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The 2013 Open City Magazine No-Fee
RRofihe Trophy Short Story Contest @ Anderbo




2013 RRofihe Trophy 

For an unpublished short story
(Minimum word count: 3,500; maximum to 5,000 words)

Winner Receives:

$500 cash

Trophy
Announcement & Publication on anderbo.com

Judged by Rick Rofihe 

2013 Contest Assistant: Carolyn Wilsey
Carolyn Wilsey has read fiction for Esquire and Swink,
and is the Managing Editor of Anderbo. She teaches
writing privately and at colleges in New York City.

2013 Contest Reader: Jean Hartig
Jean Hartig is a writer and editor living in Brooklyn. She is
former associate editor of Poets & Writers Magazine and
has served on the editorial staff of A Public Space and Lumina,
published by Sarah Lawrence College, where she earned her MFA.

 

Guidelines:

–Stories should be typed, double-spaced, with the author’s name, the story’s title, and contact information on the first page

–Submissions must be received by January 7th, 2014

–Limit one submission per author

–Author must not have been previously published in
  Open City Magazine or on Anderbo

–E-mail submissions to editors@anderbo.com with
  RROFIHE TROPHY in the subject line

–YOU MUST SUBMIT YOUR STORY-MANUSCRIPT
  ENTRY WITHIN THE BODY OF THE E-MAIL—NO
  ATTACHMENTS!

–THERE IS NO READING FEE and all literary rights will remain with the author 

 Contest Judge Rick Rofihe is the author of FATHER MUST, a collection of short stories published by Farrar, Straus & Giroux. His fiction has appeared in The New Yorker, Grand Street, Open City, Swink, Unsaid, and on epiphanyzine, slushpilemag, and fictionaut. His nonfiction has appeared in The New York Times, The Village Voice, SPY, and The East Hampton Star, and on mrbellersneighborhood. A recipient of the Whiting Writers’ Award, he has taught MFA writing at Columbia University. He currently teaches privately in New York City, and was an advisor to the Vilcek Foundation for their 2011 prizes in the field of literature. Rick is the Editor of Anderbo.

 

anderbo.com

 

>via: http://www.anderbo.com/anderbo1/no-fee-rrofihe-trophy2013.html

 

 

 

Film Africa Call For Submissions For Nollywood Essays


BY TAMBAY A. OBENSON

An FYI, courtesy of Film Africa

 
CALL FOR SUBMISSIONS: NOLLYWOOD FREE ‘ZINE
 

This November FILM AFRICA is planning a series of film screenings and events to celebrate 21 years of Nollywood.

We’re also compiling a free ‘zine that shares stories about, and insights into, the last 21 years of Nigerian video film. We are looking especially for texts discussing Nollywood consumption + production in the UK. No money, but plenty of glory.

Your contributions to the ‘zine can be: 

– personal (eg, “Why I Love Funke Akindele”)

– conversational

– interview-based

– research-based

– visual

– or even (slash) fictional.

All contributions should be accessible to an (intelligent) non-academic audience.

————————

Proposal submissions by Friday, 30 August 2013 (send a paragraph summary only)

Deadline for final copy: 30 September 2013

Word limit: 300 – 1200 words

For more info, please email Phoenxi Fry on info@cinema-forever.co.uk

 

>via: http://blogs.indiewire.com/shadowandact/film-africa-call-for-submissions-for-nollywood-essays

 

 

 

 

 

 

 

“Islands in Between”
–16thEastern Caribbean Islands Cultures Conference:
Deadline Extended to September 15

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Co-organized by the University of Puerto Rico-Río Piedras, the University of the West Indies-Cave Hill (Barbados), the Virgin Islands Caribbean Cultural Center, and the Instituto Pedagogico Arubano, the 16th Eastern Caribbean Islands Cultures “Islands in Between” Conference on the Languages, Literatures and Cultures of the Eastern Caribbean will take place November 7-9, 2013, at the Instituto Pedagogico Arubano in San Nicolas, Aruba. The new deadline is September 15.

Suggested topics include:

● Language, Literature, Culture and Education in the ABC Islands

● Eastern Caribbean Drama, Poetry and Fiction

● Language and Culture, Identity, and/or Gender in the Eastern Caribbean

● Creole Linguistics/Creolization of Languages and Cultures in the Eastern Caribbean

● Art and Popular Culture of the Eastern Caribbean

● Eastern Caribbean Carnivals and Other Performance Traditions

● Culture and Politics, Society, History and/or Economics in the Eastern Caribbean

Papers should conform to the allotted fifteen minutes of presentation time and five minutes of question time.  Please submit your proposal within the text of an e-mail and NOT as an attachment. Proposals should include: a one-page abstract (maximum 250 words), the author’s name, postal and e-mail addresses, home institution (if applicable), and a brief biography (50 words or less).

Please send submissions or inquiries to the Puerto Rico Conference Organizing Committee (Dannabang Kuwabong and Nicholas Faraclas):  islandsconference@gmail.com

Information regarding the conference will be available on the Islands In Between Web Page athttp://humanidades.uprrp.edu/ingles/students/resources/islandsinbetween.htm

 

>via: http://repeatingislands.com/2013/08/21/islands-in-between-16theastern-caribbean-islands-cultures-conference-deadline-extended-to-september-15/

 

22 August 2013

 

 

Fukushima leak is

‘much worse than we were led to believe

Matt McGrathBy Matt McGrathEnvironment correspondent, BBC News

storage tanks at Fukushima
Faulty seals on the storage tanks at Fukushima are said to be the source of the most recent leak
 

A nuclear expert has told the BBC that he believes the current water leaks at Fukushima are much worse than the authorities have stated.

Mycle Schneider is an independent consultant who has previously advised the French and German governments.

He says water is leaking out all over the site and there are no accurate figures for radiation levels.

Meanwhile the chairman of Japan’s nuclear authority said that he feared there would be further leaks.

The ongoing problems at the Fukushima plant increased in recent days when the Tokyo Electric Power Company (Tepco) admitted that around 300 tonnes of highly radioactive water had leaked from a storage tank on the site.

Moment of crisis

The Japanese nuclear energy watchdog raised the incident level from one to three on the international scale that measures the severity of atomic accidents.

“It is leaking out from the basements, it is leaking out from the cracks all over the place” Mycle SchneiderNuclear consultant

This was an acknowledgement that the power station was in its greatest crisis since the reactors melted down after the tsunami in 2011.

But some nuclear experts are concerned that the problem is a good deal worse than either Tepco or the Japanese government are willing to admit.

They are worried about the enormous quantities of water, used to cool the reactor cores, which are now being stored on site.

Some 1,000 tanks have been built to hold the water. But these are believed to be at around 85% of their capacity and every day an extra 400 tonnes of water are being added.

“The quantities of water they are dealing with are absolutely gigantic,” said Mycle Schneider, who has consulted widely for a variety of organisations and countries on nuclear issues.

“What is the worse is the water leakage everywhere else – not just from the tanks. It is leaking out from the basements, it is leaking out from the cracks all over the place. Nobody can measure that.

The increase in storage of radioactive water at the Fukushima nuclear plant 
Satellite images show how the number of water storage tanks has increased in the past two years. The tanks store contaminated water that has been used to cool the reactors.

“It is much worse than we have been led to believe, much worse,” said Mr Schneider, who is lead author for the World Nuclear Industry status reports.

At news conference, the head of Japan’s nuclear regulation authority Shunichi Tanaka appeared to give credence to Mr Schneider’s concerns, saying that he feared there would be further leaks.

“We should assume that what has happened once could happen again, and prepare for more. We are in a situation where there is no time to waste,” he told reporters.

The lack of clarity about the water situation and the continued attempts by Tepco to deny that water was leaking into the sea has irritated many researchers.

Dr Ken Buesseler is a senior scientist at Woods Hole Oceanographic Institution who has examined the waters around Fukushima.

“It is not over yet by a long shot, Chernobyl was in many ways a one week fire-explosive event, nothing with the potential of this right on the ocean.”

“We’ve been saying since 2011 that the reactor site is still leaking whether that’s the buildings and the ground water or these new tank releases. There’s no way to really contain all of this radioactive water on site.”

“Once it gets into the ground water, like a river flowing to the sea, you can’t really stop a ground water flow. You can pump out water, but how many tanks can you keep putting on site?”

Several scientists also raised concerns about the vulnerability of the huge amount of stored water on site to another earthquake.

Graphic of water tank contamination at Fukushima
Water from the storage tanks has seeped into the groundwater and then into the sea. Efforts to use a chemical barrier to prevent sea contamination have not worked.

New health concerns

The storage problems are compounded by the ingress of ground water, running down from the surrounding hills. It mixes with radioactive water leaking out of the basements of the reactors and then some of it leaches into the sea, despite the best efforts of Tepco to stem the flow.

Some of the radioactive elements like caesium that are contained in the water can be filtered by the earth. Others are managing to get through and this worries watching experts.

“Our biggest concern right now is if some of the other isotopes such as strontium 90 which tend to be more mobile, get through these sediments in the ground water,” said Dr Buesseler.

“They are entering the oceans at levels that then will accumulate in seafood and will cause new health concerns.”

There are also worries about the spent nuclear fuel rods that are being cooled and stored in water pools on site. Mycle Schneider says these contain far more radioactive caesium than was emitted during the explosion at Chernobyl.

“There is absolutely no guarantee that there isn’t a crack in the walls of the spent fuel pools. If salt water gets in, the steel bars would be corroded. It would basically explode the walls, and you cannot see that; you can’t get close enough to the pools,” he said.

The “worsening situation” at Fukushima has prompted a former Japanese ambassador to Switzerland to call for the withdrawal of Tokyo’s Olympic bid.

In a letter to the UN secretary general, Mitsuhei Murata says the official radiation figures published by Tepco cannot be trusted. He says he is extremely worried about the lack of a sense of crisis in Japan and abroad.

This view is shared by Mycle Schneider, who is calling for an international taskforce for Fukushima.

“The Japanese have a problem asking for help. It is a big mistake; they badly need it.”


++++++++++++++++++
Follow Matt on Twitter.

 

>via: http://www.bbc.co.uk/news/science-environment-23779561

 

 

 

 

August 17, 2013

 

 

The Rape of Harriet Tubman

 

by  

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This year marked the 100th anniversary of the passing of Harriet Tubman. I had the opportunity to celebrate that fact when organizing a special symposium back in March, resulting in some thought-provoking critical papers on her legacy of resistance, which I’m currently guest-editing for Meridians: Feminism, Race, Transnationalism.

One of the more interesting conversations that came out of this event questioned why, on the anniversary of her death, we have yet to experience an epic cinematic treatment of her life.  She certainly qualified for that great Hollywood biopic. Against all odds, as a disabled enslaved woman, she escaped to freedom–having learned of the Underground Railroad network that included support from black and white allies–and once she made it to the other side returned to slavery 17 more times to free countless other slaves.

Tubman used all sorts of wit and trickery to enable her dangerous journey in this secretive network, and even believed in her divine right and power to engage in liberation. She collaborated with John Brown on the raid at Harper’s Ferry, recruiting slaves for the project, but her illness at the time prevented her from taking part in the uprising. During the Civil War, she served as a Union army spy, nurse and soldier, and in 1863, she led a successful military campaign on Combahee River in South Carolina, resulting in the liberation of 750 slaves.

In short, she’s the stuff of legend–for black history, women’s history, American history. The fictional Django from Django Unchained ain’t got nothing on her!

But on the year of her centennial anniversary, what does Tubman get instead of the great Hollywood biopic? She gets a “sex tape.”

You read that correctly. Recently, in an internet launch of his new YouTube channel, All Def Digital, rap media mogul Russell Simmons featured a failed comedic video titled Harriet Tubman Sex Tape–the first in the line-up of this new series. It didn’t take long for black audiences on social media to utterly denounce this video and petition against it. Within 24 hours, Simmons removed the video from his channel and issued this apology:

My first impression of the Harriet Tubman piece was that it was about what one of the actors said in the video, that 162 years later there’s still tremendous injustice. And with Harriet Tubman outwitting the slave master? I thought it was politically correct. Silly me. I can now understand why so many people are upset.

It is amazing that Simmons could not have predicted the outrage upon seeing such a video–which infers that, in order to build an Underground Railroad network to free the slaves, Tubman basically used blackmail against her white slaveowner by conniving with a fellow male slave to create a “sex tape” of their sexual encounter that she could later use as “leverage.” Then again, this is what porn culture will do to one’s perspective–something Simmons has perpetuated in his decades-long involvement with sexist rap music and culture.

Just reading the video’s premise was enough to make my blood boil, but sometimes, especially when you do media analysis as part of your scholarship, you just have to be a witness. So I viewed the video, and I don’t believe I am exaggerating when I say that, on this centennial anniversary, Harriet Tubman got raped.

Most of Tubman’s biographers have argued that there is no documentation that Tubman experienced sexual abuse while enslaved.  She was definitely physically abused–routinely beaten, and at one point as an adolescent suffered a head injury caused by an overseer who threw a two-pound weight against her head, breaking her skull and nearly killing her. The injury impacted her throughout her 91 years of life, as she was often given to sleeping spells (which Tubman claimed brought on various dreams and prophetic visions).

Slavery was “hell,” Tubman described in her narrative, dictated to Sarah Bradford since she could neither read nor write. She experienced a great deal of trauma while enslaved, but if there were any experiences with rape–which marked the experiences of far too many enslaved women–Tubman remained silent on the issue. It’s still also possible that, as hellish as her experience might have been, she was spared from a deeper hell that sexual violence brings to the picture. Which is why Simmons’ “sex tape” adds insult to injury.

It’s a hell of a sobering reality to realize that, 100 years after Tubman’s passing, our porn culture–intertwined inextricably with rape culture–would produce such a demeaning narrative about one of our great American heroes. It happened not because there is any basis in history for such an imagined scenario (Tubman simply would not engage in sexual leverage–it’s not part of the essence of who she was) but because our culture continues to trivialize rape (which is what we must categorize any unequal encounter between a slaveowner and slave, regardless of “consent”) and debase women’s experiences.  Ironically, the horrendous truth about sex tapes is that they tend to be used as leverage not against men but against women! It is women who are often blackmailed or demeaned when sex tapes are made available on the Internet. Women are the ones who have everything to lose, considering the slut-shaming that still clings to female sexuality. Sure, some celebrities might parlay such “porn” videos into a career, but the intention of sex tapes is public humiliation.

The Harriet Tubman Sex Tape publicly humiliates one of our great icons, and if she–whom many believe is inviolable, sacred, untouchable–can be debased, then not one of us is safe.

I don’t mean to suggest that Tubman, more than anyone else, deserves “hands off” treatment. The backlash against the video has already produced a troubling discourse around the desecration of our “ancestor, our great Mother Tubman,” which is steeped in respectability politics. We should be outraged when any woman is demeaned in this manner.

And before anyone accuses me of being too sensitive, consider this: In order for satire or parody to work (whether it’s funny or not), there has to be a kernel of truth to the punch line. This atrocious video bases its insults on historical lies:

Lie #1–Tubman is sexually conniving

As I already mentioned, it’s just not part of Tubman’s character to engage in sexual leverage. She was deeply religious, and if she were given to any kind of negotiation out of slavery, it was when she married a free black man, John Tubman, whom she eventually left when circumstances that would cause her to be sold away from her family propelled her escape. The portrayal of Tubman aggressively using sex as a bargaining chip, or even including dialogue suggesting that her previous rejections of her owner’s sexual advances were based on a lie (i.e. rape victims really enjoy it), feeds into the worst stereotypes of hypersexual Jezebels–a trope slaveowners used as a cover for their rapes of enslaved women.

Lie #2–Tubman is a Big Woman

This may seem a trivial point, but the real punch line of the video is the size of the body of “Tubman” undergoing different sex positions. The actor, Shanna Malcolm, may have signed up to portray Tubman outwitting her owner, but Malcolm’s the one who seems to have been outwitted (she admitted as much on Twitter when she saw the final cut). The humor is at her expense. In reality, Tubman was a tiny five-foot woman, whose smallness amazed everyone because of her physical and emotional strength. As such, the heavier actor portraying her is depicted not to capture the historical Tubman, but instead to capture a stereotypical distortion of enslaved black womanhood. She’s the asexual Mammy, a different stereotype that slaveowners constructed as a deflection from accusations that they were raping enslaved women. If Mammy is depicted as big, dark and aggressive–in contrast to the cultural feminine ideal of small, fair and passive–then slaves posed no sexual threat (meaning that rapes didn’t happen).

Hopefully, we all know what a lie that perpetuates, since rape is based on power, not desire.

In addressing the physical portrayal of Tubman in the video, this is not to suggest that bigger, darker women are not attractive–only that attraction is not a prerequisite for rape. But that has never stopped rapists from promoting this lie through stereotypes that cover up their guilty tracks. The very fact that the different sex acts featured in the video serve as a visual “gag” (the supposed incongruity of a white man with a plus-sized black woman) feeds this racist, sexist and fatphobic trope, which was used during the antebellum period and continued throughout Jim Crow and present-day porn culture.

Lie #3–A slaveowner could be bribed into supporting the Underground Railroad

The absurdity of this premise is steeped in historical and cultural ignorance. Ignoring for the moment that we are not to take seriously the joke because of the anachronistic use of a video camera, some other impossibilities abound: Not only would Tubman not be able to gain leverage with a “sex tape” (on the premise that her “massa” would give in to supporting her escape plans if she showed said tape to his wife), but, in reality, most mistresses knew of their husbands’ transgressions. This knowledge didn’t always help slaves; sometimes it made the situation worse as they then suffered physical abuse under their mistresses, who resented the situation as they, too, did not have power (sexual or otherwise) to stop their husbands’ abuses. They were all operating under a system supporting white male supremacy.

Finally, no slaveowner would willingly support a network that would deprive him of the free labor his economy depended on–hence slaveowners lobbying in Congress for the passage of the Fugitive Slave Law, which would return captured fugitives living in the free states back to their owners. Again, one could only find this “joke” funny if there were a kernel of truth in the premise.

Most African Americans (especially black feminists) who reacted swiftly to this demeaning portrayal understand the lies the video tells, which are far more dangerous than any failed humor. At the end of the day, the existence of this video–pulled by Simmons or not (actually, others have already downloaded the video and republished it elsewhere)–reinforces the pain of a history that many of us still refuse to acknowledge in its entirety.

Which isn’t to say that a comedy based on Harriet Tubman couldn’t be funny. Pierre Bennu’s Black Moses Barbie actually demonstrates how one can be hilarious about Tubman’s legacy while maintaining the basic integrity of what she represented. But there does need to be some truth-telling (even when obvious anachronisms and exaggerations are added) to the comical story. The great comedic geniuses–think Richard Pryor or Dave Chapelle– understood as much.

Tubman deserves an epic biopic, not this trash, and our present-day culture is far too steeped in amoral, ahistorical, corporatized impulses that produce, distribute, promote and recycle garbage. Its toxins have polluted our cultural environment with ideologies of misogyny and white supremacy.

That’s what porn culture does: It debases us all, while rape culture reinforces the debasement.

Photo of Harriet Tubman courtesy of manchestergalleries via Creative Commons 2.0.

 

>via: http://msmagazine.com/blog/2013/08/17/the-rape-of-harriet-tubman/

 

AUGUST 21, 2013

 

 

Nat Turner’s Slave Rebellion

Happened Today

– Past And Future Films

On The Historical Event

 


BY TAMBAY A. OBENSON

Today in history… August 21st1831, in Virginia, Nat Turner led a slave rebellion, hoping to inspire a slave uprising in the south. Several dozen whites are killed before the revolt is defeated. Turner is later capture, tried and hanged. 

 
182 years later, many are still waiting for a definitive Nat Turner movie to be produced.

 
Maybe the most notable is the hour-long documentary, Nat Turner: A Troublesome Property, directed by Charles Burnett, and released in 2003, which played the festival circuit, and eventually aired on PBS about a year later. 
 
It’s not the full-length, scripted, big screen biopic that many have been hoping for, so, it’ll have to do for now.
 
I did find out that there’s an independently-made Nat Turner film in development, titled Nat Turner Unchained (likely a nod to Quentin Tarantino’s Django Unchained), written, produced and directed by Josh Harraway, who calls himself “The world’s first Tupac impersonator.
 
Upon first discovering the film, I thought it was maybe a spoof, parody, work of satire or something similar, given the title, the tagline, and the teaser I watched (embedded below); but it turns out it’s a very real film.
 
Xango Henry and Beckett Meyersfield are currently listed as cast members, with Xango apparently playing Nat Turner in the film.
 
Director Harraway has even made the script available online for anyone who’d like to read it. If you’re curious, you can download it HERE. I only just learned about the project so I obviously haven’t had time to read the script and offer any commentary on it.
 
But if the below teaser is anything to go by, I’m not sure how well the film will go over with audiences – even black audiences. Take a look at it for yourself. Harraway does say on the project’s Facebook page that his film will be…:
 
… the most viciously accurate rendition of the events surrounding the infamous Nat Turner slave revolt of 1831. No holds barred. Nothing whitewashed. Historically accurate far beyond anything William Styron’s distorted imagination could ever have dreamed up.
 
William Styron is of course, the author of the 1967 Pulitzer Prize-winning, though deeply problematic novel, The Confessions of Nat TurnerNorman Jewison almost directed an adaptation of the novel in the late 1960’s, starringJames Earl Jones as Nat Turner. Styron essentially imagined Turner as a fictional character, as Harraway alludes to above. And as you’d expect, the project was met with what Jewison called an “incredibly angry exchange of ideas” with black revolutionaries at the time, who objected to the idea of a white director directing the film, as well as distortions of historical facts in Styron’s book.
 
Needless to say, the film never happened, and thank goodness for that!
 
Whether or not Harraway’s film gets made remains to be seen. I’ll dig into the script in the next week or so, to see what he has in store for us, and report my findings. But if anyone beats me to it, feel free to share your thoughts here, or email me (obensont@gmail.com).
 
First, here’s the teaser for Nat Turner Unchained (warning, it’s graphic and unnecessarily gratuitous). And underneath, watch Charles Burnett’s documentary Nat Turner: A Troublesome Property, in full.

 

>via: http://blogs.indiewire.com/shadowandact/nat-turners-slave-rebellion-happened-today-past-and-future-films-on-the-historical-event

 

 

 

AUG 21 2013

 

 

On This Day in 1831, a Bloody Uprising in the Virginia Countryside

From The Atlantic archives: a detailed account of Nat Turner’s slave rebellion
BY 
A woodcut depiction of the Southhampton rebellion (Wikimedia Commons)

A woodcut depiction of the Southhampton rebellion (Wikimedia Commons)

On this day in 1831, Nat Turner began what would turn out to be the deadliest slave rebellion in American history. Over the course of 48 hours, Turner and a group of rebel slaves killed more than 50 whites in Southhampton, Virginia.

In August 1861, thirty years after the uprising and in the heat of the Civil War,The Atlantic published the following detailed account of Nat Turner’s slave rebellion. The author, Thomas Wentworth Higginson, was an ardent abolitionist and soon-to-be colonel of the Union’s first black regiment. He told Nat Turner’s story with empathy and understanding, emphasizing the reasons why the rebel slaves felt justified in committing mass murder. While many Southerners argued that white planters treated slaves well, Nat Turner’s rebellion suggested a different story. Writing just four months after Confederate forces fired on Fort Sumter, it’s likely that Higginson aimed to inspire readers to take a stand against slavery, and join the Union cause.

– Caroline Kitchener

 

 

AUGUST 1861

Nat Turner’s Insurrection

An account of America’s bloodiest slave revolt, and its repercussions.
nat turner's insurrection 01

DURING the year 1831, up to the twenty-third of August, the Virginia newspapers were absorbed in the momentous problems which then occupied the minds of intelligent American citizens: — What General Jackson should do with the scolds, and what with the disreputables, — Should South Carolina be allowed to nullify? and would the wives of Cabinet Ministers call on Mrs. Eaton? It is an unfailing opiate, to turn over the drowsy files of the “Richmond Enquirer,” until the moment when those dry and dusty pages are suddenly kindled into flame by the torch of Nat Turner. Then the terror flares on increasing, until the remotest Southern States are found shuddering at nightly rumors of insurrection, — until far off European colonies, Antigua, Martinique, Caraccas, Tortola, recognize by some secret sympathy the same epidemic alarms, — until the very boldest words of freedom are reported as uttered in the Virginia House of Delegates with unclosed doors, — until an obscure young man named Garrison is indicted at Common Law in North Carolina, and has a price set upon his head by the Legislature of Georgia. The insurrection revived in one agonizing reminiscence all the distresses of Gabriel’s Revolt, thirty years before; and its memory endures still fresh, now that thirty added years have brought the more formidable presence of General Butler. It is by no means impossible that the very children or even confederates of Nat Turner may be included at this moment among the contraband articles of Fort Monroe.

Near the southeastern border of Virginia, in Southampton County, there is a neighborhood known as “The Cross Keys.” It lies fifteen miles from Jerusalem, the county-town or “court-house,” seventy miles from Norfolk, and about as far from Richmond. It is some ten or fifteen miles from Murfreesboro’ in North Carolina, and about twenty-five from the Great Dismal Swamp. Up to Sunday, the twenty-first of August, 1831, there was nothing to distinguish it from any other rural, lethargic, slipshod Virginia neighborhood, with the due allotment of mansion-houses and log-huts, tobacco fields and “old-fields,” horses, dogs, negroes, “poor white folks,” so called, and other white folks, poor without being called so. One of these last was Joseph Travis, who had recently married the widow of one Putnam Moore, and had unfortunately wedded to himself her negroes also.

In the woods on the plantation of Joseph Travis, upon the Sunday just named, six slaves met at noon for what is called in the Northern States a picnic and in the Southern a barbecue. The bill of fare was to be simple: one brought a pig, and another some brandy, giving to the meeting an aspect so cheaply convivial that no one would have imagined it to be the final consummation of a conspiracy which had been for six months in preparation. In this plot four of the men had been already initiated, — Henry, Hark or Hercules, Nelson, and Sam. Two others were novices, Will and Jack by name. The party had remained together from twelve to three o’clock, when a seventh man joined them, — a short, stout, powerfully built person, of dark mulatto complexion and strongly-marked African features, but with a face full of expression and resolution. This was Nat Turner.

He was at this time nearly thirty-one years old, having been born on the second of October, 1800. He had belonged originally to Benjamin Turner, — whence his last name, slaves having usually no patronymic, — had then been transferred to Putnam Moore, and then to his present owner. He had, by his own account, felt himself singled out from childhood for some great work; and he had some peculiar marks on his person, which, joined to his great mental precocity, were enough to occasion, among his youthful companions, a superstitious faith in his gifts and destiny. He had great mechanical ingenuity also, experimentalized very early in making paper, gunpowder, pottery, and in other arts which in later life he was found thoroughly to understand. His moral faculties were very strong, so that white witnesses admitted that he had never been known to swear an oath, to drink a drop of spirits, or to commit a theft. And in general, so marked were his early peculiarities, that people said “he had too much sense to be raised, and if he was, he would never be of any use as a slave.” This impression of personal destiny grew with his growth; — he fasted, prayed, preached, read the Bible, heard voices when he walked behind his plough, and communicated his revelations to the awe-struck slaves. They told him in return, that, “if they had his sense, they would not serve any master in the world.”

The biographies of slaves can hardly be individualized; they belong to the class. We know bare facts; it is only the general experience of human beings in like condition which can clothe them with life. The outlines are certain, the details are inferential. Thus, for instance, we know that Nat Turner’s young wife was a slave; we know that she belonged to a different master from himself; we know little more than this, but this is much. For this is equivalent to saying that by day or by night that husband had no more power to protect her than the man who lies bound upon a plundered vessel’s deck has power to protect his wife on board the pirate-schooner disappearing in the horizon; she may be reverenced, she may be outraged; it is in the powerlessness that the agony lies. There is, indeed, one thing more which we do know of this young woman: the Virginia newspapers state that she was tortured under the lash, after her husband’s execution, to make her produce his papers: this is all.

What his private experiences and special privileges or wrongs may have been, it is therefore now impossible to say. Travis was declared to be “more humane and fatherly to his slaves than any man in the county”; but it is astonishing how often this phenomenon occurs in the contemporary annals of slave insurrections. The chairman of the county court also stated, in pronouncing sentence, that Nat Turner had spoken of his master as “only too indulgent”; but this, for some reason, does not appear in his printed Confession, which only says, “He was a kind master, and placed the greatest confidence in me.” It is very possible that it may have been so, but the printed accounts of Nat Turner’s person look suspicious: he is described in Governor Floyd’s proclamation as having a sear on one of his temples, also one on the back of his neck and a large knot on one of the bones of his right arm, produced by a blow; and although these were explained away in Virginia newspapers as being produced by fights with his companions, yet such affrays are entirely foreign to the admitted habits of the man. It must, therefore remain an open question, whether the scars and the knot were produced black hands or by white.

Whatever Nat Turner’s experiences of slavery might have been, it is certain that his plans were not suddenly adopted, but that he had brooded over them for years. To this day there are traditions among the Virginia slaves of the keen devices of “Prophet Nat.” If he was caught with lime and lamp-black in hand, conning over a half-finished county-map on the barn-door, he was always “planning what to do, if he were blind,” or “studying how to get to Mr. Francis’s house.” When he had called a meeting of slaves, and some poor whites came eavesdropping, the poor whites at once became the subjects for discussion, he incidentally mentioned that the masters had been heard threatening to drive them away; one slave had been ordered to shoot Mr. Jones’s pigs, another to tear down Mr. Johnson’s fences. The poor whites, Johnson and Jones, ran home see to their homesteads, and were better friends than ever to Prophet Nat.

He never was a Baptist preacher, though such vocation has often been attributed to him. The impression arose from his having immersed himself, during one of his periods of special enthusiasm, together with a poor white man named Brantley. “About this time,” he says in his Confession, “I told these things to a white man, on whom it had a wonderful effect, and he ceased from his wickedness, and was attacked immediately with a cutaneous eruption, and the blood oozed from the pores of his skin, and after praying and fasting nine days he was healed. And the Spirit appeared to me again, and said, as the Saviour had been baptized, so should we be also; and when the white people would not let us be baptized by the Church, we went down into the water together, in the sight of many who reviled us, and were baptized by the Spirit. After this I rejoiced greatly and gave thanks to God.”

The religious hallucinations narrated in his Confession seem to have been as genuine as the average of such things, and are very well expressed. It reads quite like Jacob Behmen. He saw white spirits and black spirits contending in the skies, the sun was darkened, the thunder rolled. “And the Holy Ghost was with me, and said, ‘Behold me as I stand in the heavens!’ And I looked and saw the forms of men in different attitudes. And there were lights in the sky, to which the children of darkness gave other names than what they really were ; for they were the lights of the Saviour’s hands, stretched forth from east to west, even as they were extended on the cross on Calvary, for the redemption of sinners.” He saw drops of blood on the corn: this was Christ’s blood, shed for man. He saw on the leaves in the woods letters and numbers and figures of men, — the same symbols which he had seen in the skies. On May 12, 1828, the Holy Spirit appeared to him and proclaimed that the yoke of Jesus must fall on him, and he must fight against the Serpent when the sign appeared. Then came an eclipse of the sun in February, 1831: this was the sign; then he must arise and prepare himself, and slay his enemies with their own weapons; then also the seal was removed from his lips, and then he confided his plans to four associates.

When he came, therefore, to the barbecue on the appointed Sunday, and found, not these four only, but two others, his first question to the intruders was, How they came thither. To this Will answered manfully, that his life was worth no more than the others, and “his liberty was as dear to him.” This admitted him to confidence, and as Jack was known to be entirely under Hark’s influence, the strangers were no bar to their discussion. Eleven hours they remained there, in anxious consultation: one can imagine those terrible dusky faces, beneath the funereal woods, and amid the flickering of pine-knot torches, preparing that stern revenge whose shuddering echoes should ring through the land so long. Two things were at last decided: to begin their work that night, and to begin it with a massacre so swift and irresistible as to create in a few days more terror than many battles, and so spare the need of future bloodshed. “It was agreed that we should commence at home, on that night, and, until we had armed and equipped ourselves and gained sufficient force, neither age nor sex was to be spared: which was invariably adhered to.”

John Brown invaded Virginia with nineteen men and with the avowed resolution to take no life but in self-defence. Nat Turner attacked Virginia from within, with six men, and with the determination to spare no life until his power was established. John Brown intended to pass rapidly through Virginia, and then retreat to the mountains. Nat Turner intended to “conquer Southampton County as the white men did in the Revolution, and then retreat, if necessary, to the Dismal Swamp.” Each plan was deliberately matured; each was in its way, practicable; but each was defeated by a single false step, as will soon appear.

We must pass over the details of horror, as they occurred during the next twenty-four hours. Swift and stealthy as Indians, the black men passed from house to house, — not pausing, not hesitating, as their terrible work went on. In one thing they were humaner than Indians or than white men fighting against Indians, — there was no gratuitous outrage beyond the death-blow itself, no insult, no mutilation; but in every house they entered, that blow fell on man, woman, and child, — nothing that had a white skin was spared. From every house they took arms and ammunition, and from a few, money; on every plantation they found recruits: those dusky slaves, so obsequious to their master the day before, so prompt to sing and dance before his Northern visitors, were all swift to transform themselves into fiends of retribution now; show them sword or musket and they grasped it, though it were an heirloom from Washington himself. The troop increased from house to house, — first to fifteen, then to forty, then to sixty. Some were armed with muskets, some with axes, some with scythes; some came on their masters’ horses. As the numbers increased, they could be divided, and the awful work was carried on more rapidly still. The plan then was for an advanced guard of horsemen to approach each house at a gallop, and surround it till the others came up. Meanwhile what agonies of terror must have taken place within, shared alike by innocent and by guilty! what memories of wrongs inflicted on those dusky creatures, by some, — what innocent participation, by others, in the penance! The outbreak lasted for but forty-eight hours; but during that period fifty-five whites were slain, without the loss of a single slave.

One fear was needless, which to many a husband and father must have intensified the last struggle. These negroes had been systematically brutalized from childhood; they had been allowed no legalized or permanent marriage; they had beheld around them an habitual licentiousness, such as can scarcely exist except in a Slave State; some of them had seen their wives and sisters habitually polluted by the husbands and the brothers of these fair white women who were now absolutely in their power. Yet I have looked through the Virginia newspapers of that time in vain for one charge of an indecent outrage on a woman against these triumphant and terrible slaves. Wherever they went, there went death, and that was all. Compare this with ordinary wars; compare it with the annals of the French Revolution. No one, perhaps, has yet painted the wrongs of the French populace so terribly as Dickens in his “Tale of Two Cities”; yet what man, conversant with slave biographies, can read that narrative without feeling it weak beside the provocations to which fugitive slaves testify? It is something for human nature that these desperate insurgents revenged such wrongs by death alone. Even that fearful penalty was to be inflicted only till the object was won. It was admitted in the “Richmond Enquirer” of the time that “indiscriminate massacre was not their intention, after they obtained foothold, and was resorted to in the first instance to strike terror and alarm. Women and children would afterwards have been spared, and men also who ceased to resist.”

It is reported by some of the contemporary newspapers, that a portion of this abstinence was the result of deliberate consultation among the insurrectionists; that some of them were resolved on taking the white women for wives, but were overruled by Nat Turner. If so, he is the only American slave-leader of whom we know certainly that he rose above the ordinary level of slave vengeance, and Mrs. Stowe’s picture of Dred’s purposes is then precisely typical of his. “Whom the Lord saith unto us, ‘Smite,’ them will we smite. We will not torment them with the scourge and fire, nor defile their women as they have done with ours. But we will slay them utterly, and consume them from off the face of the earth.”

When the number of adherents had increased to fifty or sixty, Nat Turner judged it time to strike at the county-seat, Jerusalem. Thither a few white fugitives had already fled, and couriers might thence be dispatched for aid to Richmond and Petersburg, unless promptly intercepted. Besides, he could there find arms, ammunition, and money; though they had already obtained, it is dubiously reported, from eight hundred to one thousand dollars. On the way it was necessary to pass the plantation of Mr. Parker, three miles from Jerusalem. Some of the men wished to stop here and enlist some of their friends. Nat Turner objected, as the delay might prove dangerous; he yielded at last, and it proved fatal.

He remained at the gate with six or eight men; thirty or forty went to the house, half a mile distant. They remained too long, and he went alone to hasten them. During his absence a party of eighteen white men came up suddenly, dispersing the small guard left at the gate; and when the main body of slaves emerged from the house, they encountered, for the first time, their armed masters. The blacks halted, the whites advanced cautiously within a hundred yards and fired a volley; on its being returned, they broke into disorder, and hurriedly retreated, leaving some wounded on the ground. The retreating whites were pursued, and were saved only by falling in with another band of fresh men from Jerusalem, with whose aid they turned upon the slaves, who in their turn fell into confusion. Turner, Hark, and about twenty men on horseback retreated in some order; the rest were scattered. The leader still planned to reach Jerusalem by a private way, thus evading pursuit; but at last decided to stop for the night, in the hope of enlisting additional recruits.

During the night the number increased again to forty, and they encamped on Major Ridley’s plantation. An alarm took place during the darkness, — whether real or imaginary does not appear, — and the men became scattered again. Proceeding to make fresh enlistments with the daylight, they were resisted at Dr. Blunt’s house, where his slaves, under his orders, fired upon them, and this, with a later attack from a party of white men near Captain Harris’s, so broke up the whole force that they never reunited. The few who remained together agreed to separate for a few hours to see if anything could be done to revive the insurrection, and meet again that evening at their original rendezvous. But they never reached it.

Sadly came Nat Turner at nightfall into those gloomy woods where forty-eight hours before be had revealed the details of his terrible plot to his companions. At the outset all his plans had succeeded; everything was as he predicted: the slaves had come readily at his call, the masters had proved perfectly defenceless. Had be not been persuaded to pause at Parker’s plantation, he would have been master before now of the arms and ammunition at Jerusalem; and with these to aid, and the Dismal Swamp for a refuge, he might have sustained himself indefinitely against his pursuers.

Now the blood was shed, the risk was incurred, his friends were killed or captured, and all for what? Lasting memories of terror, to be sure, for his oppressors; but on the other hand, hopeless failure for the insurrection, and certain death for him. What a watch be must have kept that night! To that excited imagination, which had always seen spirits in the sky and blood-drops on the corn and hieroglyphic marks on the dry leaves, how full the lonely forest must have been of signs and solemn warnings! Alone with the fox’s bark, the rabbit’s rustle, and the screech-owl’s scream, the self-appointed prophet brooded over his despair. Once creeping to the edge of the wood, he saw men stealthily approach on horseback. He fancied them some of his companions; but before he dared to whisper their ominous names, “Hark” or “Dred,” — for the latter was the name, since famous, of one of his more recent recruits, — he saw them to be white men, and shrank back stealthily beneath his covert.

There he waited two weary days and two melancholy nights, — long enough to satisfy himself that no one would rejoin him, and that the insurrection had hopelessly failed. The determined, desperate spirits who had shared his plans were scattered forever, and longer delay would be destruction for him also. He found a spot which he judged safe, dug a hole under a pile of fence-rails in a field, and lay there for six weeks, only leaving it for a few moments at midnight to obtain water from a neighboring spring. Food he had previously provided, without discovery, from a house near by.

Meanwhile an unbounded variety of rumors went flying through the State. The express which first reached the Governor announced that the militia were retreating before the slaves. An express to Petersburg further fixed the number of militia at three hundred, and of blacks at eight hundred, and invented a convenient shower of rain to explain the dampened ardor of the whites. Later reports described the slaves as making three desperate attempts to cross the bridge over the Nottoway between Cross Keys and Jerusalem, and stated that the leader had been shot in the attempt. Other accounts put the number of negroes at three hundred, all well mounted and armed, with two or three white men as leaders. Their intention was supposed to be to reach the Dismal Swamp, and they must be hemmed in from that side.

 

Indeed, the most formidable weapon in the hands of slave-insurgents is always this blind panic they create, and the wild exaggerations which follow. The worst being possible, every one takes the worst for granted. Undoubtedly a dozen armed men could have stifled this insurrection, even after it had commenced operations; but it is the fatal weakness of a slaveholding community, that it can never furnish men promptly for such a purpose. “My first intention was,” says one of the most intelligent newspaper narrators of the affair, “to have attacked them with thirty or forty men; but those who had families here were strongly opposed to it.”

As usual, each man was pinioned to his own hearth-stone. As usual, aid had to be summoned from a distance, and, as usual, the United States troops were the chief reliance. Colonel House, commanding at Fort Monroe, sent at once three companies of artillery under Lieutenant Colonel Worth, and embarked them on board the steamer Hampton for Suffolk. These were joined by detachments from the United States ships Warren and Natchez, the whole amounting to nearly eight hundred men. Two volunteer companies went from Richmond, four from Petersburg, one from Norfolk, one from Portsmouth, and several from North Carolina. The militia of Norfolk, Nansemond, and Princess Anne Counties, and the United States troops at Old Point Comfort, were ordered to scour the Dismal Swamp, where it was believed that two or three thousand fugitives were preparing to join the insurgents. It was even proposed to send two companies from New York and one from New London to the same point.

When these various forces reached Southampton County, they found all labor paralyzed and whole plantations abandoned. A letter from Jerusalem, dated August 24th, says, “The oldest inhabitant of our county has never experienced such a distressing time as we have had since Sunday night last….. Every house, room, and corner in the place is full of women and children, driven from home, who had to take the woods until they could get to this place.” “For many miles around their track,” says another, “the county is deserted by women and children.” Still another writes, “Jerusalem is full of women, most of them from the other side of the river, — about two hundred at Vix’s.” Then follow descriptions of the sufferings of these persons, many of whom had lain night after night in the woods. But the immediate danger was at an end, the short-lived insurrection was finished, and now the work of vengeance was to begin. In the frank phrase of a North Carolina correspondent, — “The massacre of the whites was over, and the white people had commenced the destruction of the negroes, which was continued after our Men got there, from time to time, as they could fall in with them, all day yesterday.” A postscript adds, that “passengers by the Fayetteville stage say, that, by the latest accounts, one hundred and twenty negroes had been killed,” — this being little more than one day’s work.

These murders were defended as Nat Turner defended his: a fearful blow must be struck. In shuddering at the horrors of the insurrection, we have forgotten the far greater horrors of its suppression.

The newspapers of the day contain many indignant protests against the cruelties which took place. “It is with pain,” says a correspondent of the “National Intelligencer,” September 7, 1831, “that we speak of another feature of the Southampton Rebellion; for we have been most unwilling to have our sympathies for the sufferers diminished or affected by their misconduct. We allude to the slaughter of many blacks without trial and under circumstances of great barbarity….. We met with an individual of intelligence who told us that he himself had killed between ten and fifteen….. We [the Richmond troop] witnessed with surprise the sanguinary temper of the population, who evinced a strong disposition to inflict immediate death on every prisoner.”

There is a remarkable official document from General Eppes, the officer in command, to be found in the “Richmond Enquirer” for September 6, 1831. It is an indignant denunciation of precisely these outrages; and though he refuses to give details, he supplies their place by epithets: “revolting,” — “inhuman and not to be justified,” — “acts of barbarity and cruelty,” — “acts of atrocity,” — “this course of proceeding dignifies the rebel and the assassin with the sanctity of martyrdom.” And he ends by threatening martial law upon all future transgressors. Such general orders are not issued except in rather extreme cases. And in the parallel columns of the newspaper the innocent editor prints equally indignant descriptions of Russian atrocities in Lithuania, where the Poles were engaged in active insurrection, amid profuse sympathy from Virginia.

The truth is, it was a Reign of Terror. Volunteer patrols rode in all directions, visiting plantations. “It was with the greatest difficulty,” said General Brodnax before the House of Delegates, “and at the hazard of personal popularity and esteem, that the coolest and most judicious among us could exert an influence sufficient to restrain an indiscriminate slaughter of the blacks who were suspected.” A letter from the Rev. G.W. Powell declares, “There are thousands of troops searching in every direction, and many negroes are killed every day: the exact number will never be ascertained.” Petition after petition was subsequently presented to the legislature, asking compensation for slaves thus assassinated without trial.

Men were tortured to death, burned, maimed, and subjected to nameless atrocities. The overseers were called on to point out any slaves whom they distrusted, and if any tried to escape, they were shot down. Nay, worse than this. “A party of horsemen started from Richmond with the intention of killing every colored person they saw in Southampton County. They stopped opposite the cabin of a free colored man, who was hoeing in his little field. They called out, ‘Is this Southampton County?’ He replied, ‘Yes, Sir, you have just crossed the line, by yonder tree.’ They shot him dead and rode on.” This is from the narrative of the editor of the “Richmond Whig,” who was then on duty in the militia, and protested manfully against these outrages. “Some of these scenes,” he adds, “are hardly inferior in barbarity to the atrocities of the insurgents.”

These were the masters’ stories. If even these conceded so much, it would be interesting to hear what the slaves had to report. I am indebted to my honored friend, Lydia Maria Child, for some vivid recollections of this terrible period, as noted down from the lips of an old colored woman, once well known in New York, Charity Bowery. “At the time of the old Prophet Nat,” she said, “the colored folks was afraid to pray loud; for the whites threatened to punish ’em dreadfully, if the least noise was heard. The patrols was low drunken whites, and in Nat’s time, if they heard any of the colored folks praying or singing a hymn, they would fall upon ’em and abuse ’em, and sometimes kill ’em, afore master or missis could get to ’em. The brightest and best was killed in Nat’s time. The whites always suspect such ones. They killed a great many at a place called Duplon. They killed Antonio, a slave of Mr. J. Stanley, whom they shot; then they pointed their guns at him, and told him to confess about the insurrection. He told ’em be didn’t know anything about any insurrection. They shot several balls through him, quartered him, and put his head on a pole at the fork of the road leading to the court.” (This is no exaggeration, if the Virginia newspapers may be taken as evidence.) “It was there but a short time. He had no trial. They never do. In Nat’s time, the patrols would tie up the free colored people, flog ’em, and try to make ’em lie against one another, and often killed them before anybody could interfere. Mr. James Cole, High Sheriff, said, if any of the patrols came on his plantation, he would lose his life in defence of his people. One day he heard a patroller boasting how many niggers he had killed. Mr. Cole said, ‘If you don’t pack up, as quick as God Almighty will let you, and get out of this town, and never be seen in it again, I’ll put you where dogs won’t bark at you.’ He went off, and wasn’t seen in them parts again.”

These outrages were not limited to the colored population; but other instances occurred which strikingly remind one of more recent times. An Englishman, named Robinson, was engaged in selling books at Petersburg. An alarm being given, one night, that five hundred blacks were marching towards the town, he stood guard, with others, on the bridge. After the panic had a little subsided, he happened to remark, that “the blacks, as men, were entitled to their freedom, and ought to be emancipated.” This led to great excitement, and he was warned to leave town. He took passage in the stage, but the stage was intercepted. He then fled to a friend’s house; the house was broken open, and he was dragged forth. The civil authorities, being applied to, refused to interfere. The mob, stripped him, gave him a great number of lashes, and sent him on foot, naked, under a hot sun, to Richmond, whence he with difficulty found a passage to New York.

Of the capture or escape of most of that small band who met with Nat Turner in the woods upon the Travis plantation little can now be known. All appear among the list of convicted, except Henry and Will. General Moore, who occasionally figures as second in command, in the newspaper narratives of that day, was probably the Hark or Hercules before mentioned; as no other of the confederates had belonged to Mrs. Travis, or would have been likely to bear her previous name of Moore. As usual, the newspapers state that most, if not all the slaves, were “the property of kind and indulgent masters.” Whether in any case they were also the sons of those masters is a point ignored; but from the fact that three out of the seven were at first reported as being white men several different witnesses, — the whole number being correctly given, and the statement therefore probably authentic, — one must suppose that there was an admixture of patrician blood in some of these conspirators.

The subordinate insurgents sought safety as they could. A free colored named Will Artist, shot himself in the woods, where his hat was found on stake and his pistol lying by him; another was found drowned; others were traced to the Dismal Swamp; others returned to their homes, and tried to conceal their share in the insurrection, assuring their masters that they had been forced, against their will, to join, — the usual defence in such cases. The number shot down at random must, by all accounts, have amounted to many hundreds, but it is past all human registration now. The number who had a formal trial, such as it was, is officially stated at fifty-five; of these, seventeen were convicted and hanged, twelve convicted and transported, twenty acquitted, and four free colored men sent on for further trial and finally acquitted. “Not one of those known to be concerned escaped.” Of those executed, one only was a woman: “Lucy, slave of John T. Barrow”: that is all her epitaph, shorter even than that of Wordsworth’s more famous Lucy; — but whether this one was old or young, pure or wicked, lovely or repulsive, octroon or negro, a Cassy, an Emily, or a Topsy, no information appears; she was a woman, she was a slave, and she died.

There is one touching story, in connection with these terrible retaliations, which rests on good authority, that of the Rev. M. B. Cox, a Liberian missionary, then in Virginia. In the hunt which followed the massacre, a slaveholder went into the woods, accompanied by a faithful slave, who had been the means of saving his life during the insurrection. When they had reached a retired place in the forest, the man handed his gun to his master, informing him that he could not live a slave any longer, and requesting him either to free him or shoot him on the spot. The master took the gun, in some trepidation, levelled it at the faithful negro, and shot him through the heart. It is probable that this slaveholder was a Dr. Blunt, — his being the only plantation where the slaves were reported as thus defending their masters. “If this be true,” said the “Richmond Enquirer,” when it first narrated this instance of loyalty, “great will be the desert of these noble-minded Africans.” This “noble-minded African,” at least, estimated his own desert at a high standard: he demanded freedom, — and obtained it.

Meanwhile the panic of the whites continued; for, though all others might be disposed of, Nat Turner was still at large. We have positive evidence of the extent of the alarm, although great efforts were afterwards made to represent it as a trifling affair. A distinguished citizen of Virginia wrote three months later to the Hon. W. B. Seabrook of South Carolina, — “From all that has come to my knowledge during and since that affair, I am convinced most fully that every black preacher in the country east of the Blue Ridge was in the secret.” “There is much reason to believe,” says the Governor’s message on December 6th, “that the spirit of insurrection was not confined to Southampton. Many convictions have taken place elsewhere, and some few in distant counties.” The withdrawal of the United States troops, after some ten days’ service, was a signal for fresh excitement, and an address, numerously signed, was presented to the United States Government, imploring their continued stay. More than three weeks after the first alarm, the Governor sent a supply of arms into Prince William, Fauquier, and Orange Counties. “From examinations which have taken place in other counties,” says one of the best newspaper historians of the affair, (in the “Richmond Enquirer” of September 6th,) “I fear that the scheme embraced a wider sphere than I at first supposed.” Nat Turner himself, intentionally or otherwise, increased the confusion by denying all knowledge of the North Carolina outbreak, and declaring that he had communicated his plans to his four confederates within six months; while, on the other hand, a slave-girl, sixteen or seventeen years old, belonging to Solomon Parker, testified that she had heard the subject discussed for eighteen months, and that at a meeting held during the previous May some eight or ten had joined the plot.

It is astonishing to discover, by laborious comparison of newspaper files, how vast was the immediate range of these insurrectionary alarms. Every Southern State seems to have borne its harvest of terror. On the Eastern shore of Maryland great alarm was at once manifested, especially in the neighborhood of Easton and Snowhill; and the houses of colored men were searched for arms even in Baltimore. In Delaware, there were similar rumors through Sussex and Dover Counties; there were arrests and executions; and in Somerset County great public meetings were held, to demand additional safeguards. On election-day, in Seaford, Del., some young men, going out to hunt rabbits, discharged their guns in sport; the men being absent, all the women in the vicinity took to flight; the alarm spread like the “Ipswich Fright”; soon Seaford was thronged with armed men; and when the boys returned from hunting, they found cannon drawn out to receive them.

In North Carolina, Raleigh and Fayetteville were put under military defence, and women and children concealed themselves in the swamps for many days. The rebel organization was supposed to include two thousand. Forty-six slaves were imprisoned in Union County, twenty-five in Sampson County, and twenty–three at least in Duplin County, some of whom were executed. The panic also extended into Wayne, New Hanover, and Lenoir Counties. Four men were shot without trial in Wilmington, — Nimrod, Abraham, Prince, and “Dan the Dray-man,” the latter a man of seventy, — and their heads placed on poles at the four corners of the town. Nearly two months afterwards the trials were still continuing; and at a still later day, the Governor in his proclamation recommended the formation of companies of volunteers in every county.

In South Carolina, General Hayne issued a proclamation “to prove the groundlessness of the existing alarms,” — thus implying that serious alarms existed. In Macon, Georgia, the whole population were roused from their beds at midnight by a report of a large force of armed negroes five miles off. In an hour, every woman and child was deposited in the largest building of the town, and a military force hastily collected in front. The editor of the Macon “Messenger” excused the poor condition of his paper, a few days afterwards, by the absorption of his workmen in patrol duties, and describes “dismay and terror” as the condition of the people, of “all ages and sexes.” In Jones, Twiggs, and Monroe Counties, the same alarms were reported; and in one place “several slaves were tied to a tree, while a militia captain hacked at them with his sword.”

In Alabama, at Columbus and Fort Mitchell, a rumor was spread of a joint conspiracy of Indians and negroes. At Claiborne the panic was still greater; the slaves were said to be thoroughly organized through that part of the State, and multitudes were imprisoned; the whole alarm being apparently founded on one stray copy of the “Liberator.”

In Tennessee, the Shelbyville “Freeman” announced that an insurrectionary plot had just been discovered, barely in time for its defeat, through the treachery of a female slave. In Louisville, Kentucky, a similar organization was discovered or imagined, and arrests were made in consequence. “The papers, from motives of policy, do not notice the disturbance,” wrote one correspondent to the Portland “Courier.” “Pity us!” he added.

But the greatest bubble burst in Louisiana. Captain Alexander, an English tourist, arriving in New Orleans at the beginning of September, found the whole city in tumult. Handbills had been issued, appealing to the slaves to rise against their masters, saying that all men were born equal, declaring that Hannibal was a black man, and that they also might have great leaders among them. Twelve hundred stand of weapons were said to have been found in a black man’s house; five hundred citizens were under arms, and four companies of regulars were ordered to the city, whose barracks Alexander himself visited.

If such were the alarm in New Orleans, the story, of course, lost nothing by transmission to other Slave States. A rumor reached Frankfort, Kentucky, that the slaves already had possession of the coast, both above and below New Orleans. But the most remarkable circumstance is, that all this seems to have been a mere revival of an old terror, once before excited and exploded. The following paragraph had appeared in the Jacksonville (Georgia) “Observer,” during the spring previous:

“FEARFUL DISCOVERY. We were favored, by yesterday’s mail, with a letter from New Orleans, of May 1st, in which we find that an important discovery had been made a few days previous in that city. The following is an extract: — ‘Four days ago, as some planters were digging under ground, they found a square room containing eleven thousand stand of arms and fifteen thousand cartridges, each of the cartridges containing a bullet.’ It is said the negroes intended to rise as soon as the sickly season began, and obtain possession of the city by massacring the white population. The same letter states that the mayor had prohibited the opening of Sunday-schools for the instruction of blacks, under a penalty of five hundred dollars for the first offence, and for the second, death.”

Such were the terrors that came back from nine other Slave States, as the echo of the voice of Nat Turner; and when it is also known that the subject was at once taken up by the legislatures of other States, where there was no public panic, as in Missouri and Tennessee, — and when, finally, it is added that reports of insurrection had been arriving all that year from Rio Janeiro, Martinique, St. Jago, Antigua, Caraccas, and Tortola, it is easy to see with what prolonged distress the accumulated terror must have weighed down upon Virginia, during the two months that Nat Turner lay hid.

True, there were a thousand men in arms in Southampton County, to inspire security. But the blow had been struck by only seven men before; and unless there were an armed guard in every house, who could tell but any house might at any moment be the scene of new horrors? They might kill or imprison unresisting negroes by day, but could they resist their avengers by night? “The half cannot be told,” wrote a lady from another part of Virginia, at this time, “of the distresses of the people. In Southampton County, the scene of the insurrection, the distress beggars description. A gentleman who has been there says that even here, where there has been great alarm, we have no idea of the situation of those in that county…. I do not hesitate to believe that many negroes around us would join in a massacre as horrible as that which has taken place, if an opportunity should offer.”

Meanwhile the cause of all this terror was made the object of desperate search. On September 17th the Governor offered a reward of five hundred dollars for his capture, and there were other rewards swelling the amount to eleven hundred dollars, — but in vain. No one could track or trap him. On September 30th a minute account of his capture appeared in the newspapers, but it was wholly false. On October 7th there was another, and on October 18th another; yet all without foundation. Worn out by confinement in his little cave, Nat Turner grew more adventurous, and began to move about stealthily by night, afraid to speak to any human being, but hoping to obtain some information that might aid his escape. Returning regularly to his retreat before daybreak, he might possibly have continued this mode of life until pursuit had ceased, had not a dog succeeded where men had failed. The creature accidentally smelt out the provisions hid in the cave, and finally led thither his masters, two negroes, one of whom was named Nelson. On discovering the terrible fugitive, they fled precipitately, when he hastened to retreat in an opposite direction. This was on October 15th, and from this moment the neighborhood was all alive with excitement, and five or six hundred men undertook the pursuit.

It shows a more than Indian adroitness in Nat Turner to have escaped capture any longer. The cave, the arms, the provisions were found; and lying among them the notched stick of this miserable Robinson Crusoe, marked with five weary weeks and six days. But the man was gone. For ten days more he concealed himself among the wheat-stacks on Mr. Francis’s plantation, and during this time was reduced almost to despair. Once he decided to surrender himself, and walked by night within two miles of Jerusalem before his purpose failed him. Three times he tried to get out of that neighborhood, but in vain: travelling by day was, of course, out of the question, and by night he found it impossible to elude the patrol. Again and again, therefore, he returned to his hiding-place, and during his whole two months’ liberty never went five miles from the Cross Keys. On the 25th of October, he was at last discovered by Mr. Francis, as he was emerging from a stack. A load of buckshot was instantly discharged at him, twelve of which passed through his hat as he fell to the ground. He escaped even then, but his pursuers were rapidly concentrating upon him, and it is perfectly astonishing that he could have eluded them for five days more.

On Sunday, October 30th, a man named Benjamin Phipps, going out for the first time on patrol duty, was passing at noon a clearing in the woods where a number of pine-trees had long since been felled. There was a motion among their boughs; he stopped to watch it; and through a gap in the branches he saw, emerging from a hole in the earth beneath, the face of Nat Turner. Aiming his gun instantly, Phipps called on him to surrender. The fugitive, exhausted with watching and privation, entangled in the branches, armed only with a sword, had nothing to do but to yield; sagaciously reflecting, also, as he afterwards explained, that the woods were full of armed men, and that he had better trust fortune for some later chance of escape, instead of desperately attempting it then. He was correct in the first impression, since there were fifty armed scouts within a circuit of two miles. His insurrection ended where it began; for this spot was only a mile and a half from the house of Joseph Travis.

Torn, emaciated, ragged, “a mere scarecrow,” still wearing the hat perforated with buckshot, with his arms bound to his sides, he was driven before the levelled gun to the nearest house, that of a Mr. Edwards. He was confined there that night; but the news had spread so rapidly that within an hour after his arrival a hundred persons had collected, and the excitement became so intense “that it was with difficulty he could be conveyed alive to Jerusalem.” The enthusiasm spread instantly through Virginia; Mr. Trezvant, the Jerusalem postmaster, sent notices of it far and near; and Governor Floyd himself wrote a letter to the “Richmond Enquirer” to give official announcement of the momentous capture.

When Nat Turner was asked by Mr. T. R. Gray, the counsel assigned him, whether, although defeated, he still believed in his own Providential mission he answered, as simply as one who came thirty years after him, “Was not Christ crucified?” In the same spirit, when arraigned before the court, “he answered, ‘Not guilty,’ saying to his counsel that he did not feel so.” But apparently no argument was made in his favor by his counsel, nor were any witnesses called, — he being convicted on the testimony of Levi Waller, and upon his own confession, which was put in by Mr. Gray, and aknowledged by the prisoner before the six justices composing the court, as being “full, free, and voluntary.” He was therefore placed in the paradoxical position of conviction by his own confession, under a plea of “Not guilty.” The arrest took place on the thirtieth of October, 1831, the confession on the first of November, the trial and conviction on the fifth, and the execution on the following Friday, the eleventh of November, precisely at noon. He met his death with perfect composure, declined addressing the multitude assembled, and told the sheriff in a firm voice that he was ready. Another account says that he “betrayed no emotion, and even hurried the executioner in the performance of his duty.” “Not a limb nor a muscle was observed to move. His body, after his death, was given over to the surgeons for dissection.”

This last statement merits remark. There would be no evidence that this formidable man was not favored during his imprisonment with that full measure of luxury which slave-jails afford to slaves, but for a rumor which arose after the execution, that he was compelled to sell his body in advance, for purposes of dissection, in exchange for food. But it does not appear probable, from the known habits of Southern anatomists, that any such bargain could have been needed. For in the circular of the South Carolina Medical School for that very year I find this remarkable suggestion: — “Some advantages of a peculiar character are connected with this institution. No place in the United States affords so great opportunities for the acquisition of medical knowledge, subjects being obtained among the colored population in sufficient number for every purpose, and proper dissections carried on without offending any individual.” What a convenience, to possess for scientific purposes a class of population sufficiently human to be dissected, but not human enough to be supposed to take offence at it! And as the same arrangement may be supposed to have existed in Virginia, Nat Turner would hardly have gone, through the formality of selling his body for food to those who claimed its control at any rate.

The Confession of the captive was published under authority of Mr. Gray, in a pamphlet, at Baltimore. Fifty thousand copies of it are said to have been printed, and it was “embellished with an accurate likeness of the brigand, taken by Mr. John Crawley, portrait-painter, and lithographed by Endicott and Swett, at Baltimore.” The newly published “Liberator” said of it, at the time, that it would “only serve to rouse up other leaders, and hasten other insurrections,” and advised grand juries to indict Mr. Gray. I have never seen a copy of the original pamphlet, it is not to be found in any of our public libraries, and I have heard of but one as still existing, although the Confession itself has been repeatedly reprinted. Another small pamphlet, containing the main features of the outbreak, was published at New York during the same year, and this is in my possession. But the greater part of the facts which I have given were gleaned from the contemporary newspapers.

Who now shall go back thirty years and read the heart of this extraordinary man, who, by the admission of his captors, “never was known to swear an oath or drink a drop of spirits,” — who, on the same authority, “for natural intelligence and quickness of apprehension was surpassed by few men,” “with a mind capable of attaining anything,” — who knew no book but his Bible, and that by heart, — who devoted himself soul and body to the cause of his race, without a trace of personal hope or fear, — who laid his plans so shrewdly that they came at last with less warning than any earthquake on the doomed community around, — and who, when that time arrived, took the life of man, woman, and child, without a throb of compunction, a word of exultation, or an act of superfluous outrage? Mrs. Stowe’s “Dred” seems dim and melodramatic beside the actual Nat Turner. De Quincey’s “Avenger” is his only parallel in imaginative literature: similar wrongs, similar retribution. Mr. Gray, his self-appointed confessor, rises into a sort of bewildered enthusiasm, with the prisoner before him. “I shall not attempt to describe the effect of his narrative, as told and commented on by himself, in the condemned-hole of the prison. The calm, deliberate composure with which he spoke of his late deeds and intentions, the expression of his fiend-like face when excited by enthusiasm, still bearing the stains of the blood of helpless innocence about him, clothed with rags and covered with chains, yet daring to raise his manacled hands to heaven, with a spirit soaring above the attributes of man, — I looked on him, and the blood curdled in my veins.”

But the more remarkable the personal character of Nat Turner, the greater the amazement felt that he should not have appreciated the extreme felicity of his position as a slave. In all insurrections, the standing wonder seems to be that the slaves most trusted and best used should be most deeply involved. So in this case, as usual, they resorted to the most astonishing theories of the origin of the affair. One attributed it to Free-Masonry, and another to free whiskey, — liberty appearing dangerous, even in these forms. The poor whites charged it upon the free colored people, and urged their expulsion, forgetting that in North Carolina the plot was betrayed by one of this class, and that in Virginia there were but two engaged, both of whom had slave-wives. The slaveholding clergymen traced it to want of knowledge of the Bible, forgetting that Nat Turner knew scarcely anything else. On the other hand, “a distinguished citizen of Virginia” combined in one sweeping denunciation “Northern incendiaries, tracts, Sunday-schools, religion, reading, and writing.”

But whether the theories of its origin were wise or foolish, the insurrection made its mark, and the famous band of Virginia emancipationists, who all that winter made the House of Delegates ring with unavailing eloquence — till the rise of slave-exportation to new cotton regions stopped their voices — were but the unconscious mouth-pieces of Nat Turner. In January, 1832, in reply to a member who had called the outbreak a “petty affair,” the eloquent James McDowell has described the impression it left behind : —

“Now, Sir, I ask you, I ask gentlemen, in conscience to say, was that a ‘petty affair’ which startled the feelings of your whole population, — which threw a portion of it into alarm, a portion of it into panic, — which wrung out from an affrighted people the thrilling cry, day after day, conveyed to your executive, ‘We are in peril of our lives; send us army for defence’? Was that a ‘petty affair’ which drove families from their homes, — which assembled women and children in crowds, without shelter, at places of common refuge, in every condition of weakness and infirmity, under every suffering which want and terror could inflict, yet willing to endure all, willing to meet death from famine, death from climate, death from hardships, preferring anything rather than the horrors of meeting it from a domestic assassin? Was that a ‘petty affair’ which erected a peaceful and confiding portion of the State into a military camp, — which outlawed from pity the unfortunate beings whose brothers had offended, — which barred every door, penetrated every bosom with fear or suspicion, — which so banished every sense of security from every man’s dwelling, that, let but a hoof or horn break upon the silence of the night, and an aching throb would be driven to the heart, the husband would look to his weapon, and the mother would shudder and weep upon her cradle? Was it the fear of Nat Turner, and his deluded, drunken handful of followers, which produced such effects? Was it this that induced distant counties, where the very name of Southampton was strange, to arm and equip for a struggle? No, Sir, it was the suspicion eternally attached to the slave himself, — the suspicion that a Nat Turner might be in every family, — that the same bloody deed might be acted over at any time and any place, — that the materials for it were spread through the land, and were always ready for a like explosion. Nothing but the force of this withering apprehension, — nothing but the paralyzing and deadening weight with which it falls upon and prostrates the heart of every man who has helpless dependants to protect, — nothing but this could have thrown a brave people into consternation, or could have made any portion of this powerful Commonwealth, for a single instant, to have quailed and trembled.”

While these things were going on, the enthusiasm for the Polish Revolution was rising to its height. The nation was ringing with a peal of joy, on hearing that at Frankfort the Poles had killed fourteen thousand Russians. “The Southern Religious Telegraph” was publishing an impassioned address to Kosciusko; standards were being consecrated for Poland in the larger cities; heroes, like Skrzynecki, Czartoryski, Rozyski, Kaminski, were choking the trump of Fame with their complicated patronymics. These are all forgotten now; and this poor negro, who did not even possess a name, beyond one abrupt monosyllable, — for even the name of Turner was the master’s property, — still lives a memory of terror and a symbol of retribution triumphant. “

 

>via: http://www.theatlantic.com/magazine/archive/1861/08/nat-turners-insurrection/308736/?single_page=true

 

 

 

 

 

AUGUST 22, 2013 

Huey P. Newton Died Today…
A Look At Past & Future Films
On His Life

 


BY TAMBAY A. OBENSON

Today in history… August 22nd1989… Black Panthers’ co-founder Huey P. Newton was shot to death in Oakland, CA. He was just 47 years old.

In 1996, A Huey P. Newton Story, a one-man play, was performed amazingly well on stage by Roger Guenveur Smith. In 2001, the play was later made into a made-for-tv film directed by Spike Lee

The entire film is on YouTube, if you haven’t already seen it (although it’s also on DVD).

As for Huey P. Newton films that are coming down the pike…

Last fall, it was announced that a film based on Newton’s flight to Cuba, courtesy Easy Rider producer Bert Schneider, was being shopped. 

The short story goes… Schneider was a pal and supporter of the Black Panthers, even reportedly giving them $10,000 way back when, to help with the organization’s initiatives.

It’s said that Black Panther leader Newton even became quite close to Schneider, some times staying at Schneider’s home for weeks at a time, in the early 1970s.

As reports you can find on the web state, in 1974, Newton, on bail for an assault charge, was accused of killing a 17-year-old prostitute. He jumped bail and hid out with Schneider, who eventually would devise a plan to smuggle Newton out of the country, to Cuba, where he could seek political asylum.

The plan was to sail through the Panama Canal to Mexico, where Newton would be picked up, after Schneider smuggled him across the border.

Well, needless to say, everything didn’t quite go as planned (Newton did return eventually to faced charges). 

I’ll refer you to a lengthy Salon.com article, titled True Hollywood story: The producer and the Black Panther, which goes into lots of detail about the relationship between Schneider and Newton, and much more. Read it HERE.

If anything, regardless of where your POV lies, it’s a fascinating read documenting an interesting period in our history.

And thanks to all the excitement and acclaim over Ben Affleck’s Argo, itself based on a somewhat similar explosive mixture of Hollywood and politics, a film based on the above series of events is being developed in Hollywood, with Joshua Bearman, the author of the Wired Magazine article that inspired Ben Affleck’s Argo, penning the script. 

But I can hear your arguments already, loud and clear… “Oh great Tambay – another film centered on a black historical figure’s struggles, but as a character in what’s really a white person’s story!” 

I know, I know… as noted previously, the plan is to have the story revolve around Schneider. So, feel free to lower your expectations now.

However, it’s not a done deal. We’ll just have to wait and see how it all shakes out.

In the meantime, embedded below is the 90-minute A Huey P. Newton Story, the one-man play that was performed by Roger Guenveur Smith, that Spike Lee directed:

>via: http://blogs.indiewire.com/shadowandact/huey-p-newton-died-today-a-loof-at-past-future-films-on-his-life

 

 

 

 

photo by Alex Lear

photo by Alex Lear

 

I KNOW YOU MARDI GRAS

A signification of recognition

of our aspirations and our social reality

 

 

Clyde R. Taylor is a sage—a wise and intelligent teacher; wise in that he knows what to do with all the information that he knows, intelligent in that he has, and utilizes, an astounding amount of information.

 

A five minute conversation with Clyde is enough to convince me, and anyone else of average education, that we really don’t know much of anything about, well, about anything. The work that Clyde self-depreciating simply calls a book, i.e. The Mask Of Art, is de facto proof of our ignorance. Clyde’s range of references is so vast that how much I don’t know became clear to me by page nine or ten. Were it not for Google, Wikipedia and other quickly available online resources, in order to read and fully digest chapter one alone would probably require my sitting in a major library for two or three weeks.

 

I don’t know about you but  I am certain that Clyde is a miracle in terms of studying and understanding the thought and behavior of our historic oppressors.

Let us be clear. Let us recognize the aroma of gunpowder, of conquest that whiffs and wafts through the halls of the academy—the academy is the intellectual superstructure, the intellectual citadel atop the hill. The main task of the academy, a task that the academy does exceedingly well, is, at the very least, to humanize oppression and at its very best is to glorify the oppressor. Period.

 

Reductively, the art that academy valorizes is the mask on the horrors of conquest.

 

 

I am a street level, organic intellectual. I did not learn what I know in any academy. The academic term for me is autodidact—I taught myself. Actually, that is not the case, it is just that the academy holds little if any recognition for the wisdom of the people who have taught me.

 

In the brief moments I have, I should like to offer a few observations, all of which have been sparked by conversations with Clyde Taylor and by reading and reflecting on his book, The Mask Of Art.

 

I will address three of the many concerns that Clyde has been instrumental in instigating.

 

1. Masking and my three categories of masking.

 

2. The deep “what does it mean to be human” focus of aesthetics.

 

3. The broad question of cultural critique within the context of oppression.

 

Perhaps, “address” is too specific a term for what follows, perhaps I should say I would like to mention three of the many concerns that Clyde has been instrumental in instigating. Adequately addressing any one of these concerns would require a rather dense book. I do not mean to present myself as a savant sharing a worldview, when it would be more accurate to say I am merely a fool asking a few questions.

 

ONE—MASKING.

 

The common conception is that the mask conceals but I believe the mask also reveals. The mask reveals the intentions and desires of the mask maker and the mask wearer. The mask also inherently raises the question of why? Why wear the mask? Is the mask a cover for feelings of individual or social inadequacy? Or, is the mask actually a recognition of individual or social inadequacy?

 

Of course the mask comes in numerous forms, too numerous to cover here, but I ask you to consider your clothing. My dashiki, your suit and tie, the color eyeglasses I wear, the color and style of shoes you have on. Clothing is the elemental mask we wear.

 

Clothing cloaks our physical vulnerability and enables us to, as the Europeans say, “withstand the elements.” In the Western urban world, clothing also signifies. It signals social status (or social aspirations) and many other concerns.

 

I do not need to go into the obvious. I think you understand that grooming is a mask: lipstick, deodorant, perfume, etcetera, etcetera. Any physical thing or social concept we attach to ourselves to distinguish ourselves, not only from our fellow humans but also, and more importantly, distinguish ourselves from who we are without whatever we have donned, any and all of that is a mask.

 

One of my students responding to questions of defining humanity during a discussion of the Epic of Gilgamesh compared and contrasted to the Epic of Bewoulf, offered the observation that being human is partly defined by being mobile, i.e. physical movement as a group or individual across the face of the planet. Implicit in that observation is a critique of the modes of mobility.

 

Think for a minute about the mask of mobility, how we choose to “get around” and what that choice says about us.

 

I’m sure some of you recognized that my use of the term “get around” implied far more than mere physical mobility. My usage also implied social mobility with a specific subtext of socio-sexual mobility. Yes, I mean to imply some of us wear the mask to bed, indeed, in a social sense, some of us never go to bed without wearing a mask.

 

So then the very process of masking, of concealing, is simultaneously a process of revealing; a process that reveals essential characteristics of the person who dons the mask, characteristics whose origins are often situated in desires that drive if not outright determine behavior, as well as characteristics and/or feelings of shame or inadequacy.

 

One function of the mask is to conceal, and in fulfilling that function the mask reveals.

 

When we wear the mask are we the same as we were before we put on the mask? Does a mask fundamentally change us or merely change the viewer’s perception of the wearer?

 

Speaking from the perspective of African-heritage cultures in general and New Orleans in particular, I believe that the mask can have transformatory powers, even if that transformation is solely a new surface identity for the wearer.

 

In New Orleans one traditional saying upon encountering a masked person whom one recognized beneath the mask is: “I know you Mardi Gras.” But the saying also has come to mean I recognize that you are masking, that you are celebrating, that you are transforming yourself. In that context the saying has application outside of the specific’s of Fat Tuesday traditions.

 

If you talk to the Mardi Gras Indians they will tell you, when they mask Indian, they become something else. Masking can be a conscious effort to transform the self, to contact the spirit world, to serve as a vessel for outside forces to manifest themselves. Masking can then transform the self, transform the wearer both physically and psychically.

 

Some of us know the transforming process as trance. Another example would be catching the spirit in church but there, it is interesting that the transformation is possible without the physical mask, even as the more perceptive cultural critics recognize that the church service is itself a mask to conceal the trance process. Christian liturgy was acceptable to the slave master, African religion was forbidden. Enslaved Africans masked the persistence of African religious practices in the outward dress, i.e. the mask, of conformity to Christian liturgy.

 

Masking also enables a transformation of perception, i.e. the viewer no longer sees the wearer but rather sees what the wearer is wearing and makes assumptions about the wearer based on that perception even as the viewer is partially (or fully) aware that they are looking at a person wearing a mask.

 

Obviously this discussion of masking and transformation could go on for centuries but we will stop here to go to the third element of masking.

 

Masking is an aesthetic statement, what we consider good and beautiful. In New Orleans on Mardi Gras day when the Indians come out, the perennial question is: who’s the prettiest? This emphasis on aesthetics is recent in the tradition and is attributed to one specific person: Big Chief Allison Tootie Montana.

 

Before Tootie, the Black Mardi Gras Indian gangs used to literally fight each other. After Tootie instead of the knife, hatchet or gun, the fighting was done with needle and thread, beadwork and feathers.

 

What a sight to see two chiefs meet and engage in an aesthetic battle: who is the prettiest, whose plumage the most colorful, whose design the most intricate, whose suit told the strongest story, etcetera, etcetera.

 

Although I have used the example of Mardi Gras Indians, obviously it applies to any and all forms of masking. The mask can be a positive statement of ideals or a negative statement of condemnation. Through the use of the mask the wearer can say this is beautiful or conversely this is ugly, for after all aesthetic statements are judgments.

 

The mask conceals/reveals, the mask transforms (not only the perception of the viewer but also the social, and sometimes even the physical, manifestation of the wearer), and the mask makes an aesthetic statement.

 

TWO—WHAT MAKES US HUMAN?

 

Ultimately the mask of art is a way of addressing the question at the core of human systems of thought: who am I, which reductively is the question of what does it mean to be human?

 

Throughout his book, Clyde Taylor prefaces the names of references with racial/cultural designations. Clyde will append “white” such and such to a person’s name. The tag is used as identifier. Only an outsider would think of using such a tag and in so doing identifying the limits of the person,  object, or construct so tagged.

 

This begs the stunning question: are white people humans? Of course that is a reversal of the usual use of the racial designation. For centuries whites have explicitly or implicitly asked that question about people of color. Similarly, for centuries some of us whom whites have designated as outsiders to humanity have been asking the critical question about Europeans, are they human?

 

For a very specific investigation of this question read Jewish authors such asPrimo Levi discussing Nazis who imprisoned and attempted to exterminate the Jews. Levi also asks the question: did the concentration camp dehumanize its victims.

 

If we restrict our investigation to Black and White we have unwittingly bought into the paradigm that our oppressor established. There are of course many other ways to approach this question of what makes us human human and the question of whether a sociologically, or racially, or politically defined group of people are humans.

 

By the way, I believe that the Middle East quandary is an example of forcing a European problem on non-Europeans to provide an answer. The national institutionalization of anti-Jewish, genocidal behavior happened in Europe, not in the Middle East. Why was not a piece of Germany or Austria carved out for the Jewish homeland?

 

Returning again to our study of The Epic of Gilgamesh compared and contrasted with the Epic of Bewoulf, we asked the question: is conquest and war intrinsic to human existence? We also asked our students to discuss the role of women in humanizing men.

 

One of my students noted in following up on the idea that it was women who humanized men, observed that men needed to be humanized while women were born human. During class discussion we formulated the theory that to be human is to become woman-like.

 

That’s an interesting discussion in light of the biological fact that all fetuses start off as females and that it is the introduction of the testosterone that facilitates the mutation of the fetus from female to male. Or, put another way, the basic, the elemental human condition is female. The art of Gilgamesh provides us a focal point to discuss the essence of being human.

 

The role of art is, or ought to be, an expression of our humanity, as complex and contradictory as our humanity is. Some of us believe in the maxim: cogito ergo sum. But does thinking prove being and is “being,” i.e. existence, ipso facto the central question for humanity?

 

Here is where art goes far beyond thought. One of the reasons I admire Clyde Taylor’s book is because he constantly probes at the question of what it means to be human.

 

Although I recognize that in the 21st century it is inevitable that we will focus on European thought simply because our discussion mostly takes places within academe and we mostly utilize European languages for the discussion. While it is easy to recognize the role of European conquest, hence the color dynamic inherent in the use of European thought as the predominant reference for aesthetic discussion, there are not only other systems of thought outside of Europe, there is also a significant other discussion within Europe.

 

At the risk of shorting out the discussion by moving too quickly, let me simply say: not only was there a world of humanity before European world conquest, but indeed there was also a world before patriarchal conquest. Moreover, those pre-existing worlds, are far, far older and existed far, far longer than the current European era of dominance.

 

We reference Europe because we have been dominated by Europe but if we look at the history of humanity, we understand that human history stretches for tens of thousands of years prior to our current state of conflict and confusion.

 

To put it even more succinctly, the first gods that humans recognized were women of color. Women were our gods of antiquity. The revolt of men to erase that recognition and to impose male domination on women is the essential element of civilization as we know it.

 

In academic terms: to be human means to dominate women. The reason I say academic terms is because the academy situates itself in the written word. The development of the written word within civilization is congruent with and, as some of us would argue, a manifestation of the male dominance of the female.

 

Hence we privilege text in our discussion of humanity, especially when we discuss the universality of aesthetic concerns, a universality won and enforced by men with guns. Indeed, a succinct description of western civilization could be summed up in three words: men with guns.

 

From “men with guns” there is but one short step to the academy, i.e. men with books!

 

The irony of Clyde Taylor’s book, The Mask Of Art, is that the cover situates the female figure, or image, as the focus but the majority of the text actually focuses on the thoughts of males. Part of the reason for this is that the majority of texts have been authored by males. Taylor does not shy away from recognizing this limitation and redeems his text by privileging the critique and insights of Sylvia Wynter in the concluding chapter.

 

Additionally, in chapter 13, “Daughters of the Terreiros,” using a critique of Julie Dash’s film, Daughters of the Dust, Clyde Taylor identifies the importance of women “within” the discussion. On the last page of the chapter, Taylor also gives us a reading of the cover image.

 

My concern is that both the critique and the explanation of the cover are situated within the boundaries of civilized discourse, hence within the framework of male dominance. The female remains an object of male discourse, an object gazed upon by the male whose signification is explained not by her own words but by the interpretation of a male.

 

I am saying men with books is a problem whenever that formulation restricts the agency of women. To be clear, I am not arguing for the rise of women with books. My critique does not simply call for a change of author, i.e. I am not simply advocating women with books, nor am I simply advocating both women and men authoring books. I am also critiquing the use of the book as the defining object of civilization.

 

As long as the discussion is limited to text, the “other” (i.e. those whose origin is outside of Western civilization) is doubly at a disadvantage. One, we are disadvantaged because many of our strengths, particularly in the areas of music and kinetics, i.e. dance and procession, are excluded from the discussion. But, two we are disadvantaged because a major part of the problem is not that we don’t write books (whether the absent author be people of color, or be women, or both). The problem is that the very construct of text, as we know, is a problem, especially when text is established as the arbiter and authority on what it means to be human.

 

For those who are interested in “reading a text” which discusses this “text” dilemma, I refer you to The Alphabet Versus The Goddess: The Conflict Between Word and Image by Leonard Shlain. Some of us believe we are living through a major transition, moving from text to image as the site of authorial social expression.

 

It seems significant to me that the chapter that focuses on a woman author is about a film and not a book. Of course, this has been one of Clyde Taylor’s abiding and essential strengths, as erudite as he is, he is comfortable, perhaps even “more” comfortable, in discussing the image as he is in explicating text. Clyde Taylor’s facility in critiquing both text and film is critical to my appreciation of his importance as a cultural critic.

 

3.—RETURN TO THE SOURCE

 

Finally, I think it important to acknowledge Clyde Taylor’s recognition that he is a spy behind enemy lines. The academy is not his home. His workplace is not his hearth. The contested and often conflicting dichotomy between home and work is a hallmark of modern society, a contradiction that has yet to be resolved.

 

Productive labor is one of the essentials of human activity. If there is a contradiction between where and how we earn our living, i.e. the workplace, and where and how we express and propagate our humanity, i.e. the home space, then, unavoidably, we find ourselves in a situation of anxiety and alienation. This anxiety and alienation is another hallmark of modern civilization, especially given that today there is very little, if any, overlap between the community of the workplace and the community of the home.

 

This alienation is particularly sharp for the outsider to the workplace whose success at fitting in at work creates a persona that is both alien to and uncomfortable within the home space, and vice versa. This workplace alienation is intensified if the workplace is academe. Working in the big house is strange enough but to be an intellectual personal “manservant” is particularly off-putting. Moreover, I fully recognize, as Condi Rice exemplifies, women can also be manservants.

 

In this regard, Amilcar Cabral’s famous dictum, “return to the source,” is of particular relevance. If, for whatever reasons, we can not return to our source, invariably we will establish a surrogate home in a space that is either not congruent with our original home or which is shallow in comparison to the social depth of our original home.

 

Alcoholism, and other forms of addiction, are major liabilities of a career in the academy. One must take something to deaden the pain of anxiety and alienation; the best, although far from easiest, prescription is return to the source.

 

While I often joke with my students: remember, we are sending you to college to bring back the fire, don’t stay and become fascinated with the light show, I recognize, however, and Clyde Taylor’s book reinforces, that in returning to the source we must go beyond the boundaries: both the boundaries of dominant civilization but also beyond the boundaries of our source.

 

Clyde Taylor and Amilcar Cabral realize that unless and until we are able to move through the world learning from and exchanging with all peoples inhabiting the planet without complexes of either inferiority or superiority, until such time we are not truly free.

 

Thank you for your attention and consideration of these brief remarks.

 

 

—kalamu ya salaam