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The Denise Levertov

Memorial Poetry Prize

Denise Levertov

The Denise Levertov Memorial Poetry Prize was created to champion writers whose poetry explores and challenges the notion of human being in the twenty-first century. Poems by poets that achieve this distinction will be devoid of influences such as political correctness and the solipsism that taints much of poetry composed under the auspices of postmodernity. The award will be given to those writers whose poetry strips away the conceits of being human in an attempt to clear the way for human being, to poets who have something to say and say it well.

Open: November 11, 2015

Deadline: March 21, 2016

Fee: $8.00 entry

Entries judged by RSR Editors

The winner will be announced and published in Red Savina Review’s spring issue (2016). Date to be determined.

Prize:   $250

 

Guidelines:

  • Poets may submit up to five pages of poems. Entrants may submit one or more entries. However, entrants must pay for each entry. Reading fees are non-refundable.
  • Red Savina Review follows Clmp contest guidelines.
  • Red Savina Review contains adult reading material. Therefore, you must be 18 years or older to submit to the contest.
  • Submit previously unpublished poems (up to five pages) via SUBMITTABLE only. No email or snail mail submissions are permitted.
  • Please include name, address, email and phone number on the first page; and page numbers and title in the running footer. Use 12-point font, double-space, Times New Roman. Submit in DocX or RTF format. Must be in English language.
  • Writers previously published in Red Savina Review are welcome to submit.
  • Staff members and/or any writer who is personally associated with Red Savina Review’s editors and/or guest editors may not submit to the contest.
  • Simultaneous submissions are welcome. Please withdraw from contest immediately if accepted elsewhere.
  • All submissions will be considered for publication in Red Savina Review’s spring issue (online, 2016). If accepted for publication, Red Savina Review reserves the right to edit.
  • The winning poem will be published in Red Savina Review’s spring issue (online, 2016).
  • Results will be posted on our website.

 

>via: http://www.redsavinareview.org/the-denise-levertov-memorial-poetry-prize/

 

 

 

 

 

 

 

 

 

2016 MetLife Nuestras Voces

National Playwriting

 Competition

Screen Shot 2016-02-26 at 12.49.12 AM.png

2016 MetLife Nuestras Voces National Playwriting Competition  

Online submissions now being accepted for FULL LENGTH LATINO STAGE PLAYS  (In Spanish or English or both!)

Guidelines: http://repertorio.nyc/#/opportunities

Time stamped Deadline:  Wednesday, June 1, 2016.  (Time stamped)

MISSION:  To promote and develop original stage plays that relate to Latino life, culture and history in the United States and to encourage emerging and established Latino playwrights.

NUESTRAS NEWS 

Winners (2015):

1st Place: Blindspot by Gerardo Cárdenas  Oak Park, IL

2nd Place: Johanna by Tlaloc Rivas  Pittsburgh, PA

3rd Place (tie):        Ashé by Ricardo Pérez González   NY, NY

                              Los Klumb by Puy Navarro           NY, NY

                              Impure Thoughts (without apology) by Ken Prestininzi  Groton, CT

A reading series of these plays will be held at Repertorio Español in June 2016. 

2014 Winner La Senorita 744890 by Mariana Careño King opened on February 5th at Repertorio Español. 

2014 runner – up The Ghosts of Lote Bravo by Hilary Bettis will have its World Premiere at Borderland Stages in Tucson, AZ in April 2016.

 

>via: http://repeatingislands.com/2016/02/25/2016-metlife-nuestras-voces-national-playwriting-competition/

 

 

 

 

Chantae-Cann-Photo-3

CHANTAE CANN

Journey to Golden is a spirit lifting and heartfelt
11-track album that features songs written and
performed by Chantae Cann, featuring honest and
uplifting lyrics, skillful musicianship and unparalleled
vocals. A blend of soul and jazz with urban air,
Journey to Golden positions Chantae Cann as
dominant talent for today’s most avid music fans.
 

Sparked by the hope that her music awakens purpose, destiny and truth to all who listen, Journey to Golden is a true testament of the humble beginnings of one of the greatest voices of this generation. Her vocal delivery is soothing, sultry and more than just soulful, it’s soul fullling. Whether you nd yourself listening to her live at a show or turning her up in your headphones, chances are you will have peace in your mind and a smile on your face.

The record features guest appearances by Grammy Award winning Jazz Fusion band Snarky Puppy and vocals and musical compositions by Jamie Portee.

credits

All Songs Produced, Recorded & Mixed by Jamie Portee 
All Songs Mastered by Edgar Vargas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert-Glasper

ROBERT GLASPER

Tracklisting :

Talking Shit

Ghetto Walkin featuring Bilal

They Can’t Hold Me Down featuring Illa J

Maiysha (So Long) featuring Erykah Badu

Violets featuring Phonte

Little Church featuring Hiatus Kaiyote

Silence Is The Way featuring Laura Mvula

Song For Selim featuring KING

Milestones featuring Georgia Ann Muldrow

I’m Leaving You featuring John Scofield and Ledisi

Right On Brotha featuring Stevie Wonder

 

 

 

photo by Alex Lear

photo by Alex Lear

 

 

Miles Davis

(featuring Kenneth D. Ferdinand – trumpet) 

 

Greta Garbo is credited with saying “I want to be alone.” Except I’m sure by “alone” she meant: away from you lames. I want to be where I can be me and this place is not it. Then she would blow some smoke, or pick her fingernails, or do something else nonchalantly to indicate her total boredom with the scene. Miles on the other hand never had to say it. He made a career of being alone and sending back notes from the other world, notes as piercing as his eyeballs dismissing a fan who was trying to tell him how pretty he played.

 

Here this man was: Miles Dewey Davis, a self made motherfucker, a total terror whose only evident tenderness is the limp in his smashed-up hip walk, like he can’t stand touching the ground, the cement, the wooden floor, plush carpet, whatever he is walking on. This man who, considering all the abuse he has dished out to others as well as all the self abuse he has creatively consumed, this man who should have died a long, long time ago but who outlived a bunch of other people who tried to clean up their act. This pact with the devil incarnate. This choir boy from hell. This disaster whose only value is music, a value which is invaluable. If he hadn’t given us his music there would have been no earthly reason to put up with Miles, but he gave on the stage and at the studio, he gave. If there is any redemption he deserves it.

 

As for me, I admit I don’t have the music, but so what? Perhaps in time you will understand that I really don’t want to be here. I don’t want to be loved or to love. I…

 

Perhaps you will understand that once you don’t care, nothing else matters. I don’t need a reason why to hit you. Why I’m letting you pack and split without a word from me, without any “I’m sorry,” or anything else that might indicate remorse or even just second thoughts about what I’ve done. Instead, I’m cool.

 

Just like Miles could climb on a stage after beating some broad in the mouth, I cross from the bedroom where I knocked you to the floor and go into the living room and put “Round Midnight” on. The unignorable sound of Miles chills the room. I stand cool. Listening with a drink of scotch in my hand, and a deadness in the center of me. Anesthetized emotions.

 

As you leave you look at me. Your eyes are crying “why, why, why do you treat me so badly?” I do not drop my gaze. I just look at you. Miles is playing his hip tortured shit. You will probably hate Miles all the rest of your life.

 

You linger at the door and ask me do I have anything I want to say. I take a sip nonchalantly, and with the studied unhurried motion of a journeyman hipster, I half smile and drop my words out of the corner of my mouth, “Yeah, I want to be alone. Thanks for leaving.”

 

And I turn my back on you, trying my best to be like Miles: a motherfucker.

 

—kalamu ya salaam

 

 

 

 

 

MARCH 14, 2016 ISSUE

MARCH 14, 2016 ISSUE

 

 

 

The Matter of

Black Lives

A new kind of movement found its

moment. What will its future be?

 

BY 

 

 

Alicia Garza, a labor organizer in Oakland, espouses a type of ecumenical activism. / CREDIT PHOTOGRAPH BY AMY ELKINS FOR THE NEW YORKER

Alicia Garza, a labor organizer in Oakland, espouses a type of ecumenical activism. / CREDIT PHOTOGRAPH BY AMY ELKINS FOR THE NEW YORKER

On February 18th, as part of the official recognition of Black History Month, President Obama met with a group of African-American leaders at the White House to discuss civil-rights issues. The guests—who included Representative John Lewis, of Georgia; Sherrilyn Ifill, the director-counsel of the N.A.A.C.P. Legal Defense and Educational Fund; and Wade Henderson, who heads the Leadership Conference on Civil and Human Rights—were intent on pressing the President to act decisively on criminal-justice issues during his last year in office. Their urgency, though, was tempered by a degree of sentimentality, verging on nostalgia. As Ifill later told me, “We were very much aware that this was the last Black History Month of this Presidency.”

But the meeting was also billed as the “first of its kind,” in that it would bring together different generations of activists. To that end, the White House had invited DeRay Mckesson, Brittany Packnett, and Aislinn Pulley, all of whom are prominent figures in Black Lives Matter, which had come into existence—amid the flash points of the George Zimmerman trial; Michael Brown’s death, in Ferguson, Missouri; and the massacre at the Emanuel A.M.E. Church, in Charleston, South Carolina—during Obama’s second term.

Black Lives Matter has been described as “not your grandfather’s civil-rights movement,” to distinguish its tactics and its philosophy from those of nineteen-sixties-style activism. Like the Occupy movement, it eschews hierarchy and centralized leadership, and its members have not infrequently been at odds with older civil-rights leaders and with the Obama Administration—as well as with one another. So it wasn’t entirely surprising when Pulley, a community organizer in Chicago, declined the White House invitation, on the ground that the meeting was nothing more than a “photo opportunity” for the President. She posted a statement online in which she said that she “could not, with any integrity, participate in such a sham that would only serve to legitimize the false narrative that the government is working to end police brutality and the institutional racism that fuels it.” Her skepticism was attributable, in part, to the fact that she lives and works in a city whose mayor, Rahm Emanuel, Obama’s former chief of staff, is embroiled in a controversy stemming from a yearlong coverup of the fatal shooting by police of an African-American teen-ager.

Mckesson, a full-time activist, and Packnett, the executive director of Teach for America in St. Louis, did accept the invitation, and they later described the meeting as constructive. Mckesson tweeted: “Why did I go to the mtg w/ @POTUS today? B/c there are things we can do now to make folks’ lives better today, tomorrow, & the day after.” Two weeks earlier, Mckesson had announced that he would be a candidate in the Baltimore mayoral race, and Obama’s praise, after the meeting, for his “outstanding work mobilizing in Baltimore” was, if not an endorsement, certainly politically valuable.

That split in the response to the White House, however, reflected a larger conflict: while Black Lives Matter’s insistent outsider status has allowed it to shape the dialogue surrounding race and criminal justice in this country, it has also sparked a debate about the limits of protest, particularly of online activism. Meanwhile, internal disputes have raised questions about what the movement hopes to achieve, and about its prospects for success.

The phrase “black lives matter” was born in July of 2013, in a Facebook post by Alicia Garza, called “a love letter to black people.” The post was intended as an affirmation for a community distraught over George Zimmerman’s acquittal in the shooting death of seventeen-year-old Trayvon Martin, in Sanford, Florida. Garza, now thirty-five, is the special-projects director in the Oakland office of the National Domestic Workers Alliance, which represents twenty thousand caregivers and housekeepers, and lobbies for labor legislation on their behalf. She is also an advocate for queer and transgender rights and for anti-police-brutality campaigns.

Garza has a prodigious social-media presence, and on the day that the Zimmerman verdict was handed down she posted, “the sad part is, there’s a section of America who is cheering and celebrating right now. and that makes me sick to my stomach. we GOTTA get it together y’all.” Later, she added, “btw stop saying we are not surprised. that’s a damn shame in itself. I continue to be surprised at how little Black lives matter. And I will continue that. stop giving up on black life.” She ended with “black people. I love you. I love us. Our lives matter.”

Garza’s friend Patrisse Cullors amended the last three words to create a hashtag: #BlackLivesMatter. Garza sometimes writes haiku—she admires the economy of the form—and in those four syllables she recognized a distillation not only of the anger that attended Zimmerman’s acquittal but also of the animating principle at the core of black social movements dating back more than a century.

Garza grew up as Alicia Schwartz, in Marin County, where she was raised by her African-American mother and her Jewish stepfather, who run an antiques store. Her brother Joey, who works for the family business, is almost young enough to have been Trayvon Martin’s peer. That is one reason, she says, that the Zimmerman verdict affected her so deeply. The family was not particularly political, but Garza showed an interest in activism in middle school, when she worked to have information about contraception made available to students in Bay Area schools.

She went on to study anthropology and sociology at the University of California, San Diego. When she was twenty-three, she told her family that she was queer. They reacted to the news with equanimity. “I think it helped that my parents are an interracial couple,” she told me. “Even if they didn’t fully understand what it meant, they were supportive.” For a few years, Garza held various jobs in the social-justice sector. She found the work fulfilling, but, she said, “San Francisco broke my heart over and over. White progressives would actually argue with us about their right to determine what was best for communities they never had to live in.”

In 2003, she met Malachi Garza, a gregarious, twenty-four-year-old trans male activist, who ran training sessions for organizers. They married five years later. In 2009, early on the morning of New Year’s Day, a transit-police officer named Johannes Mehserle fatally shot Oscar Grant, a twenty-two-year-old African-American man, in the Fruitvale BARTstation, in Oakland, three blocks from where the Garzas live. Alicia was involved in a fight for fair housing in San Francisco at the time, but Malachi, who was by then the director of the Community Justice Network for Youth, immersed himself in a campaign to have Mehserle brought up on murder charges. (He was eventually convicted of involuntary manslaughter, and served one year of a two-year sentence.)

Grant died nineteen days before Barack Obama’s first Inauguration. (The film “Fruitvale Station,” a dramatic recounting of the last day of Grant’s life, contrasts his death with the national exuberance following the election.) His killing was widely seen as a kind of political counterpoint—a reminder that the grip of history would not be easily broken.

Garza had met Patrisse Cullors in 2005, on a dance floor in Providence, Rhode Island, where they were both attending an organizers’ conference. Cullors, a native of Los Angeles, had been organizing in the L.G.B.T.Q. community since she was a teen-ager—she came out as queer when she was sixteen and was forced to leave home—and she had earned a degree in religion and philosophy at U.C.L.A. She is now a special-projects director at the Ella Baker Center for Human Rights, in Oakland, which focusses on social justice in inner cities. Garza calls Cullors her “twin.” After Cullors created the Black Lives Matter hashtag, the two women began promoting it. Opal Tometi, a writer and an immigration-rights organizer in Brooklyn, whom Garza had met at a conference in 2012, offered to build a social-media platform, on Facebook and Twitter, where activists could connect with one another. The women also began thinking about how to turn the phrase into a movement.

DeRay Mckesson has announced that he is running for mayor of Baltimore. / PHOTOGRAPH BY CHRISTAAN FELBER

DeRay Mckesson has announced that he is running for mayor of Baltimore. / PHOTOGRAPH BY CHRISTAAN FELBER

Black Lives Matter didn’t reach a wider public until the following summer, when a police officer named Darren Wilson shot and killed eighteen-year-old Michael Brown in Ferguson. Darnell Moore, a writer and an activist based in Brooklyn, who knew Cullors, coördinated “freedom rides” to Missouri from New York, Chicago, Portland, Los Angeles, Philadelphia, and Boston. Within a few weeks of Brown’s death, hundreds of people who had never participated in organized protests took to the streets, and that campaign eventually exposed Ferguson as a case study of structural racism in America and a metaphor for all that had gone wrong since the end of the civil-rights movement.

DeRay Mckesson, who was twenty-nine* at the time and working as an administrator in the Minneapolis public-school system, watched as responses to Brown’s death rolled through his Twitter feed, and decided to drive the six hundred miles to Ferguson to witness the scene himself. Before he left, he posted a request for housing on Facebook. Teach for America’s Brittany Packnett helped him find a place; before moving to Minneapolis, he had taught sixth-grade math as a T.F.A. employee in Brooklyn. Soon after his arrival, he attended a street-medic training session, where he met Johnetta Elzie, a twenty-five-year-old St. Louis native. With Packnett, they began sharing information about events and tweeting updates from demonstrations, and they quickly became the most recognizable figures associated with the movement in Ferguson. For their efforts, he and Elzie received the Howard Zinn Freedom to Write Award, in 2015, and Packnett was appointed to the President’s Commission on Twenty-first Century Policing.

Yet, although the three of them are among the most identifiable names associated with the Black Lives Matter movement, none of them officially belong to a chapter of the organization. Elzie, in fact, takes issue with people referring to Garza, Cullors, and Tometi as founders. As she sees it, Ferguson is the cradle of the movement, and no chapter of the organization exists there or anywhere in the greater St. Louis area. That contentious distinction between the organization and the movement is part of the debate about what Black Lives Matter is and where it will go next.

The central contradiction of the civil-rights movement was that it was a quest for democracy led by organizations that frequently failed to function democratically. W. E. B. Du Bois, in his 1903 essay “The Talented Tenth,” wrote that “the Negro race, like all races, is going to be saved by its exceptional men,” and the traditional narrative of the battle for the rights of African-Americans has tended to read like a great-black-man theory of history. But, starting a generation ago, civil-rights historians concluded that their field had focussed too heavily on the movement’s leaders. New scholarship began charting the contributions of women, local activists, and small organizations—the lesser-known elements that enabled the grand moments we associate with the civil-rights era. In particular, the career of Ella Baker, who was a director of the Southern Christian Leadership Conference, and who oversaw the founding of the Student Nonviolent Coordinating Committee, came to be seen as a counter-model to the careers of leaders like Martin Luther King, Jr. Baker was emphatically averse to the spotlight. Barbara Ransby, a professor of history and gender studies at the University of Illinois at Chicago, who wrote a biography of Baker, told me that, during the nineteen-forties, when Baker was a director of branches for the N.A.A.C.P., “she would go into small towns and say, ‘Whom are you reaching out to?’ And she’d tell them that if you’re not reaching out to the town drunk you’re not really working for the rights of black people. The folk who were getting rounded up and thrown in jail had to be included.”

Cullors says, “The consequence of focussing on a leader is that you develop a necessity for that leader to be the one who’s the spokesperson and the organizer, who tells the masses where to go, rather than the masses understanding that we can catalyze a movement in our own community.” Or, as Garza put it, “The model of the black preacher leading people to the promised land isn’t working right now.” Jesse Jackson—a former aide to King and a two-time Presidential candidate, who won seven primaries and four caucuses in 1988—was booed when he tried to address young protesters in Ferguson, who saw him as an interloper. That response was seen as indicative of a generational divide. But the divide was as much philosophical as it was generational, and one that was visible half a century earlier.

Garza, Cullors, and Tometi advocate a horizontal ethic of organizing, which favors democratic inclusion at the grassroots level. Black Lives Matter emerged as a modern extension of Ella Baker’s thinking—a preference for ten thousand candles rather than a single spotlight. In a way, they created the context and the movement created itself. “Really, the genesis of the organization was the people who organized in their cities for the ride to Ferguson,” Garza told me in her office. Those people, she said, “pushed us to create a chapter structure. They wanted to continue to do this work together, and be connected to activists and organizers from across the country.” There are now more than thirty Black Lives Matter chapters in the United States, and one in Toronto. They vary in structure and emphasis, and operate with a great deal of latitude, particularly when it comes to choosing what “actions” to stage. But prospective chapters must submit to a rigorous assessment, by a coördinator, of the kinds of activism that members have previously engaged in, and they must commit to the organization’s guiding principles. These are laid out in a thirteen-point statement written by the women and Darnell Moore, which calls for, in part, an ideal of unapologetic blackness. “In affirming that black lives matter, we need not qualify our position,” the statement reads.

Yet, although the movement initially addressed the killing of unarmed young black men, the women were equally committed to the rights of working people and to gender and sexual equality. So the statement also espouses inclusivity, because “to love and desire freedom and justice for ourselves is a necessary prerequisite for wanting the same for others.” Garza’s argument for inclusivity is informed by the fact that she—a black queer female married to a trans male—would likely have found herself marginalized not only in the society she hopes to change but also in many of the organizations that are dedicated to changing it. She also dismisses the kind of liberalism that finds honor in nonchalance. “We want to make sure that people are not saying, ‘Well, whatever you are, I don’t care,’ ” she said. “No, I want you to care. I want you to see all of me.”

Black activists have organized in response to police brutality for decades, but part of the reason for the visibility of the current movement is the fact that such problems have persisted—and, from the public’s perspective, at least, have seemed to escalate—during the first African-American Presidency. Obama’s election was seen as the culmination of years of grassroots activism that built the political power of black Americans, but the naïve dream of a post-racial nation foundered even before he was sworn into office. As Garza put it, “Conditions have shifted, so our institutions have shifted to meet those conditions. Barack Obama comes out after Trayvon is murdered and does this weird, half-ass thing where he’s, like, ‘That could’ve been my son,’ and at the same time he starts scolding young black men.” In short, all this would seem to suggest, until there was a black Presidency it was impossible to conceive of the limitations of one. Obama, as a young community organizer in Chicago, determined that he could bring about change more effectively through electoral politics; Garza is of a generation of activists who have surveyed the circumstances of his Presidency and drawn the opposite conclusion.

I met up with Garza in downtown San Francisco last August, on an afternoon when the icy winds felt like a rebuke to summer. A lively crowd of several hundred people had gathered in United Nations Plaza for Trans Liberation Tuesday, an event that was being held in twenty cities across the country. A transgender opera singer sang “Amazing Grace.” Then Janetta Johnson, a black trans activist, said, “We’ve been in the street for Oscar Grant, for Trayvon Martin, for Eric Garner. It’s time for our community to show up for trans women.”

The names of Grant, Martin, and Garner—who died in 2014, after being put in a choke hold by police on Staten Island—are now part of the canon of the wrongfully dead. The point of Trans Liberation Tuesday was to draw attention to the fact that there are others, such as Ashton O’Hara and Amber Monroe, black trans people who were killed just weeks apart in Detroit last year, whose names may not be known to the public but who are no less emblematic of a broader social concern. According to a report by the Human Rights Campaign, between 2013 and 2015 there were fifty-three known murders of transgender people; thirty-nine of the victims were African-American.

Garza addressed the crowd for just four minutes; she is not given to soaring rhetoric, but speaks with clarity and confidence. She began with a roll call of the underrepresented: “We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk—we have been leading movements for a long time, but we have been erased from the official narrative.” Yet, over all, her comments were more concerned with the internal dynamics of race. For Garza, the assurance that black lives matter is as much a reminder directed at black people as it is a revelation aimed at whites. The message of Trans Liberation Tuesday was that, as society at large has devalued black lives, the African-American community is guilty of devaluing lives based on gender and sexuality.

The kind of ecumenical activism that Garza espouses has deep roots in the Bay Area. In 1966, in Oakland, Huey P. Newton co-founded the Black Panther Party, which was practically defined by hyperbolic masculinity. Four years later, he made a statement whose message was, at the time, rare for the left, not to mention the broader culture. In a Party newsletter, he wrote:

We have not said much about the homosexual at all, but we must relate to the homosexual movement because it is a real thing. And I know through reading, and through my life experience and observations, that homosexuals are not given freedom and liberty by anyone in the society. They might be the most oppressed people in the society.

As was the case during the civil-rights movement, there are no neat distinctions between the activities of formal organizations and those incited by an atmosphere of social unrest. That ambiguity can be an asset when it inspires entry-level activism among people who had never attended a protest, as happened in Ferguson. But it can be a serious liability when actions contrary to the principles of the movement are associated with it. In December, 2014, video surfaced of a march in New York City, called in response to the deaths of Eric Garner and others, where some protesters chanted that they wanted to see “dead cops.” The event was part of the Millions March, which was led by a coalition of organizations, but the chant was attributed to Black Lives Matter. Several months later, the footage provoked controversy. “For four weeks, Bill O’Reilly was flashing my picture on the screen and saying we’re a hate group,” Garza said.

A week after the march, a troubled drifter named Ismaaiyl Brinsley fatally shot two New York City police officers, Rafael Ramos and Wenjian Liu, as they sat in their patrol car, before killing himself. Some observers argued that, although Brinsley had not identified with any group, his actions were the result of an anti-police climate created by Black Lives Matter. Last summer, not long after Dylann Roof killed nine African-Americans at the Emanuel A.M.E. Church, South Carolina’s governor, Nikki Haley, implied that the movement had so intimidated police officers that they were unable to do their jobs, thereby putting more black lives at risk. All of this was accompanied by an increasing skepticism, across the political spectrum, about whether Black Lives Matter could move beyond reacting to outrages and begin proactively shaping public policy.

The current Presidential campaign has presented the movement with a crucial opportunity to address that question. Last summer, at the annual Netroots Nation conference of progressive activists, in Phoenix, Martin O’Malley made his candidacy a slightly longer shot when he responded to a comment about Black Lives Matter by asserting that all lives matter—an evasion of the specificity of black concerns, which elicited a chorus of boos. At the same event, activists interrupted Bernie Sanders. The Sanders campaign made overtures to the movement following the incident, but three weeks later, on the eve of the first anniversary of Michael Brown’s death, two protesters identifying themselves as Black Lives Matter activists—Marissa Johnson and Mara Willaford—disrupted a Sanders rally in Seattle, preventing the Senator from addressing several thousand people who had gathered to hear him. The women were booed by the largely white crowd, but the dissent wasn’t limited to whites. This was the kind of freestyle disruption that caused even some African-Americans to wonder how the movement was choosing its targets. At the time, it did seem odd to have gone after Sanders twice, given that he is the most progressive candidate in the race, and that none of the Republican candidates had been disrupted in their campaigns.

Garza argues that the strategy has been to leverage influence among the Democrats, since ninety per cent of African-Americans vote Democratic. She says that it will be uncomfortable for voters if “the person that you are supporting hasn’t actually done what they need to be doing, in terms of addressing the real concern of people under this broad banner.” She defended the Seattle action, saying that it was “part of a very localized dynamic, but an important one,” and added that “without being disrupted Sanders wouldn’t have released a platform on racial justice.” Afterward, Sanders hired Symone Sanders, an African-American woman, to be his national press secretary. He also released a statement on civil rights that prominently featured the names of African-American victims of police violence, and he began frequently referring to Black Lives Matter on the campaign trail. He subsequently won the support of many younger black activists, including Eric Garner’s daughter.

An attempt to disrupt a Hillary Clinton rally early in the campaign, in New Hampshire, failed when the protesters arrived too late to get into the hall. But Clinton met with them privately afterward, and engaged in a debate about mass incarceration. She has met with members of the movement on other occasions, too. Clinton has the support of older generations of black leaders and activists—including Eric Garner’s mother—and she decisively carried the black vote in Super Tuesday primaries across the South. But she has been repeatedly criticized by other activists for her support of President Bill Clinton’s 1994 crime bill, and, particularly, for comments that she made, in the nineties, about “superpredators” and the need “to bring them to heel.” Two weeks ago, Ashley Williams, a twenty-three-year-old who describes herself as an “independent organizer for the movement for black lives,” interrupted a private fund-raising event in Charleston, where Clinton was speaking, to demand an apology. The next day, Clinton told the Washington Post, “Looking back, I shouldn’t have used those words, and I wouldn’t use them today.”

If Black Lives Matter has been an object lesson in the power of social media, it has also revealed the medium’s pitfalls. Just as the movement was enjoying newfound influence among the Democratic Presidential contenders, it was also gaining attention for a series of febrile Twitter exchanges. In one, DeRay Mckesson and Johnetta Elzie got into a dispute with Shaun King, a writer for the Daily News, over fund-raising for a social-justice group. The conservative Web site Breitbart ran a picture of Mckesson and King with the headline “BLACK LIVES MATTER LEADERS JUST EXCOMMUNICATED SHAUN KING.”

Last month, it was announced that Garza would speak at Webster University, in St. Louis, which prompted an acrimonious social-media response from people in the area who are caught up in the debate over the movement’s origins. Elzie tweeted, “Thousands of ppl without platforms who have NO CLUE who the ‘three’ are, and their work/sacrifice gets erased,” and said that the idea that Garza is a founder of the movement is a “lie.” Garza released a statement saying that she had cancelled the event “due to threats and online attacks on our organization and us as individuals from local activists with whom we have made an effort to have meaningful dialogue.” She continued, “We all lose when bullying and personal attacks become a substitute for genuine conversation and principled disagreement.”

There’s nothing novel about personality conflicts arising among activists, but to older organizers, who had watched as federal surveillance and infiltration programs sowed discord that all but wrecked the Black Power movement, the public airing of grievances seemed particularly amateurish. “Movements are destroyed by conflicts over money, power, and credit,” Garza said, a week after the cancellation. “We have to take seriously the impact of not being able to have principled disagreement, or we’re not going to be around very long.”

Almost from the outset, Black Lives Matter has been compared to the Occupy movement. Occupy was similarly associated with a single issue—income inequality—which it transformed into a movement through social media. Its focus on the one per cent played a key role in the 2012 election, and it likely contributed to the unexpected support for Bernie Sanders’s campaign. To the movement’s critics, however, its achievements fell short of its promise. Its dissipation seemed to prove that, while the Internet can foster the creation of a new movement, it can just as easily threaten its survival.

Black Lives Matter would appear to face similar concerns, though in recent months the movement has tacked in new directions. In November, the Ella Baker Center received a five-hundred-thousand-dollar grant from Google, for Patrisse Cullors to further develop a program to help California residents monitor and respond to acts of police violence. Last year, Mckesson, with Elzie, Brittany Packnett, and Samuel Sinyangwe, a twenty-five-year-old data analyst with a degree from Stanford, launched Campaign Zero, a list of policing-policy recommendations that calls for, among other things, curtailing arrests for low-level crimes, reducing quotas for summonses and arrests, and demilitarizing police departments. To date, neither Clinton nor Sanders has endorsed the platform, but both have met with the activists to discuss it.

The announcement of Mckesson’s mayoral candidacy, which he made on Twitter—he has more than three hundred thousand followers—is the most dramatic break from the movement’s previous actions. (Beyoncé has more than fourteen million followers, but she follows only ten people. Mckesson is one of them.) Mckesson is a native of Baltimore and he grew up on the same side of town as Freddie Gray, whose death last year in police custody sparked protests and riots in the city—at which Mckesson was a frequent presence. His family struggled with poverty and drug addiction, but he excelled academically and went on to attend Bowdoin College, in Maine. He will be running against twenty-eight other candidates. One of them, the city councilman Nick Mosby, is married to Marilyn Mosby, the Maryland state’s attorney, who is handling the prosecution of the six police officers indicted in connection with Gray’s death.

Garza is tactful when she talks about Mckesson’s campaign. “I’m in favor of people getting in where they fit in. Wherever you feel you can make the greatest contribution, you should,” she said. But she doesn’t see it as her role to define the future of the movement. She told me an anecdote that illustrates the non-centrality of her role. Last month, on Martin Luther King Day, she and Malachi were driving into San Francisco, where she was scheduled to appear at a community forum, when they heard on the radio that the Bay Bridge had been shut down. Members of a coalition of organizations, including the Bay Area chapter of Black Lives Matter, had driven onto the bridge, laced chains through their car windows, and locked them to the girders, shutting down entry to the city from Oakland. Garza had known that there were plans to mark the holiday with a protest—marches and other events were called across the nation—but she was not informed of this specific activity planned in her own city. “It’s not like there’s a red button I push to make people turn up,” she said. It would have been inconceivable for, say, the S.C.L.C. to have carried out such an ambitious action without the leadership’s being aware of every detail.

In January, Garza travelled to Washington, to attend President Obama’s final State of the Union address; she had been invited by Barbara Lee, her congressional representative. (Lee, who was the sole member of Congress to vote against the authorization of military force after 9/11, has a high standing among activists who are normally skeptical of elected officials.) After the speech, as Garza stood outside in the cold, trying to hail a cab, she said that she was disappointed. The President had not driven home the need for police reform. He had spoken of economic inequality and a political system rigged to benefit the few, but had scarcely touched upon the implications of that system for African-Americans specifically. From the vantage point of black progressives, his words were a kind of all-lives-matter statement of public policy.

A year from now, Barack Obama will leave office, and with him will go a particular set of expectations of racial rapprochement. So will the sense that what happened in Sanford, Ferguson, Baltimore, Charleston, and Staten Island represents a paradox. Black Lives Matter may never have more influence than it has now. The future is not knowable, but it isn’t likely to be unfamiliar. 

*An earlier version of this article misstated Mckesson’s age at the time.

+++++++++++
Jelani Cobb has been a contributor to The New Yorker and newyorker.com since 2013, writing frequently about race, politics, history, and culture.

 

>via: http://www.newyorker.com/magazine/2016/03/14/where-is-black-lives-matter-headed

____________________

March 7, 2016

March 7, 2016

 

 

‘The New Yorker’

Charts The Rise Of

Black Lives Matter

Jelani Cobb

Jelani Cobb

NPR’s Kelly McEvers talks with Jelani Cobb, whose article in the New Yorker charts the genesis and evolution of the Black Lives Matter movement.

 

>via: http://www.npr.org/2016/03/07/469545405/the-new-yorker-charts-the-rise-of-black-lives-matter

 

 

 

 

 

Monday, March 7, 2016

Monday, March 7, 2016

 

 

 

Black Study,

Black Struggle

The university is not an engine of
social transformation. Activism is. 

 

 

Christopher Metzger

Christopher Metzger

 

Editors’ Note: Answer Robin Kelley’s call for a rebirth of political education by organizing a reading group. To help you get started, we asked forum contributor Derecka Purnell to share the Harvard Law School student activists’ Radical Political Action Reading List.

 

In the fall of 2015, college campuses were engulfed by fires ignited in the streets of Ferguson, Missouri. This is not to say that college students had until then been quiet in the face of police violence against black Americans. Throughout the previous year, it had often been college students who hit the streets, blocked traffic, occupied the halls of justice and malls of America, disrupted political campaign rallies, and risked arrest to protest the torture and suffocation of Eric Garner, the abuse and death of Sandra Bland, the executions of Tamir Rice, Ezell Ford, Tanisha Anderson, Walter Scott, Tony Robinson, Freddie Gray, ad infinitum.

That the fire this time spread from the town to the campus is consistent with historical patterns. The campus revolts of the 1960s, for example, followed the Harlem and Watts rebellions, the freedom movement in the South, and the rise of militant organizations in the cities. But the size, speed, intensity, and character of recent student uprisings caught much of the country off guard. Protests against campus racism and the ethics of universities’ financial entanglements erupted on nearly ninety campuses, including Brandeis, Yale, Princeton, Brown, Harvard, Claremont McKenna, Smith, Amherst, UCLA, Oberlin, Tufts, and the University of North Carolina, both Chapel Hill and Greensboro. These demonstrations were led largely by black students, as well as coalitions made up of students of color, queer folks, undocumented immigrants, and allied whites.

What I offer here are a few observations and speculations about the movement, its self-conception, and its demands, many of which focus on making the university more hospitable for black students. I am not opposed to this. Nor am I questioning the courageous students who have done more to disrupt university business-as-usual than any movement in the last half-century. Instead I want to draw attention to the contradictory impulses within the movement: the tension between reform and revolution, between desiring to belong and rejecting the university as a cog in the neoliberal order. I want to think about what it means for black students to seek love from an institution incapable of loving them—of loving anyone, perhaps—and to manifest this yearning by framing their lives largely through a lens of trauma. And I want to think about what it means for black students to choose to follow Stefano Harney and Fred Moten’s call to become subversives in the academy, exposing and resisting its labor exploitation, its gentrifying practices, its endowments built on misery, its class privilege often camouflaged in multicultural garb, and its commitments to war and security.

It is fair to say that most black students have minimal interest in joining the current wave of activism. Many are not politically radical, while others feel that they do not yet have the discernment to know if they are. Others fear that an activist past may haunt them in the future, while the majority is simply trying to get through school and join the ranks of professionals. This essay does not attempt to offer such students an invitation to activism, although that would be a worthy project. Rather, I am interested in speaking to those who are already activists, specifically about the ideological fissures in their movement and what these might tell us about the character of contemporary black movements, the future of the university, and what I believe is a crisis of political education. And while crises reveal contradictions, they also signal opportunities.

In particular, I challenge student activists to not cleave their activism from their intellectual lives or mistakenly believe that because the university does not offer them the education they crave, it is beyond their reach. There is a long history of black activists repurposing university resources to instruct themselves and one another—to self-radicalize, in effect. This is not to say that today’s student activists should do exactly as was done in the past, but historical models may provide valuable insights for those seeking novel solutions. Moreover, I encourage student activists to carefully consider the language they use to frame their grievances. In particular, I argue that while trauma can be an entrance into activism, it is not in itself a destination and may even trick activists into adopting the language of the neoliberal institutions they are at pains to reject.

• • •

The epicenter of recent student activism, the University of Missouri, Columbia, is a two-hour drive from the spot where former Ferguson police office Darren Wilson ended Michael Brown’s life. In November the activism of a coalition called Concerned Student 1950 (the year “Mizzou” admitted its first black student)—coupled with a hunger-striking graduate student and a threatened strike by the varsity football team—forced the president and chancellor to resign and the university’s Board of Curators to acknowledge a long history of campus racism. It was a victory for students of color at Mizzou and elsewhere, who have been fighting deeply entrenched racism for years. Since President Obama took office in 2009, the U.S. Department of Education’s Office for Civil Rights has received more than a thousand formal complaints of racial harassment at colleges and universities.

While students on various campuses have done everything from addressing racial incidents to criticizing university investments, the national trend is to push for measures that would make campuses more hospitable to students of color: greater diversity, inclusion, safety, and affordability. That means more students, faculty, staff, and administrators of color; “safe spaces” and mental health support; reduced or free tuition; curricular changes; and the renaming of campus buildings and monuments after significant nonwhite figures. Similarly the Obama administration convened a meeting of administrators, faculty, students, and lawyers to promote ways to “foster supportive educational environments.” As former Secretary of Education Arne Duncan put it, college should be about “finding a home and a community” and ensuring that campuses are “welcoming places for learning for every student.”

Indeed, to some extent campus protests articulated the sense of betrayal and disappointment that many black students felt upon finding that their campuses failed to live up to their PR. Many students had come to the university expecting to find a welcoming place, a nurturing faculty, and protective administration. If they believed this, it was in no small part because university recruiters wanted them to: tours for prospective students, orientations, and slickly produced brochures often rely on metaphors of family and community, highlight campus diversity, and emphasize the sense of belonging that young scholars enjoy.

Can we acknowledge students’ pain in a
culture that reduces oppression to
misunderstanding and psychology?
 

But while the rebellions succeeded in getting the attention of administrators and trustees, as well as the national media, students endured an awful backlash—including credible death threats—that tested the limits of the family metaphor, which to many now seems both misguided and disingenuous. Conservatives and liberals alike trivialized their activism, dismissing the protesters as oversensitive whiners whose demands for speech codes, dress codes, and mandatory anti-racist courses threaten the university’s integrity and impede critical thought.

The rancor, however, has obscured fundamental differences within the movement. Student’s core demands for greater diversity, inclusion, and cultural-competency training converge with their critics’ fundamental belief that the university possesses a unique teleology: it is supposed to be an enlightened space free of bias and prejudice, but the pursuit of this promise is hindered by structural racism and patriarchy. Though adherents of this perspective differ in their assessments of the extent to which the university falls short of this ideal, they agree that it is perfectible.

I do not. The fully racialized social and epistemological architecture upon which the modern university is built cannot be radically transformed by “simply” adding darker faces, safer spaces, better training, and a curriculum that acknowledges historical and contemporary oppressions. This is a bit like asking for more black police officers as a strategy to curb state violence. We need more faculty of color, but integration alone is not enough. Likewise, what is the point of providing resources to recruit more students of color without changing admissions criteria and procedures? Why do we stay wedded to standard “achievement” measures instead of, say, open admissions?

A smaller, more radical contingent of protesters is less sanguine about the university’s capacity to change. Rejecting the family metaphor, these students understand that universities are not walled off from the “real world” but instead are corporate entities in their own right. These students are not fighting for a “supportive” educational environment, but a liberated one that not only promotes but also models social and economic justice. One such student coalition is the Black Liberation Collective, which has three demands:

1) that the numbers of black students and faculty reflect the national percentage of black folks in the country;

2) that tuition be free for black and indigenous students;

3) that universities divest from prisons and invest in communities.

Likewise the demands from protesters at UNC, Chapel Hill are a model for radical global politics. They include ending ties to prisons and sweated labor; retraining and disarming campus police; offering free childcare for students, staff, and faculty; and paying a minimum wage of $25 per hour for workers, with the addendum “that all administrators be compensated at the same rate as workers.” Many will say these are not winnable demands, but winning is not always the point. Unveiling the university’s exploitative practices and its deeply embedded structures of racism, sexism, and class inequality can be profound acts of demystification on their own.

But still, a common thread runs through both the more modest and more radical critics of universities. Both demand that universities change in ways that we cannot expect them to change. The first group asks universities to deliver on their promise to be post-racial havens, but that will not happen in a surrounding sea of white supremacy. The second sees universities as the leading edge in a socially revolutionary fight. While I share the transformative aims of the latter, I think that universities are not up the task. Certainly universities can and will become more diverse and marginally more welcoming for black students, but as institutions they will never be engines of social transformation. Such a task is ultimately the work of political education and activism. By definition it takes place outside the university.

 

Fugitive Study
Black studies was conceived not just outside the university but in opposition to a Eurocentric university culture with ties to corporate and military power. Having emerged from mass revolt, insurgent black studies scholars developed institutional models based in, but largely independent of, the academy. In later decades, these institutions were—with varying degrees of eagerness—incorporated into the university proper in response to pressure to embrace multiculturalism.

In 1969 Vincent Harding, Stephen Henderson, Abdul Alkalimat, A. B. Spellman, Larry Rushing, and Council Taylor founded the Institute of the Black World (IBW) at Atlanta University in order to mobilize the “collective scholarship” of black intellectuals to confront racism and colonialism, here and abroad. Black students, artists, and activists at the University of Chicago founded the Communiversity, offering courses in African history and Marxist political economy to community members on Chicago’s South Side. Less than two decades later, the United Coalition Against Racism, a student organization at the University of Michigan, established the Ella Baker – Nelson Mandela Center for Anti-Racist Education (BMC). The center was never conceived as a safe space for students of color but rather as a resource for anti-racist struggles “dedicated to the principle of thinking in order to act.” The BMC offered leadership training, sponsored cultural and educational events, provided rare anti-racist literature, and served as a radical place for study and critical engagement open to everyone, especially nonuniversity working-class residents.

Universities will never be engines of social
transformation. Such a task is the work of
political education and activism.

In fact, it was during a talk held at IBW that the Guyanese historian Walter Rodney, some six years before he was martyred, urged radical black scholars to become “guerrilla intellectuals.” By this he meant freeing ourselves from the “Babylonian captivity” of bourgeois society, moving beyond disciplinary imperatives, and “grounding” with the people so as to engage, act, and think collectively in terms of social movements. Recently, Rodney’s notion of the guerrilla intellectual has been resuscitated and transformed in Stefano Harney and Fred Moten’s The Undercommons: Fugitive Planning and Black Study.

Harney and Moten disavow the very idea that the university is, or can ever be, an enlightened place, by which I mean a place that would actively seek to disrupt the reproduction of our culture’s classed, racialized, nationalized, gendered, moneyed, and militarized stratifications. Instead they argue that the university is dedicated to professionalization, order, scientific efficiency, counterinsurgency, and war—wars on terror, sovereign nations, communism, drugs, and gangs. The authors advocate refuge in and sabotage from the undercommons, a subaltern, subversive way of being in but not of the university. The undercommons is a fugitive network where a commitment to abolition and collectivity prevails over a university culture bent on creating socially isolated individuals whose academic skepticism and claims of objectivity leave the world-as-it-is intact.

Unlike Rodney’s guerrilla intellectuals, Harney and Moten’s guerrillas are not preparing to strike, planning to seize power, contesting the university (or the state; the difference isn’t always clear)—at least not on the terms they have set. To do so would be to recognize the university and its legitimacy and to be invested in its regimes of professionalization. Instead Harney and Moten argue that the university’s power over our lives is illusory. It lulls us into believing that politics—to lobby for access to, or control over, such institutions—is our only salvation. The book is a clarion call to think together, to plan together in undisciplined assembly. When The Undercommons hit the Internet—first as a 2008 essay and then as a 2013 collection of essays—it spread like wildfire among the PhD precariat and radical-thinking graduate students. For many young scholars cobbling together a life adjuncting, Harney and Moten’s critique of the university spoke an essential truth: “It cannot be denied that the university is a place of refuge, and it cannot be accepted that the university is a place of enlightenment. In the face of these conditions one can only sneak into the university and steal what one can.”

Contrast this with black student protesters who appeal to the university to “repair a broken community,” to make students “feel safe, accepted, supported and like they belong,” and to remedy their sense of alienation through “intense ‘inclusion and belonging’ training for all levels of students, staff, faculty, and administration.” Why black students might seek belonging and inclusion over refuge is understandable, given their expressed sense of alienation and isolation, combined with the university’s liberal use of the family metaphor. It also explains why students are asking the university to implement curriculum changes—namely, the creation of cultural-competency courses, more diverse course reading lists, and classes dedicated to the study of race, gender, sexuality, and social justice. They not only acknowledge the university’s magisterium in all things academic, but they also desperately wish to change the campus culture, to make this bounded world less hostile and less racist.

But granting the university so much authority over our reading choices, and emphasizing a respect for difference over a critique of power, comes at a cost. Students not only come to see the curriculum as an oppressor that delimits their interrogation of the world, but they also come to see racism largely in personal terms.

 

The Personal Is Not Always Political
Second only to a desire for increased diversity, better mental health services were a chief priority for student protesters. Activists framed their concerns and grievances in the language of personal trauma. We shouldn’t be surprised. While every generation of black Americans has experienced unrelenting violence, this is the first one compelled to witness virtually all of it, to endure the snuffing out of black lives in real time, looped over and over again, until the next murder knocks it off the news. We are also talking about a generation that has lived through two of the longest wars in U.S. history, raised on a culture of spectacle where horrific acts of violence are readily available on their smartphones. What Henry Giroux insightfully identifies as an addiction does nothing to inure or desensitize young people to violence. On the contrary, it anchors violence in their collective consciousness, produces fear and paranoia—wrapped elegantly in thrill—and shrouds the many ways capitalism, militarism, and racism are killing black and brown people.

So one can easily see why the language of trauma might appeal to black students. Trauma is real; it is no joke. Mental health services and counseling are urgently needed. But reading black experience through trauma can easily slip into thinking of ourselves as victims and objects rather than agents, subjected to centuries of gratuitous violence that have structured and overdetermined our very being. In the argot of our day, “bodies”—vulnerable and threatening bodies—increasingly stand in for actual people with names, experiences, dreams, and desires. I suspect that the popularity of Ta-Nehisi Coates’s Between the World and Me (2015), especially among black college students, rests on his singular emphasis on fear, trauma, and the black body. He writes:

In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. . . . The spirit and soul are the body and brain, which are destructible—that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings.

Coates implies that the person is the brain, and the brain just another organ to be crushed with the rest of the body’s parts. Earlier in the book, he makes the startling declaration that enslaved people “knew nothing but chains.” I do not deny the violence Coates so eloquently describes here, and I am sympathetic to his atheistic skepticism. But what sustained enslaved African people was a memory of freedom, dreams of seizing it, and conspiracies to enact it—fugitive planning, if you will. If we reduce the enslaved to mere fungible bodies, we cannot possibly understand how they created families, communities, sociality; how they fled and loved and worshiped and defended themselves; how they created the world’s first social democracy.

Trauma is real. But reading black
experience through trauma can lead to
thinking of ourselves as victims rather
than agents.

 

 

Moreover, to identify anti-black violence as heritage may be true in a general sense, but it obscures the dialectic that produced and reproduced the violence of a regime dependent on black life for its profitability. It was, after all, the resisting black body that needed “correction.” Violence was used not only to break bodies but to discipline people who refused enslavement. And the impulse to resist is neither involuntary nor solitary. It is a choice made in community, made possible by community, and informed by memory, tradition, and witness. If Africans were entirely compliant and docile, there would have been no need for vast expenditures on corrections, security, and violence. Resistance is our heritage.

And resistance is our healing. Through collective struggle, we alter our circumstances; contain, escape, or possibly eviscerate the source of trauma; recover our bodies; reclaim and redeem our dead; and make ourselves whole. It is difficult to see this in a world where words such as traumaPTSDmicro-aggression, and triggers have virtually replaced oppression, repression, and subjugation. Naomi Wallace, a brilliant playwright whose work explores trauma in the context of race, sexuality, class, war, and empire, muses:

Mainstream America is less threatened by the ‘trauma’ theory because it doesn’t place economic justice at its core and takes the focus out of the realm of justice and into psychology; out of the streets, communities, into the singular experience (even if experienced in common) of the individual.

Similarly, George Lipsitz observes that emphasizing “interiority,” personal pain, and feeling elevates “the cultivation of sympathy over the creation of social justice.” This is partly why demands for reparations to address historical and ongoing racism are so antithetical to modern liberalism.

Managing trauma does not require dismantling structural racism, which is why university administrators focus on avoiding triggers rather than implementing zero-tolerance policies for racism or sexual assault. Buildings will be renamed and safe spaces for people of color will be created out of a sliver of university real estate, but proposals to eliminate tuition and forgive student debt for the descendants of the dispossessed and the enslaved will be derided as absurd. This is also why diversity and cultural-competency training are the most popular strategies for addressing campus racism. As if racism were a manifestation of our “incompetent” handling of “difference.” If we cannot love the other, we can at least learn to hear, respect, understand, and “tolerate” her. Cultural competency also means reckoning with white privilege, coming to terms with unconscious bias and the myriad ways white folks benefit from current racial arrangements. Powerful as this might be, the solution to racism still is shifted to the realm of self-help and human resources, resting on self-improvement or the hiring of a consultant or trainer to help us reach our goal.

Cultural-competency training, greater diversity, and demands for multicultural curricula represent both a resistance to and manifestation of our current “postracial” moment. In Are We All Postracial Yet? (2015), David Theo Goldberg correctly sees postracialism as a neoliberal revision of multicultural discourse, whose proposed remedies to address racism would in fact resuscitate late-century multiculturalism. But why hold on to the policies and promises of multiculturalism and diversity, especially since they have done nothing to dislodge white supremacy? Indeed I want to suggest that the triumph of multiculturalism marked a defeat for a radical anti-racist vision. True, multiculturalism emerged in response to struggles waged by the Black Freedom movement and other oppressed groups in the 1960s and ’70s. But the programmatic adoption of diversity, inclusion, and multiculturalism vampirized the energy of a radical movement that began by demanding the complete transformation of the social order and the eradication of all forms of racial, gender, sexual, and class hierarchy.

Christopher Metzger

Christopher Metzger

The point of liberal multiculturalism was not to address the historical legacies of racism, dispossession, and injustice but rather to bring some people into the fold of a “society no longer seen as racially unjust.” What did it bring us? Black elected officials and black CEOs who helped manage the greatest transfer of wealth to the rich and oversee the continued erosion of the welfare state; the displacement, deportation, and deterioration of black and brown communities; mass incarceration; and planetary war. We talk about breaking glass ceilings in corporate America while building more jail cells for the rest. The triumph of liberal multiculturalism also meant a shift from a radical anti-capitalist critique to a politics of recognition. This means, for example, that we now embrace the right of same-sex couples to marry so long as they do not challenge the institution itself, which is still modeled upon the exchanging of property; likewise we accept the right of people of color, women, and queer people to serve in the military, killing and torturing around the world.

At the same time, contemporary calls for cultural competence and tolerance reflect neoliberal logic by emphasizing individual responsibility and suffering, shifting race from the public sphere to the psyche. The postracial, Goldberg writes, “renders individuals solely accountable for their own actions and expressions, not for their group’s.” Tolerance in its multicultural guise, as Wendy Brown taught us, is the liberal answer to managing difference but with no corresponding transformation in the conditions that, in the first place, marked certain bodies as suspicious, deviant, abject, or illegible. Tolerance, therefore, depoliticizes genuine struggles for justice and power:

Depoliticization involves construing inequality, subordination, marginalization, and social conflict, which all require political analysis and political solutions, as personal and individual, on the one hand, or as natural, religious, or cultural on the other. Tolerance works along both vectors of depoliticization—it personalizes and it naturalizes or culturalizes—and sometimes it intertwines them.

But how can we embrace our students and acknowledge their pain while remaining wary of a culture that reduces structural oppression to misunderstanding and psychology?

 

Love, Study, Struggle
Taped inside the top drawer of my desk is a small scrap of paper with three words scrawled across it: “Love, Study, Struggle.” It serves as a daily reminder of what I am supposed to be doing. Black study and resistance must begin with love. James Baldwin understood love-as-agency probably better than anyone. For him it meant to love ourselves as black people; it meant making love the motivation for making revolution; it meant envisioning a society where everyone is embraced, where there is no oppression, where every life is valued—even those who may once have been our oppressors. It did not mean seeking white people’s love and acceptance or seeking belonging in the world created by our oppressor. In The Fire Next Time (1963), he is unequivocal: “I do not know many Negroes who are eager to be ‘accepted’ by white people, still less to be loved by them; they, the blacks, simply don’t wish to be beaten over the head by the whites every instant of our brief passage on this planet.” But here is the catch: if we are committed to genuine freedom, we have no choice but to love all. To love all is to fight relentlessly to end exploitation and oppression everywhere, even on behalf of those who think they hate us. This was Baldwin’s point—perhaps his most misunderstood and reviled point.

To love this way requires relentless struggle, deep study, and critique. Limiting our ambit to suffering, resistance, and achievement is not enough. We must go to the root—the historical, political, social, cultural, ideological, material, economic root—of oppression in order to understand its negation, the prospect of our liberation. Going to the root illuminates what is hidden from us, largely because most structures of oppression and all of their various entanglements are simply not visible and not felt. For example, if we argue that state violence is merely a manifestation of anti-blackness because that is what we see and feel, we are left with no theory of the state and have no way of understanding racialized police violence in places such as Atlanta and Detroit, where most cops are black, unless we turn to some metaphysical explanation.

For my generation, the formal classroom was never the space for deep critique precisely because it was not a place of love. The classroom was—and still is—a performative space, where faculty and students compete with each other. Through study groups, we created our own intellectual communities held together by principle and love, though the specters of sectarianism, ego, and just-plain childishness blurred our vision and threatened our camaraderie. Still, the political study group was our lifeblood—both on and off campus. We lived by Karl Marx’s pithy 1844 statement:

But if the designing of the future and the proclamation of ready-made solutions for all time is not our affair, then we realize all the more clearly what we have to accomplish in the present—I am speaking of a ruthless criticism of everything existing, ruthless in two senses: The criticism must not be afraid of its own conclusions, nor of conflict with the powers that be.

Study groups introduced me to C. L. R. James, Frantz Fanon, Walter Rodney, Barbara Smith, Angela Davis, Karl Marx, Friedrich Engels, Vladimir Lenin, Chancellor Williams, George E. M. James, Shulamith Firestone, Kwame Nkrumah, Kwame Turé, Rosa Luxemburg, Antonio Gramsci, Chinweizu Ibekwe, Amílcar Cabral, and others. These texts were our sources of social critique and weapons in our class war on the bourgeois canon. As self-styled activist-intellectuals, it never occurred to us to refuse to read a text simply because it validated the racism, sexism, free-market ideology, and bourgeois liberalism against which we railed. Nothing was off limits. On the contrary, delving into these works only sharpened our critical faculties.

Love and study cannot exist without struggle, and struggle cannot occur solely inside the refuge we call the university. Being grounded in the world we wish to make is fundamental. As I argued in Freedom Dreams nearly fifteen years ago, “Social movements generate new knowledge, new theories, new questions. The most radical ideas often grow out of a concrete intellectual engagement with the problems of aggrieved populations confronting systems of oppression.” Ironically I wrote these words with my students in mind, many of whom were involved in campus struggles, feeling a bit rudderless but believing that the only way to make themselves into authentic activists was to leave the books and radical theories at home or in their dorms. The undercommons offers students a valuable model of study that takes for granted the indivisibility of thought and struggle, not unlike its antecedent, the Mississippi Freedom Schools.

The Mississippi Freedom Schools, initially launched by the Student Non-Violent Coordinating Committee as part of the 1964 Freedom Summer, were intended to create “an educational experience for students which will make it possible for them to challenge the myths of our society, to perceive more clearly its realities and to find alternatives, and ultimately, new directions for action.” The curriculum included traditional subjects that publicly funded black schools did not offer, but they were never designed to be simply better versions of the traditional liberal education model. Rather, students examined power along the axes of race and class. Students and teachers worked together to reveal how ruling whites profited from Jim Crow, and they included in their analysis the precarious position of poor whites. Rural black kids of all ages learned to distinguish between “Material Things and Soul Things,” developing a trenchant critique of materialism. The freedom schools challenged the myth that the civil rights movement was just about claiming a place in mainstream society. They didn’t want equal opportunity in a burning house; they wanted to build a new house.

Perhaps one of the best historical models of radical, collective, grounded intellectual work was launched by black feminists Patricia Robinson, Patricia Haden, and Donna Middleton, working with community residents of Mt. Vernon, New York, many of whom were unemployed, low-wage workers, welfare mothers, and children. Together, they organized and read as a community—from elders to children. They saw education as a vehicle for collective transformation and an incubator of knowledge, not a path to upward mobility and material wealth. Influenced by Frantz Fanon, they interrogated and critiqued racism, sexism, slavery, and capitalism, emphasizing the ways in which racism produced a kind of psychosis among poor black people. Their study and activism culminated in a collectively written, independently published book called Lessons from the Damned (1973). It is a remarkable book, with essays by adults as well as children—some as young as twelve, who developed trenchant criticisms of public school teachers and the education system.

Although they acknowledged the unavoidability of addressing trauma, they understood that one’s activism could not stop there. In a section titled “The Revolt of Poor Black Women,” the authors insisted that a genuine revolution requires the overthrow of capitalism, the elimination of male supremacy, and the transformation of self. Revolution, they argued, is supposed to usher in a brand new beginning; it is driven by the power of freed imagination, not the dead weight of the past. As Robinson, Haden, and Middleton wrote, “All revolutionaries, regardless of sex, are the smashers of myths and the destroyers of illusion. They have always died and lived again to build new myths. They dare to dream of a utopia, a new kind of synthesis and equilibrium.”

At UCLA, where I teach, these same insights are taking a new form. A group of graduate students launched their version of the undercommons in January 2016. Based on the Freedom School model, UCLA’s undercommons holds weekly outdoor meetings featuring activists from groups such as Black Lives Matter, Critical Resistance, and the L.A. Poverty Department. Faculty and students lead discussions. These events have drawn as many as 150 students, and the community continues to grow. The primary organizers—Thabisile Griffin, Marques Vestal, Olufemi O. Taiwo, Sa Whitley, and Shamell Bell—are all doctoral students who see the university as a site of contestation, a place of refuge, and a space for collective work. Their vision is radical and radically ambitious: they are abolitionists committed to dismantling prisons and redirecting their funding to education and the repair of inequality. Their ultimate goal is to create in the present a future that overthrows the logic of neoliberalism.

These students are demonstrating how we might remake the world. They are ruthless in their criticism and fearless in the face of the powers that be. They model what it means to think through crisis, to fight for the eradication of oppression in all its forms, whether it directly affects us or not. They are in the university but not of the university. They work to understand and advance the movements in the streets, seeking to eliminate racism and state violence, preserve black life, defend the rights of the marginalized (from undocumented immigrants to transfolk), and challenge the current order that has brought us so much misery. And they do this work not without criticism and self-criticism, not by pandering to popular trends or powerful people, a cult of celebrity or Twitter, and not by telling lies, claiming easy answers, or avoiding the ideas that challenge us all.

 

Continue to our Radical Political Action Reading List.

 

>via: http://bostonreview.net/forum/robin-d-g-kelley-black-study-black-struggle

 

March 08, 2016

March 08, 2016

 

 

 

 

Charles Barkley:

‘All politics is rich

people screwing

poor people’

 
Getty Images

Getty Images

NBA Hall of Famer Charles Barkley on Tuesday lashed out at Republicans and Democrats, accusing both of exploiting the impoverished for political gain.

“All politics is rich people screwing poor people,” he said during the NCAA basketball tournament media day, according to The Guardian.

“Poor people are too stupid to know they’re just chess pieces in a game,” Barkley continued. “All the poor white people, all the poor black people, all the Hispanics, they’re all in the same boat.“They’ve got no economic opportunities,” the retired basketball star added. “They spend all their time blaming each other because rich people throw words at them like illegal immigration and racism and things like that.

“If poor people ever get smart, and realize: ‘We should band together, rise up, instead of fighting each other,’ we probably can make a difference.”

Barkley derided the GOP as especially guilty of sowing discord by focusing on class warfare and economic inequality.

“The Republicans always do a good job dividing and conquering,” he said. “They do a really great job of making black folks, poor white folks and Hispanics not like each other.

“All they talk about immigration, the notion that illegal immigrants are ruining our country [by] taking jobs,” Barkley continued. “We’re shipping all of our jobs out of the country.

“If you’re a poor white person and your life sucks, it’s easy for you to blame Hispanics [because] you don’t want to look in the mirror and say, ‘I’m the reason my life sucks.’ The Republicans do a good job exploiting that.”

The former Philadelphia 76ers and Phoenix Suns player also expressed disappointment with Democrats.

“I’ve always voted Democratic – always,” Barkley said. “I don’t know why. I’m trying to figure out exactly what they’ve done for us.”

Barkley revealed last August that he supports Gov. John Kasich (R-Ohio) in his quest for the GOP presidential nomination.

The outspoken athlete additionally described Republican presidential front-runner Donald Trump’s supporters as “losers” last December.

 

>via: http://thehill.com/blogs/in-the-know/in-the-know/272287-charles-barkley-all-politics-is-rich-people-screwing-poor

 

 

 

 

Monday, March 7, 2016

Monday, March 7, 2016

 

 

 

Radical Political

Action Reading List

 

 
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Editors’ Note: In the Black Study, Black Struggle forum, Robin D. G. Kelley advocates for a rebirth of grassroots political education. A forum contributor, Derecka Purnell, informed us that some groups of student-activists are already doing exactly that. At Harvard Law School, a group called Reclaim Harvard Law has occupied one of the school’s lounges and is holding weekly political education sessions there. Purnell shared with us her list of the texts that have been circulating in the group. It reveals an investment in liberation from not only racial oppression, but from all forms of oppression, including sexual and financial. This is informed by a commitment to “intersectionality,” Kimberlé Crenshaw’s insight that various forms of oppression are entangled and amplify one another, and thus must be fought in concert. We present this list, in the form it was presented to us, as the current pulse of the movement and a testament to its members’ brilliance.

 

Critical Reading

(to Have and to Hold):

Abu-Jamal, Mumia. We Want Freedom: A Life in the Black Panther Party. Cambridge, MA: South End Press, 2004.

Alexander, Michelle. The New Jim Crow: Mass Incarceration in the Age of Colorblindness. New York: The New Press, 2010.

Baldwin, James. The Fire Next Time. New York: Dial Press, 1963.

Bell, Derrick. Race, Racism and American Law. Boston: Little, Brown, 1973.

———. “Who’s Afraid of Critical Race Theory?” University of Illinois Law Review, 1995, 893–910. [Online.]

Biko, Steve. I Write What I Like.San Francisco: Harper and Row, 1986.

Clark, Kenneth B. Dark Ghetto: Dilemmas of Social Power. New York: Harper and Row, 1965.

The Black Radical Tradition Reader, compiled by the Communist Research Cluster and Viewpoint Magazine, c. 2015. [A collection of public-domain writings, from Du Bois and Fanon to members of the Black Panther Party, that underpin the black radical tradition. Online.]

The Combahee River Collective. “A Black Feminist Statement.” In The Second Wave: A Reader in Feminist Theory, edited by Linda Nicholson, 63–70. New York: Routledge, 1997.

Crenshaw, Kimberlé, Neil Gotanda, Gary Peller, and Kendall Thomas, eds. Critical Race Theory: The Key Writings that Formed the Movement. New York: The New Press, 1995.

Davis, Angela Y. Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement. Chicago: Haymarket Books, 2016.

———. Women, Race and Class. New York: Vintage, 1981.

Fanon, Frantz. Black Skin, White Masks. Translated by Charles Lam Markmann. New York: Grove Press, 1967.

———. The Wretched of the Earth. Translated by Constance Farrington, with a preface by Jean-Paul Sartre. New York: Grove Press, 1963.

Freire, Paulo. Pedagogy of the Oppressed. Translated by Myra Bergman Ramos. New York: Herder and Herder, 1970.

Gilmore, Ruth Wilson. “In the Shadow of the Shadow State.” In The Revolution Will Not Be Funded: Beyond the Non-profit Industrial Complex, ed. INCITE! Women of Color Against Violence. Cambridge, MA: South End Press, 2007.

Harney, Stefano and Fred Moten. The Undercommons: Fugitive Planning and Black Study. New York: Minor Compositions, 2013. [Online.]

Harvey, David. A Brief History of Neoliberalism. New York: Oxford University Press, 2005.

James, Joy, ed. Imprisoned Intellectuals: America’s Political Prisoners Write on Life, Liberation, and Rebellion. Lanham, MD: Rowman and Littlefield, 2003.

James, Selma. Sex, Race and Class: The Perspective of Winning: A Selection of Writings 1952­–2011. Oakland: PM Press, 2012.

Kelley, Robin D. G. Freedom Dreams: The Black Radical Imagination. Boston: Beacon Press, 2002.

———. Race Rebels: Culture, Politics, and the Black Working Class. New York: The Free Press, 1996.

King, Martin Luther, Jr. “Letter from a Birmingham Jail,” April 16, 1963. [Online.]

Lorde, Audre. Sister Outsider: Essays and Speeches. Trumansburg, NY: Crossing Press, 1984

McDuffie, Erik S. Sojourning for Freedom: Black Women, American Communism, and the Making of Black Left Feminism. Durham, NC: Duke University Press, 2011.

Mies, Maria. Patriarchy and Accumulation on a World Scale: Women in the International Division of Labour. London: Zed Books, 1986.

 

Women, Race, Colonialism,

and Violence:

Federici, Silvia. Caliban and the Witch. New York: Autonomedia, 2004.

Wynter, Sylvia. “1492: A New World View,” In Race, Discourse, and the Origin of the Americas: A New World View, edited by Vera Lawrence Hyatt and Rex Nettleford, 5–57. Washington, DC: Smithsonian Institution Press, 1995.

———. “Afterword: Beyond Miranda’s Meanings: Un/silencing the ‘Demonic Ground’ of Caliban’s ‘Woman.’” In Out of the Kumbla: Caribbean Women and Literature, edited by Carol Boyce Davies and Elaine Savory Fido, 355–72. Trenton, NJ: Africa World Press, 1990.

———. “Is ‘Development’ a Purely Empirical Concept or also Teleological?: A Perspective from ‘We the Underdeveloped.’” In Prospects for Recovery and Sustainable Development in Africa, edited by Aguibou Y. Yansane, 299–316. Westport, CT: Greenwood Press, 1996.

———. “No Human Involved: An Open Letter to My Colleagues.” Voices of the African Diaspora 8 (1992): 13–6.

———. “On How We Mistook the Map for the Territory, and Re-Imprisoned Ourselves in Our Unbearable Wrongness of Being, of Désêtre: Black Studies Toward the Human Project.” In Not Only the Master’s Tools: African-American Studies in Theory and Practice, edited by Lewis R. Gordon and Jane Anna Gordon, 107–72. Boulder, CO: Paradigm, 2006.

 

Left Feminism and

Violence by the State:

Baldwin, James. “A Talk to Teachers.” In The Price of the Ticket: Collected Nonfiction 1948–1985, 325–332. New York: St. Martin’s Press, 1985.

Baldwin, James and Audre Lorde. “Revolutionary Hope: A Conversation Between James Baldwin and Audre Lorde.” Essence (December 1984). [Online.]

Davies, Carole Boyce. Left of Karl Marx: The Political Life of Black Communist Claudia Jones. Durham, NC: Duke University Press.

Davis, Angela Y. Abolition Democracy: Beyond Prison, Torture and Empire. New York: Seven Stories Press, 2005.

———. “Racialized Punishment and Prison Abolition.” In The Angela Y. Davis Reader, edited by Joy James, 96–110. Malden, MA: Blackwell Publishers, Inc., 1998.

Gilmore, Ruth Wilson. “Forgotten Places and the Seeds of Grassroots Planning.” In Engaging Contradictions: Theory, Politics, and Methods of Activist Scholarship, edited by Charles R. Hale, 31–61. Berkeley: University of California Press, 2008.

———. Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California. Berkeley: University of California Press, 2007.

———. “Race, Prisons and War: Scenes from the Gilmore History of US Violence.” Socialist Register 45 (2009): 73–87.

James, Joy. Resisting State Violence: Radicalism, Gender, and Race in U.S. Culture. Minneapolis: University of Minnesota Press, l996.

Jones, Claudia. Claudia Jones: Beyond Containment. Edited by Carole Boyce Davies. Banbury, Oxfordshire, UK: Ayebia Clarke Publishing Limited, 2011.

Nyasha, Kiilu. “‘Iola,’ Princess of the Press: The Story of Feminist Anti-Lynching Crusader, Ida B.Wells-Barnett,” August 25, 2014. [Online.]

Sexton, Jared. “Racial Profiling and the Societies of Control.” In Warfare in the American Homeland: Policing and Prison in a Penal Democracy, edited by Joy James, 197–218. Durham, NC: Duke University Press.

Wells, Ida B. Southern Horrors: Lynch Law in All Its Phases. New York: The New York Age Print, 1892. [Online.]

 

Intersectionality, Gender,

and Anti-blackness:

Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Boston: Unwin Hyman, 1990.

Crenshaw, Kimberlé. “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color.” Stanford Law Review 43 (1991): 1241–99.

INCITE! Women of Color Against Violence, ed. The Color of Violence: The Incite! Anthology. Cambridge, MA: South End Press, 2006.

Jibrin, Rekia and Sara Salem. “Revisiting Intersectionality: Reflections on Theory and Praxis.” Trans-Scripts 5 (2015): 7–24.

Mohanty, Chandra Talpade. “Transnational Feminist Crossings: On Neoliberalism and Radical Critique.” Signs 38, no. 4 (2013): 967–91.

Spillers, Hortense. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” Diacritics 17, no. 2 (1987): 64–81.

Sudbury, Julia, ed. Global Lockdown: Race, Gender, and the Prison-Industrial Complex. New York: Routledge, 2005.

 

(De)Criminalizing Gender:

Bumiller, Kristin. In an Abusive State: How Neoliberalism Appropriated the Feminist Movement Against Sexual Violence. Durham, NC: Duke University Press, 2008.

Chen, Ching-In, Jai Dulani, and Leah Lakshmi Piepzna-Samarasinha, eds. The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities. Brooklyn: South End Press, 2011.

Mogul, Joey L., Andrea J. Ritchie, and Kay Whitlock. Queer (In)Justice: The Criminalization of LGBT People in the United States. Boston: Beacon Press, 2012.

Raider Nation Collective. “The Ambivalent Silences of the Left: Lovelle Mixon, Police and the Politics of Race and Rape,” San Francisco Bay View, April 21, 2009. [Online.]

Ritchie, Beth E. Arrested Justice: Black Women, Violence, and America’s Prison Nation. New York: New York University Press, 2012.

Stanley, Eric A., and Nat Smith, eds. Captive Genders: Trans Embodiment and the Prison Industrial Complex. Oakland, CA: AK Press, 2011.

 

Decolonializing Gender:

Bouteldja, Houria. “Feminist or not? Thinking about the possibility of a ‘decolonial feminism’ with James Baldwin and Audre Lorde.” Lecture presented at the University of California, Berkeley, April 14, 2014. Translated by Geneviève Rail. [Online.]

Lugones, Maria. “The Coloniality of Gender.” Volume 2, Dossier 2: On the De-Colonial (II): Gender and Decoloniality, April 1, 2008. [Online.]

———. “Heterosexualism and the Colonial/Modern Gender System.” Hypatia 22 (2007): 186–209.

Mignolo, Walter. “Preface,” Volume 2, Dossier 2: On the De-Colonial (II): Gender and Decoloniality, April 1, 2008. [Online.]

Puar, Jasbir. “Rethinking Homonationalism.” International Journal of Middle East Studies 45 (2013): 336–9.

 

Other useful resources:

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. Key Concepts in Post-Colonial Studies. New York: Routledge, 1998.

Biondi, Martha. The Black Revolution on Campus. Berkeley: University of California Press, 2012.

The Black Power Mixtape 1967–1975, directed by Gören Olsson, 2011. Distributed by MPI Home Video.

Brother Outsider: The Life of Bayard Rustin, directed by Nancy Kates and Bennett Singer, 2003. [Watch online.]

Coates, Ta-Nehisi. Between the World and Me. New York: Spiegel and Grau, 2015.

Concerning Violence, written and directed by Gören Olsson, 2014. Distributed by Films Boutique.

Evans, Mary, and Carolyn H. Williams, eds. Gender: The Key Concepts. New York: Routledge, 2013.

Glaude, Eddie S., Jr. Democracy In Black: How Race Still Enslaves the American Soul. New York: Crown Publishers, 2016.

Lamar, Kendrick. To Pimp a Butterfly. Top Dawg/Aftermath/Interscope, musical album. Released 2015.

Omar, written and directed by Hany Abu-Assad, 2014. Distributed by Adopt Films.

Payne, Charles M. I’ve Got the Light of Freedom: The Organizing Tradition and the Mississippi Freedom Struggle, 2nd ed. with a new preface. Berkeley: University of California Press, 2007.

Robinson, Randall. The Debt: What America Owes to Blacks. New York: Dutton, 2000.

Scott-Heron, Gil. “Black History/The World.” On Moving Target, Arista, released 1982.

———. “Johannesburg.” On From South Africa to South Carolina, TVT Records, released 1975.

———. “On Coming from a Broken Home.” On I’m New Here, XL Recordings, musical album, released 2010.

———. “The Revolution Will Not Be Televised.” On Small Talk at 125th and Lenox, Flying Dutchman, musical album, released 1970.

Straight Outta Compton, directed by F. Gary Gray, 2015. Distributed by Universal Pictures.

Taylor, Keeanga-Yamahtta. From #BlackLivesMatter to Black Liberation. Chicago: Haymarket Books, 2016.

Washington, Harriet A. Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present.New York: Doubleday, 2006.

Woodson, Jacqueline. Brown Girl Dreaming. New York: Nancy Paulsen Books, 2014.

 

 

 

 

 

 FEB. 27, 2016

FEB. 27, 2016

 

 

 

 

The most intriguing stars seem to appear from out of nowhere.

Take Lupita Nyong’o, the Mexican-Kenyan actress who had not even graduated from Yale School of Drama before landing her star-making role as Patsey in “12 Years a Slave,” for which she won an Academy Award for best supporting actress in 2014.

Or Trevor Noah, the comedian from Johannesburg, who had appeared on “The Daily Show” on Comedy Central a scant three times before being named Jon Stewart’s successor last March.

Ms. Nyong’o, 32, has since appeared in “Star Wars: The Force Awakens” and lent her voice to “The Jungle Book,” which will open in April. She has also acted on stage in an Off Broadway production of “Eclipsed,” about the struggles of a group of women during the Liberian Civil War. (“Eclipsed” will open on Broadway next month.) Ms. Nyong’o quickly became a fashion darling, too, as the first black face of Lancôme. She has appeared on the cover of Vogue twice.

Before taking the reins of “The Daily Show” in September, Mr. Noah, also 32, had hosted a number of television and radio programs in South Africa, starred in several comedy specials and toured widely as a stand-up comedian. He was the first South African comic to appear on “The Tonight Show” (2012) and “Late Show With David Letterman” (2013).

The pair met recently for brunch at the Dutch in SoHo. Over beet salad and a cheese omelet (for Ms. Nyong’o) and a bagel with smoked salmon (for Mr. Noah), they discussed the subtler challenges of diversity, childhoods lived under oppressive governments and a new spin on “The Ugly Duckling.”

Ms. Nyong’o, in 2014, accepting her Oscar for “12 Years a Slave.” / Credit Lucy Nicholson/Reuters

Ms. Nyong’o, in 2014, accepting her Oscar for “12 Years a Slave.” / Credit Lucy Nicholson/Reuters

Philip Galanes: Let’s start with #OscarsSoWhite, since we have the last actor of color to win one.

Trevor Noah: He makes you sound like an endangered species.

PG: Isn’t she? There hasn’t been an acting nominee of color in two years.

TN: But as a Hollywood outsider, can I say that asking, “Whose stories are being told?” is a cop-out. Look at the history that’s being taught. People of color have a limited berth in those stories. To a certain extent, we all went through the same thing.

PG: Enslavement?

Lupta Nyong’o: In a film like “12 Years a Slave,” race is of the utmost importance. But there are stories outside the race narrative that everyone can participate in. But we don’t. It’s about expanding our imagination about who can play the starry-eyed one.

TN: Exactly!

LN: We also have to ask ourselves what merits Oscar prestige. Often, they’re period stories. And for people of color, they end up being about slavery or civil rights. A blockbuster won’t do it. Do I have to be in a big Elizabethan gown?

TN: It’s always been a joke about the Oscars: If you want to win, lose weight, gain weight or get ugly, like Matthew McConaughey in “Dallas Buyers Club” or Charlize Theron in “Monster.”

Change only comes when
the conversation is
happening in all forms at
all times. Not just one
tactic is going to do it. It’s
got to be a convergence.
LUPITA NYONG’O 

LN: Those big leaps of courage.

PG: But even those films were based on true stories.

LN: “True” is a definite advantage.

TN: But also a limitation. We have to keep going back to Martin Luther King or Malcolm X. My question is: Can’t we remove “true story” and go for “amazing story”?

PG: But wouldn’t there still be barriers to diversity? I bet when Lupita told her theater producers that she wanted to do “Eclipsed,” a play about victimized women in Africa, no one yelled hurray.

LN: There’d been talk of bringing that play to New York since 2009, when I understudied in it at Yale. But Lynn Nottage’s play “Ruined” was on then. And there was a feeling that there wasn’t room for two plays about Africa and war to exist at the same time.

TN: God, that’s weird.

LN: I had never seen five African women on stage telling their story — ever! It’s so specific that it captures the universal. I was obstinate about doing it. And when the “12 Years” whirlwind hit, people started to approach me. And the Public Theater took me up on doing it.

I said, ‘I want more diversity.’ And
they said, ‘But this is what we’re
getting.’ So I said, ‘Then I will go
out and look for it in the street.’
TREVOR NOAH

 

PG: So powerful people — like Oscar winners — can make diversity.

LN: I’m hardly a powerful person.

PG: If you say so. This reminds me of the contretemps at “The Daily Show” before Jon Stewart left — about the lack of diversity on the writing staff. Have you been working on that?

TN: When it comes to diversifying, I had never realized how ingrained people’s mentality can be. It’s not even conscious. When I was looking for new people to try on the show, the network sent out all their tentacles. And people sent in audition tapes. And 95 percent of them were white and male. I was like: Does nobody else want to be a part of this show? Does nobody else even want a job?

PG: What did you do?

TN: I said, “I want more diversity.” And they said, “But this is what we’re getting.” So I said, “Then I will go out and look for it in the street.”

LN: However they were reaching out was not reaching into diverse communities.

TN: So I went to all the young comedians I knew — black, Hispanic, female, whatever — and I said, “Are you interested?” And they all said: “Are you crazy? Of course, I’m interested.” So I asked, “Why didn’t you audition?” And they said, “We didn’t know about it.” But they told me they’d sent it out to all the agents and managers. And they all went: “Oh, that’s where you made the mistake. We can’t get agents or managers.” We can say we want diversity, but there’s this little roadblock that no one tells you about.

Mr. Noah became host of “The Daily Show” last September. / CreditBrad Barket/Getty Images for Comedy Central

Mr. Noah became host of “The Daily Show” last September. / CreditBrad Barket/Getty Images for Comedy Central

LN: The gatekeepers.

PG: The employer may not be racist, but the institution still is.

LN: We’re at this interesting moment when prejudice is in the subconscious a lot of the time. Where prejudice occurs before you’ve even had a conscious thought. The laws have changed, but now the battle is with the mind. And that’s much harder to get to.

TN: Especially when people feel attacked. People are always asking me, “Why aren’t you angry?” Because I grew up in a world where being an angry black person got you nowhere. It got you shot or arrested. There’s a place for anger, but you can get so much further with diplomacy and empathy. You have to feel for the other person, even if you think they’re completely wrong. And they think the same about you.

PG: But it seems unfair: being discriminated against and having to point it out gently.

TN: Freedom is hard work.

LN: And change only comes when the conversation is happening in all forms at all times. Not just one tactic is going to do it. It’s got to be a convergence.

PG: Not like the way we only talk about #OscarsSoWhite in February? Or gun violence after a mass shooting?

What comedy does is bring
us together: ‘Here’s the truth.
Here’s how I feel.’ And all
of a sudden, you feel the
audience going: ‘Yes, yes. I
thought I was the only one.’
TREVOR NOAH

TN: That’s a function of the way we consume information. The media needs to move on or people won’t click. When I talk to journalists about how they get rated now, it’s not how good they are, it’s how many people click on their stories. You can’t write about an important issue every day because people will click on it less and less. It’s, what’s next?

LN: And sensation sells.

TN: But you know the irony of #OscarsSoWhite? If you were talking with two white people, they would get to discuss their achievements, their hopes and dreams, maybe a passion project. But we can’t not talk about the Oscars, or we get, “Don’t you care?” But if we do, we get, “Is that all you talk about?” It’s a vicious cycle.

LN: I feel like clapping and singing right now! You said that just right. It cuts down on human experience.

PG: Then let’s turn to your work: In “12 Years” and “Eclipsed,” you played characters that were truly pitiable. But I never pitied them; you took me someplace else.

LN: What attracted me to both projects was the agency of those characters. At first glance, they look like victims. But the writing offers them complexity. They’re deep. They have likes, strong dislikes, needs, fears. And as an actor, I’m always looking for that. Those are the things I need to hook onto. Because sympathy is not nearly as interesting as empathy. There’s so much more to learn by stepping into someone’s shoes than by saying “poor you” from a safe distance.

My parents shielded us from
a lot. It would be dangerous
for us to know things because
then we could be a target.
So they raised us with a
semblance of normalcy.
LUPITA NYONG’O

PG: It’s the same in comedy. You say some awful things, but we’re right there with you. Is it the laughter?

TN: It’s the reason doctors use laughing gas. It’s your body protecting you.

LN: From the pain.

TN: You laugh until you cry. People understand that once you step into a comic space, there is complete honesty — without judgment. And there are fewer and fewer places where we can be honest without repercussion. People are afraid of being attacked for their opinions. But what comedy does is bring us together: “Here’s the truth. Here’s how I feel.” And all of a sudden, you feel the audience going: “Yes, yes. I thought I was the only one.”

PG: Growing up under apartheid, were you in a big rush to tell the truth?

TN: Not really. We just love making people laugh. It’s an African thing: sitting around, talking as much trash as you can, getting people to laugh hard.

PG: But, Trevor, you had an extreme setup: a black mother and a white father who weren’t allowed to mix — legally.

TN: My story isn’t a pity story. It wasn’t a world of pity. We were in our lives.

LN: That’s the way you preserve your dignity.

TN: I thought I was lucky because I knew who my dad was. I knew kids who didn’t know their dad. True, I didn’t have access to him, but I knew how he felt. My mom was like: “Jesus didn’t have his dad, either. You have a stepdad.” People always make it seem like there’s one experience that’s the gold standard to aim for. I didn’t grow up that way.

LN: Neither did I. I think it came from watching TV from around the world. I knew there was my way and all the other ways.

TN: Did you ever see kids running upstairs in sitcoms and wonder what that was like?

LN: What I loved was when they walked in the front door and took off their coats. I loved those coats.

TN: Coats and stairs. I couldn’t believe a second floor was a real thing.

PG: You were born in Mexico, Lupita, while your family was in political exile. You all went back to Kenya when you were a baby. But was there a lingering fear?

LN: My parents shielded us from a lot. It would be dangerous for us to know things because then we could be a target. So they raised us with a semblance of normalcy. There were times when we were under house arrest and couldn’t go to school. I knew we were in a different situation than my friends.

Ms. Nyong’o and Mr. Noah discuss diversity, political oppression and #OscarsSoWhite. /  Credit Malin Fezehai for The New York Times

Ms. Nyong’o and Mr. Noah discuss diversity, political oppression and #OscarsSoWhite. / Credit Malin Fezehai for The New York Times

PG: How did you just say that like it wasn’t a big deal?

LN: Even when things were out of sorts, my mother ran the house like always. You were in that bathtub at 6; you were in bed at 7. I remember my father being gone for long stretches when he was detained without trial. But I was optimistic enough to hold onto my mother’s saying, “He’ll be back.” I wasn’t allowed to lean into it.

TN: One of the best things I ever learned was boxing. My trainer kept drilling into me: “Understand that I’m going to hit you in the face. You can’t get angry about it because then you’ll stop thinking rationally. I’m not trying to hurt you; I’m trying to win.” It’s a fantastic mind game. You have to think.

LN: You can’t let your emotions get the better of you. And if you’re on a winning streak, the last thing you want to do is pat yourself on the back.

TN: Not too happy, not too sad.

PG: But you’re both describing a world where you control your emotions. How about when your feelings get hurt or you feel jealous?

TN: Then you work harder.

LN: And we have a creative outlet. I get to be a drama queen when I’m acting, so I can take a break from that in my life.

TN: Comedy is literally my therapy. I can get onstage and tell my deepest, darkest secret. And not only do I not feel like I’ve overshared, the audience doesn’t judge me for it. Because someone in the audience is going, “Yeah, that happened to me, too.”

PG: Let’s end with something surreal: You were not considered beautiful as children.

TN: God, no! I was the most nerdy, strange-looking kid. Big feet, ears sticking out. No question of girls. There was no question of asking one to the prom.

LN: I got stood up at my prom. He didn’t show up.

PG: And not beautiful?

LN: I was always confident, but I shed my tears. They told me I was too dark for TV. But I came to accept myself. And a lot of that had to do with Alek Wek, the way she was embraced by the modeling industry. Oprah telling her how beautiful she was. I was like, “What is going on here?” It was very powerful. Something in my subconscious shifted. That’s why this conversation is so important — because it burns possibility into people’s minds.

TN: I wish I could rewrite “The Ugly Duckling.” Because after the ugly duckling becomes a swan, people go around dumping on the swan, saying, “Oh, you swan, you don’t know what it’s like to be an ugly duckling.”

LN: I used to be teased and teased. They called me black mamba, awful names.

TN: Now they act like we’ve had it easy all our lives. I can’t help that my face fixed itself.

LN: You know what I gained? Compliments never grow old. They’re delightful every time.

+++++++++++
Correction: March 6, 2016

The Table for Three article last Sunday featuring Lupita Nyong’o and Trevor Noah correctly quoted Ms. Nyong’o as saying, “I remember my father being gone for long stretches when he was under house arrest.” After the interview was published, a publicist for Ms Nyong’o contacted The Times to say that Ms. Nyong’o meant to say, “I remember my father being gone for long stretches when he was detained without trial.” The article also quoted Ms. Nyong’o incorrectly in a comment about her childhood. She said she was called “black mamba,” not “whack mamba.”

 

>via: http://www.nytimes.com/2016/02/28/fashion/lupita-nyongo-and-trevor-noah-table-for-three.html?_r=0