people used to run away from us; now they were running towards us. Times had changed. The welcome we received was humbling in the most beautiful, inspiring, authentic and healing way.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&gt;via:\u00a0<a href=\"https:\/\/wamuingi.wordpress.com\/2015\/06\/27\/returning-to-kenya-after-eleven-years-its-a-thin-line-between-love-and-hate\/\" target=\"_blank\">https:\/\/wamuingi.wordpress.com\/2015\/06\/27\/returning-to-kenya-after-eleven-years-its-a-thin-line-between-love-and-hate\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; wamuingi June 27, 2015 &nbsp; &nbsp; Returning to Kenya after eleven years: It\u2019s a thin line between love and hate\u2026 &nbsp; By\u00a0Njoki Wa Ngugi &nbsp; I have always had a love\/hate relationship with Kenya, my country of birth. I was born in 1978 and unbeknown to me, my tempestuous relationship with Kenya had begun [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_s2mail":"yes"},"categories":[6],"tags":[4,12,11],"_links":{"self":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176458788"}],"collection":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/comments?post=176458788"}],"version-history":[{"count":3,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176458788\/revisions"}],"predecessor-version":[{"id":176458829,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176458788\/revisions\/176458829"}],"wp:attachment":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/media?parent=176458788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/categories?post=176458788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/tags?post=176458788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}