{"id":176450315,"date":"2015-02-17T02:24:35","date_gmt":"2015-02-17T08:24:35","guid":{"rendered":"http:\/\/kalamu.com\/neogriot\/?p=176450315"},"modified":"2015-02-17T02:24:35","modified_gmt":"2015-02-17T08:24:35","slug":"pub-cfp-black-code-studies","status":"publish","type":"post","link":"https:\/\/kalamu.com\/neogriot\/2015\/02\/17\/pub-cfp-black-code-studies\/","title":{"rendered":"PUB: CFP: Black Code Studies"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1 class=\"entry-title\"><span style=\"color: #000000; font-size: 24pt;\">CFP: Black Code\u00a0Studies<\/span><\/h1>\n<p><span style=\"color: #000000; font-size: 14pt;\"><span class=\"posted-on\"><a style=\"color: #000000;\" href=\"http:\/\/diasporahypertext.com\/2015\/02\/13\/cfp-black-code-studies\/\" rel=\"bookmark\"><time class=\"entry-date published\" datetime=\"2015-02-13T13:43:23+00:00\">FEBRUARY 13, 2015<\/time><\/a><\/span><span class=\"byline\">\u00a0<span class=\"by\">by<\/span>\u00a0<span class=\"author vcard\"><a class=\"url fn n\" style=\"color: #000000;\" href=\"http:\/\/diasporahypertext.com\/author\/jmjohnso26\/\">JESSICA MARIE JOHNSON<\/a><\/span><\/span><\/span><\/p>\n<h2><span style=\"color: #000000; font-size: 14pt;\">Black Code Studies<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\"><em>The Black Scholar<\/em>\u00a0Special Issue on Digital Black Studies<\/span><\/h2>\n<p><span style=\"color: #000000; font-size: 14pt;\"><em>Editors:<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><a style=\"color: #000000;\" href=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/mark-anthony-neal.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-176450316\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/mark-anthony-neal.jpg\" alt=\"mark anthony neal\" width=\"480\" height=\"360\" srcset=\"https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/mark-anthony-neal.jpg 480w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/mark-anthony-neal-300x225.jpg 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><em>Mark Anthony Neal, Professor, Duke University<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><a style=\"color: #000000;\" href=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/jessica-marie-johnson.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-176450317\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/jessica-marie-johnson.jpg\" alt=\"jessica marie johnson\" width=\"340\" height=\"504\" srcset=\"https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/jessica-marie-johnson.jpg 340w, https:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/02\/jessica-marie-johnson-202x300.jpg 202w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/a><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><em>Jessica Marie Johnson, Assistant Professor, Michigan State University<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">The editors of this special issue argue black studies, activism, and life online and off have reached a critical point of convergence. Technology has irrevocably changed the way artists, activists, scholars, and users rage against codes and binaries of race and tech. People of African descent around the world have appropriated digital and social media as tools for organizing, self-actualization, consciousness-raising, community building, and outright political revolt. At the same time, organizing strategies and intellectual production across digital media and platforms traffic in racializing assemblages rooted in both antiblackness and historic modes of black resistance\u2013even among users who do not identify as \u201cblack.\u201d<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">Black Code Studies asks: How has that cold and scientific concreteness that was and is nineteenth-century race theory persisted? How do certain racial ideologies and narratives thrive\u2014including twentieth-century narratives of blackness and whiteness as biopolitical binaries? To what extent have race codes and coding evolved? How do these changes interface with the work of race coders\u2014digital activists, digital feminists, and digital black studies scholars\u2014who continue to demand new pathways for safety and survival in the face of abject violence? What are the limits of 21st century digital black coding, even when rooted in resistance and affirming black life?<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">As a project, Black Code Studies draws attention to the permeability of the racial subject in an age of digital media and new technology. It highlights the importance of tying technology to a history of capitalist exploitation, global black insurgence, and Afrxdiasporic creative energy. Black Code Studies outlines a rich and rigorous set of priorities for the next future of black studies, highlighting prospects for the survival of black life well beyond the Internet.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">We are seeking submissions on a variety of topics including but NOT limited to:<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Online\/Hashtag Activism<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Black and Radical Womyn of Color Feminisms<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">#BlackLivesMatter<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Games and Nerds of Color<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Black Codes and Race Codes<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Afrofuturism\/Speculative Fiction<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Digital Black Studies and Pedagogy<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Radical Media<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Reviews of Digital Projects\/Media<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Hacking Race<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Technology and Art\/Music<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Independent x Mainstream Media<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">We are also seeking submissions in a variety of\u00a0formats\u00a0including but NOT limited to digital performance and performativity, social networking and social media, blogs and blog posts, Storifys, Twitterchats, archives, exhibits, and more.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">250 word abstracts should be received by\u00a0March 15, 2015. Completed submissions should be received by\u00a0May 1, 2015. Submit all materials via email to blackcodestudies@<span class=\"skimlinks-unlinked\">gmail.com<\/span>.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">Direct questions and inquiries to:<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Mark Anthony Neal, dr-yogi@<a class=\"skimlinks-unlinked\" style=\"color: #000000;\" title=\"\" href=\"http:\/\/att.com\/\" data-skimwords-word=\"att.com\" data-skim-creative=\"500005\">att.com<\/a><\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">Jessica Marie Johnson, jmj@<span class=\"skimlinks-unlinked\">msu.edu<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&gt;via:\u00a0<a href=\"http:\/\/diasporahypertext.com\/2015\/02\/13\/cfp-black-code-studies\/\" target=\"_blank\">http:\/\/diasporahypertext.com\/2015\/02\/13\/cfp-black-code-studies\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; CFP: Black Code\u00a0Studies FEBRUARY 13, 2015\u00a0by\u00a0JESSICA MARIE JOHNSON Black Code Studies The Black Scholar\u00a0Special Issue on Digital Black Studies Editors: Mark Anthony Neal, Professor, Duke University Jessica Marie Johnson, Assistant Professor, Michigan State University The editors of this special issue argue black studies, activism, and life online and off have reached a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_s2mail":"yes"},"categories":[6],"tags":[4,12,11],"_links":{"self":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176450315"}],"collection":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/comments?post=176450315"}],"version-history":[{"count":1,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176450315\/revisions"}],"predecessor-version":[{"id":176450318,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176450315\/revisions\/176450318"}],"wp:attachment":[{"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/media?parent=176450315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/categories?post=176450315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/tags?post=176450315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}