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Posted: 10/26/2013

 

Mallika Rao

mallika.rao@huffingtonpost.com

 
 

Somali Pirate Movies

Take Hollywood

After armed men off the Nigerian coast took two seafarers hostage this week, CNN declared the Gulf of Guinea the new “piracy hotspot” — second to the Somali coast, but catching up.

As usual, Hollywood is one step behind. On the silver screen, it’s boom time for a brand new genre: the Somali pirate movie.

There’s “Captain Phillips,” the dramatization of the 2009 Navy Seal rescue of an American cargo ship, starring Tom Hanks as the titular captain. The high-profile movie has held steady at No. 2 at the box office since debuting earlier this month.

2013-10-25-CAPTAINPHILLIPS_original.jpg
A still from “Captain Phillips,” starring Tom Hanks.

Then there’s the slow-burning Danish import, “A Hijacking,” aka “the Somali pirate movie without Tom Hanks.” Two recent documentaries — “Stolen Seas,” and “The Project” — tackle Somali piracy specifically. A feature version of an award-winning short about Somali pirates, “Fishing Without Nets,” is in the works, as is “High Value Target,” a “high concept” action movie about yet another U.S. Special Ops team defeating yet another band of Somali pirates.

2013-10-25-fishing.jpg
A still from the short “Fishing Without Nets,” winner of the Sundance Festival’s 2012 Jury Prize.

“It’s a perfect storyline, commercially speaking,” says Cyrus Mody, assistant director of the International Maritime Bureau, which tracks and publicizes piracy statistics worldwide.

Modern piracy dates to the 1970s, when East Asian fishermen began to systematically attack Vietnamese refugees to Thailand. The Internet has enabled news of more recent attacks to travel farther, and the news is worse now, Mody says. Since 2008, the IMB has found that Somali pirates are brutalizing hostages more often and for longer stretches, for reasons observers aren’t able to pinpoint.

That brutality has since captivated Hollywood. “There’s a sort of a natural time period that it takes for a big news story to turn into a film,” says Bruce Nash, founder of the movie consultancy firm Nash Information Services.

Columbia Pictures, for example, snatched the rights to the 2009 hijacking mere months after it happened, but it took two more years before the real Captain Phillips wrote the memoir on which the movie is based.

2013-10-25-CAPTAINPHILLIPS_original1.jpg
Another still from “Captain Phillips.”

Modern pirates tend to be poor young men employed by drug lords. They hail from countries with crumbling governments, like Somalia. Their victims — if they escape at all — return traumatized, with tales better fit for a horror movie than a thriller: stories of hacked-off limbs and being hung naked from meat hooks in a ship’s freezer.

As a result, the movies based on these events aren’t the charming swashbuckling romances of old, part of a genre that’s been around since Douglas Fairbanks Sr. sliced his ship’s sails in the 1926 silent film “The Black Pirate.” Say the word “pirate” today, and “finally, not everyone thinks of Johnny Depp,” Mody says.

Of course, what he calls “movieness” still pervades Hollywood depictions of real-world events. “Captain Phillips” has been criticized for glossing over complicating facts andvalorizing the U.S. Navy. And — as in the case of “A Hijacking,” which is also based on a true story — it tackles an incident that ended in a relatively happy ending, as far as piracy goes.

But when it comes to telling all sides of a complicated story, a glut of movies is promising for its potential diversity. “There are some things you can’t do with a mass-market film, in terms of giving the bad guys nuance, whereas you can with a low-budget film,” Nash says. “Fishing Without Nets,” for example, will be told from the perspective of the pirates.

Mody says each of these movies is fresh because we rarely see things from a seafarer’s point of view, either pirate or captive. “The life the seafarer faces is one of solitude and not being connected,” he says. “It’s a life of being out of sight and out of mind.”

 

>via: http://www.huffingtonpost.com/2013/10/26/somali-pirate-movies_n_4164597.html?ncid=edlinkusaolp00000008

Home

Tue, 11/12/2013

 

 

The Whitest

Historically Black College

In America

 

West Virginia’s Bluefield State University is overwhelmingly white, but gets a big chunk of its budget from funds reserved for historically Black institutions. Whites dominate both the faculty and student body, yet “every single member of the alumni association is black.”

 

by Shereen Marisol Meraji and Gene Demby

This article originally appeared on National Public Radio’s Code Switch blog.

Its HBCU designation means that Bluefield State receives millions in federal dollars each year, about a 10th of its total $20 million budget.”

It opened in the late 19th century as the Bluefield Colored Institute, created to educate the children of black coal miners in segregated West Virginia. Although it still receives the federal funding that comes with its designation as a historically black institution, today Bluefield State College is 90 percent white. The road that separates those realities is as rocky as any story of racial transition in post-World War II America.

We went to the campus of Bluefield State to see what campus life was like at this unusual college.

The very first student we met, Antonio Bolden, or Tony as he introduced himself, looked like any other student you might see at a historically black college or university (HBCU). He’s a laid-back 19-year-old, stocky with shoulder-length dreadlocks and green eyes. But at Bluefield State, Tony is an outlier for several reasons. He’s a teenager; the average age of his classmates is 27. He started college right after high school; many of his classmates are working full-time jobs, raising children, or both. And of course, he’s black, whereas the student body is only historically so.

Tony came to Bluefield State to play baseball, hoping to win the starting spot on third base. But he was surprised by what he found when he got to campus. “My first thought was: There are a lot of white people,” he said.

“Where all the black people at?”

Where The Black People Went

The story of Bluefield State’s racial transformation is wrapped up in many of the big political and economic upheavals of the late 20th century, although you might not guess it from the serene setting.

The college is tucked into the side of a hill, and folks at the school joke about having to climb up and down the campus. A lot of the folks we spoke to apologized for the campus’s humble surroundings, which seemed odd to us. It was gorgeous.

When we arrived, the trees in the mountains that ring the city were just starting to change color. From the stairs of Conley Hall, the building at the top of the hill, you can survey the entire campus, train tracks cutting across the valley below.

This part of West Virginia was coal country and still is — trains still haul coal along those tracks hugging the college’s southern edge. Many of the black folks who migrated to West Virginia to work that coal sent their children to the Bluefield Colored Institute. By the 1920s, the school was a football power among black colleges and a stepping stone for much of the region’s black middle class.

In 1954, just a few years after Bluefield State earned full accreditation, the Supreme Court declared segregation illegal in Brown v. Board of Education, reshaping the landscape of America’s schooling. Suddenly black students had more educational options to choose from, in theory anyway. And black colleges and universities like Bluefield State began having to compete with better-funded predominantly white schools for top black students.

At the same time, new technology was making mining jobs obsolete, and many black folks started leaving the state, heading North to go work in the factories. White veterans started coming back to West Virginia after fighting in Korea. And with the government footing their tuition costs through the G.I. Bill, the state’s inexpensive black schools — the other was West Virginia State University — started looking more and more attractive to white students.

“We had an out-migration of students of color because of Brown v. Board of Ed,” said Jim Nelson, a spokesman for the school, “at roughly the same time that we had an in-migration of largely Caucasian students wanting to use their G.I. Bill benefits. So that’s what, as much as anything, that’s what flipped the complexion of the school.”

By the mid-1960s, Bluefield State was only about half-black. But the college, founded and run by black folks to serve black students, was about to undertake a big, ugly fight over its future identity.

In 1966, the state picked Wendell G. Hardway to lead the college — the school’s first white president. Deirdre Guyton, who runs the college’s alumni affairs department, said that Hardway was the first president to live off campus rather than at Hatter Hall, the house in the center of campus named for the school’s black founder. By 1968, according to the book Bluefield State College Centennial History, Hardway had hired 23 new faculty members — all of whom were white. The book goes on to say that the college’s dedicated faculty, which had been all-black as recently as 1954, was only 30 percent black by 1967. If there was a tug of war over what the college was going to be, many of the black alumni and students felt they were losing. Bluefield State was quickly becoming unrecognizable.

Black colleges and universities like Bluefield State began having to compete with better-funded predominantly white schools for top black students.”

That tug of war looked a lot like battles being waged across the country, like the growing divide between black folks who believed in nonviolence as an avenue to black progress and those who felt that method was taking too long and yielding too little. During halftime at homecoming in 1967, black students staged a demonstration on the football field to protest what they saw as Hardway’s discrimination against black faculty and students. Things got rowdy. The police were called. Students were suspended.

Things got rowdier. In 1968, the year that Martin Luther King and Robert Kennedy were killed, tensions on the campus were boiling over. Administrators started receiving death threats. Students met with Hardway in a dorm, but that, too, went sour. Edgar James, a black student and Army vet, tried to hand Hardway a list of 35 demands, one of which called for his resignation. That didn’t go over well.

A group of the more radical black students, including James, held a meeting in November in the student union building. They wore matchbooks with the letters “EOW” written on them. Hardway translated the reference for an AP reporter: “The rumor on campus is that it means they intend to burn down the campus by the ‘end of the week.’ “

James, speaking to the same reporter on behalf of the radical students, laid out what they saw as the stakes: “They are carrying out mental genocide here, trying for the educational extermination of the black student,” he said. “There is a systematic weeding out of the black student. This is an imperialistic and oppressive system at Bluefield.”

And then on Nov. 21, 1968, while most of the campus was away for Thanksgiving, a bomb tore through the campus gym.

Although there were several campus employees nearby, no one was injured. Newspaper accounts said that the explosion left a gaping hole in the side of the building. Court papers said that lots of people on campus knew of the plot to dynamite the gymnasium, especially students living in the dorms, which those documents describe as “virtually all black.” (“You could forget about finding an apartment if you were a black student at Bluefield State,” according to Tara Tuckwiller of the Charleston Gazette. “White landlords in the area wouldn’t exactly welcome you with open arms.”)

In response to the bombing, Hardway shut down the dorms.

Hardway said the bombing was the work of Northern agitators who lived in those dorms. James was indicted for the bombing, but the charges against him were eventually dropped. According to alumni we spoke to, however, many black students felt that it was the pretext Hardway needed to turn the school all white.

“The National Guard killed people at Kent State; they didn’t close a single dorm,” said Lois Manns, an alumna from the Class of 1969. “So why did you close dorms at Bluefield State for a bombing that didn’t injure anybody? And basically it was just a form of protest when militancy and protest was the order of the times. It was the ’60s! So I think the reaction that the Legislature and other people took shows their own racist agenda. Now that may not be a popular thing, but if somebody thinks differently, then man up. Speak it to my face.”

Hardway said the bombing was the work of Northern agitators.”

The bombing and the closing of the dorms led to a dramatic shift in Bluefield State’s makeup. The black students who’d come to the college from far away suddenly had no place to live. And with black folks migrating away from the region, the Bluefield State campus began to look increasingly like the rest of West Virginia, one of the whitest states in the country. (West Virginia State, the state’s other black college and the second-whitest HBCU in the country, .)

In the span of about two decades, Bluefield State had gone from an all-black college to a mostly white commuter school. By 1987, according to Bluefield State College Centennial History, the dedicated faculty was 6 percent black. The school wouldn’t have another black president until 2002.

Bluefield State remains an HBCU because of a quirk of federal law: To qualify as an HBCU and receive federal funding, an institution must have served a predominantly black student population before 1964. There are several institutions today that serve a predominantly black student body, but aren’t designated or funded as “HBCUs” because they didn’t exist or weren’t predominantly black before 1964. But there’s no mechanism in federal law for removing that “historically black” designation. In other words, as Shereen puts it: Once an HBCU, always an HBCU.

But there is one group at Bluefield State College that to this day remains resolutely black.

Bluefield’s Past Meets Bluefield’s Present

Back in the day, Bluefield State’s alumni came from all over to descend on campus for homecoming. They partied and rooted for the football team as it squared off against West Virginia State, their traditional rival.

“We had football, baseball, track, tennis, the whole thing,” said alumnus Russell Manns. “We had the whole deal. You couldn’t move on this campus from Wednesday through Saturday … with people coming back to be here for all the festivities. The fraternities and sororities and things, they had things going on.”

But Bluefield State scuttled its football program in the 1970s, which meant homecoming without the big game. Nevertheless, members of the shrinking Bluefield State Alumni Association still make the sojourn back to southern West Virginia every year, football be damned.

And every single member of that alumni association is black.

In fact, there’s never been a white member, Guyton told us.

One of the few homecoming events every year is a luncheon to honor the college’s founders. This year’s honored speaker was E. Ray Williams, a black nonagenarian World War II vet who went to Bluefield State on the G.I. Bill. He was speaking to an audience made up mostly of fellow alumni.

There were about seven or so current students in attendance, mostly from the homecoming court. They were hard to miss. It was the table with the white kids.

It looked like the intervening decades since their college days at Bluefield State had treated the alumni well. Williams, the first of his family to go to college, eventually had seven children, all of whom went on to graduate college as well. Even though he was in his 90s, Williams sat on all sorts of community boards and was still active in his fraternity. And he credited Bluefield State for the big life that he’d lived. People nodded in assent.

His fellow alumni in the audience were retired principals and social workers and educators, with college-educated children and grandchildren of their own. They were people like Gloria P. Brown, whom everyone just called Go-Go.

If you’ve ever seen an Alpha Kappa Alpha sister, you’d know Go-Go was a member from across the room: She was resplendent in a pink skirt suit, heels and pearls. Her nickname isn’t a coincidence: She speaks like someone who’s been talking at the top of her lungs for most of her life, comfortably in control. She’s in her 80s and her current husband is in his 70s; Go-Go likes to joke that she’s a cougar.

It didn’t look or feel much like a college at all.”

Go-Go graduated from Bluefield State in 1951 and moved to California to raise her family. Although she’s missed a few homecomings here and there, she makes it back almost every year. She’s a retired social worker, although she said that really just means she works for free now. There’s a brick on campus at the University of Southern California with her name on it, a symbol of her monetary contributions to the school where she received her graduate degree. But she said she doesn’t allocate the energy to the deep-pocketed U.S.C. that she gives to Bluefield State.

The reverence that Go-Go and her fellow alumni expressed for the Bluefield State of the past is matched only by their concern about the college today. Many of the people at the Founder’s Day luncheon went to the school before the 1968 bombing, and they were vocal about the ways they feel the school has changed for the worse.

They had no delusions that Bluefield State was ever going to be a majority-black college again, although they wanted the school to do a better job recruiting black faculty members. Instead, they worried that the school’s history was going to fade away quietly, and that the campus was no longer the kind of place that inspired much loyalty or pride. No football team. No meal plan. No dorms. They reckoned that it didn’t look or feel much like a college at all, just a place where people stopped to take classes on their way to other things.

Despite all the love that she feels for Bluefield State, Go-Go didn’t send her own children there. Her daughter, a Ph.D., went to college at Stanford on a full-ride. Go-Go asks, “Why would I send my daughter all the way across the country to a place where she wouldn’t have anywhere to live?”

Even though the alumni saw themselves as protectors of the college’s legacy, one got the sense that they didn’t think the school’s current student body cared too much about it. When it was time to sing the alma mater at the end of the Founder’s Day event, none of the young people knew any of the words, a fact that did not escape the notice of the alumni in attendance.

Most of the current students we spoke to knew about the school’s status as a historically black college, but treated it like a bit of trivia. The players on the women’s basketball team, who were planting seeds for a homecoming event, joked casually about there not being step shows or marching bands or black fraternities and sororities.

And that absence of a vibrant campus life was something that the Bluefieldians, both young and old, seemed to agree on. All the stuff that makes college so memorable — the late-night bull sessions and parties and the big games and the deep friendships with people who aren’t like you — are all harder to come by when most of students’ lives take place off campus. Both the older alumni and the current students, whether they were prompted or not, wondered why the college couldn’t bring back the dorms.

In the early aughts, the college announced that it was opening new buildings. But nothing came of it. And Jim Nelson, Bluefield State’s spokesman, told us that in the state’s current economic climate, an investment in on-campus housing would be impossible.

If there was much anxiety about race and history among Bluefield State’s current students, though, it was pretty hard to tell. At the homecoming dance the night before the Founder’s Day luncheon, black students and white students were all together doing the “Cha Cha Slide” and the “Cupid Shuffle.” The hundred or so folks getting it in on the dance floor looked to be traditionally college-aged kids. And these kids were, essentially, the student life of the campus. The all-white homecoming court did the “Wobble” next to a clique of black women’s basketball players, who somehow managed to be even taller in heels. Jerry Perdue, a gregarious white guy and the college’s student government president, gushed over last year’s Miss Bluefield State, Danielle Haynes, a black science and pharmaceutical major who had since graduated. Her mother had been Miss Bluefield State back in the day, too.

“I get it, we love the history here and it’s so amazing to hear about it,” Haynes told us later. “But my generation — we’re not so much hardened by the fact that we don’t look like an HBCU. We just love our school for what it is. [The alumni] said they found comfort here and found family here, and I did too. And it doesn’t look exactly the same. But I did too.”

What Does Bluefield Owe Its History?

Less than 60 years after the Supreme Court sent black students to formerly all-white institutions and vice versa, it’s still striking to find these vestiges of that moment, like this mostly white, historically black college with its all-black alumni association. For generations of black students, institutions like Bluefield State were the only option for a higher education.

Today, of course, black students have many more choices. But HBCUs still play an outsized role in black education — they make up only 3 percent of all the nation’s colleges, but produce half of all black teachers and they award a disproportionate amount of bachelor’s degrees in fields like biology, math and computer science, according to Marybeth Gasman, a University of Pennsylvania education professor who researches HBCUs.

This record is part of the reason HBCUs receive federal and state funding to carry out their mission of educating underserved students. And while the students might look different than they used to, said Bluefield State president Marsha Krotseng, educating underserved students is still the college’s primary mission. Its HBCU designation means that Bluefield State receives millions in federal dollars each year, about a 10th of its total $20 million budget. It’s money that the school would be hard-pressed to replace.

It’s easy to look at the parade of headlines about the challenges HBCUs face as one, squirming mass of problems. Howard University’s president recently stepped down amid administrative rancor and serious fiscal troubles. Stricter lending rules for PLUS loans have hampered students’ abilities to pay for college, and has led to lower enrollment at some black colleges. A recent study found that several states were not matching federal funding for their HBCUs at the same level as their traditionally white institutions, a disparity amounting to tens of millions of dollars in under-funding.

But Bluefield State’s history demonstrates just how unique so many of these dilemmas are, given that these institutions have histories inextricably wrapped up in the politics and demographics of their cities and states. In fact, the situation facing some HBCUs in Maryland is like a funhouse mirror of what’s happened at Bluefield State, according to the recent finding of a federal judge. The institutions there are struggling, the judge ruled, because their student bodies are too black. While they were diversely integrated in the ’70s, these institutions have re-segregated into predominantly black places. Today, they’re forced to compete with Maryland’s traditionally white institutions (that is, colleges and universities that were white-only before Brown v. Board) that have deeper pockets and can offer far more courses, advantages that stretch back to the days of segregation.

As we thought about the Founder’s Day luncheon, in which the current students couldn’t sing the alma mater, we wondered: what do these students owe to their forebears? What does this institution, whose funding stems in part from a historical detail, owe to that history? And when the slowly shrinking Bluefield State alumni association is no longer, who will be there to tell all the kids like Tony Bolden where all the black people went?

 

+++++++++++++++++++++

Shereen Marisol Meraji and Gene Demby are part of the Code Switch Team at NPR.

Shereen Marisol Meraji joined NPR’s team after reporting for Marketplace’s Wealth & Poverty Desk. Before Marketplace, Meraji was a business and economy reporter for Southern California Public Radio.

Gene Demby is the lead blogger for NPR’s Code Switch team. Before coming to NPR, he served as the managing editor for Huffington Post’s BlackVoices following its launch. He later covered politics. Prior to that role he spent six years in various positions at The New York Times.

 

>via: http://blackagendareport.com/content/whitest-historically-black-college-america

 

 

 

 

10/21/12

black_chinese 03

Chinese Scientist Proves

The First Inhabitants

Of China Were Black!

 
 

Black Chinese

 

Copyright 2012 VVeasey Publishing

 

 

black_chinese 02

For many years Black historians and Afrocentrists have said that the first inhabitants of China were black Africans.

The Negroid races peopled at some time all the South of India, Indo-China and China. The South of Indo-China actually has now pure Negritos as the Semangs and mixed as the Malays and the Sakais.”

( H. Imbert, “Les Negritos de la Chine”).

“Even the sacred Manchu dynasty shows this Negro strain. The lower part of the face of the Emperor Pu-yi of Manchukuo, direct descendant of the Manchu rulers of China, is most distinctly Negroid. Chinese chroniclers report that a Negro Empire existed in the South of China at the dawn of that country’s history.

( Professor Chang Hsing-Lang , “The importation of Negro Slaves to China under the Tang Dynasty A.D. 618-907)

“There is evidence of substantial populations of Blacks in early China. Archaeological studies have located a black substratum in the earliest periods of Chinese history, and reports of major kingdom ruled by Blacks are frequently in Chinese documents.”

(Kwang-Chih Chang, The Archaeology of Ancient China, (Yale University Press) and Irwin Graham, Africans Abroad (Columbia University Press).

But after hundreds of years of the worldwide spread of the doctrine of white superiority and the inferiority of black Africans and their descendants. This notion was poo, pooed by white scientists and others and even by some blacks.

But in 2005, a Chinese DNA specialist, Jin Li, leading a team of Chinese and other scientists, proved through DNA tests that indeed the first inhabitants of China were black Africans.

 

The DNA Evidence

Li said he was trying to prove that the Chinese evolved from homo erectus independently of all other humans. He collected DNA samples from 165 different ethnic groups and over 12000 samples in China and Asia to test his theory.

Li said he was taught through China’s education system that there was something special about Chinese. And because he was Chinese, he was hoping to prove that the Chinese developed independently of all other humans.

But surprise, surprise, surprise, surprise!

Li’s team focused on a single genetic marker that appeared about 80,000 years ago in Africa. Anyone carrying that marker would have recent African ancestors and could not be descended from the more ancient Homo Erectus.

Li and his team found that early humans belonged to different species but modern humans descended from the East Africans species.

Li Hui, a scientist on Li’s team, said, that 100,000 years ago groups of humans started leaving Africa moving through South and Southeast Asia into China, and that 65 branches of the Chinese groups studied carry similar DNA mutations as the people of Southeast Asia.

Jin Li said “we did not see even one single individual that could be considered as a descendant of the homo erectus in China, rather, everybody was a descendant of our ancestors from Africa.”

Li was asked how he as a Chinese felt about what he found.

He said “after I saw the evidence generated in my laboratory. I think we should all be happy with that. Because after all, modern humans from different parts of the world are not so different from each other and we are very close relatives.” (Amen Brother!)

Li’s team was composed of an international group of scientist from China, Russia, India, Brazil and other nations. This was a 5 year project to study the geographic and genealogical routes tracing the spread and settlements of ancient and modern humans.

Now I know there are still many people and probably some of you reading this hub who would be horrified, upset, disgusted, in disbelief etc, etc, if you found that you had any genetic connection to a black person.

And I can feel your pain, because at one time in American history, as a result of all of the negative racial propaganda published about blacks to justify slavery for 400 years.

Many black people didn’t want to be black either.

Right up until the civil rights movement, the “I’m black and I’m proud” and the “Black Is Beautiful” movements.

Many black Americans were happy to tout that they were part Indian. part white or part any other ethnic group other than just being only black.

Many black men and women straighten their hair and used skin lighting creams to make themselves look more white than black.

This is understandable, because all of the movies stars and other esteemed images of Americans were white and mostly all of the images of black Americans were ugly, buffoonish and how shall we say it, aesthetically not pleasing.

But the DNA is the DNA and that shows that all modern human orginated in some part of the African continent.

Believe It Or Not

Or read em and weep

“If you get to the stage where you can persuade people on the evidence, that it’s solid, that we are all African, that color is superficial, that stages of development of culture are all interactive, then I think we have a chance of a world that will respond better to global challenges.” Richard Leaky, Paleoanthropologist

The Original Inhabitants Of China Were Black. Watch This Video

 

 

>via: http://vveasey.hubpages.com/hub/Chinese-Scientist-Prove-The-First-Inhabitants-Of-China-Were-Black

 

 

 

photo by Alex Lear

photo by Alex Lear

 

 

 

 


https://soundcloud.com/kalamu-salaam/congo-square

 

CONGO SQUARE

 

the oumas indians prepared this place for us

centuries before our arrival

a sacred spot where corn festivals

were celebrated & as the colonializers came

they pushed aside our hosts

& introduced us in chains

& by the late 1700s we somehow

recognizing the sacredness of le place de congo,

we somehow, and the how of our persuasive methodologies

is not clear at this moment, but nevertheless,

even enslaved we crafted and created a space

where we could be free to be we

and thusly we countered the sacriligousness of the french

giving great homage to our ancestors as well as

giving praise & thanx to our red blooded brothers & sisters

 

this is an oral libational toast

to congo square

to native americans &

to our african ancestors

who made a circle in a square

and gave us a way to stay ourselves save ourselves

from the transformatory ugliness of america

which refuses to recognize the spirituality of life

and celebrates death with crosses & crosses, double

& triple crosses, the middle passage the first cross,

christianity the double cross and capitalism

the ultimate triple coup de grace cross of our captivity

 

but the terror of crosses notwithstanding

we sang, we beat, we be, we was & is

hail, congo square

our african gods have not been obliterated

they have merely retreated inside

the beat of us until we are ready

to release them into a world that we

re-create, a world heralded by the beat

be, beat being, beating being

of black heart drums

 

heart beat heart beat heart be/at this place

at this place be heart beat be we

beating place in new world space

beating being in place

in new world preserving our ancient pace

our dance is the god walk

our music, the god talk

 

first thing we do, let’s get together

circle ourselves into community

no beginning no end connected together

and singing ringing singing

in a ring

 

second let’s be original

aboriginal / be what we were before

we became what we are, be bamboula

dance, be banza music, and sing song words

which have no english translation

 

third let us remember

never to forget even when we can’t remember

the specifics we must retain the essentials

the bounce the blood flow the feel the spirit

grow energy, must retain and pass on

the essential us-ness that

others want to dissipate whip out of us

but no matter how much of us they prohibit

deep inside us is us

remains us inside

& needs only

the beat

to set

us free

 

the beat to free us

 

it is morning, a sun day, a field w/out shade but dark

with the people black of us in various shades

eclipsing the sun with our elegance

 

we are centuries later now

and still this sacred ground calls us

to remember / to beat / to be

 

beat CONGO SQUARE be CONGO SQUARE

beat be beat be

remember

 

—kalamu ya salaam

 

 

 

 

 

 

 

 

 

NPR Music

November 22, 2013

 

 

Esperanza-Spalding

ESPERANZA SPALDING

Guantanamo Doesn’t Represent ‘Our America’

by TELL ME MORE STAFF

Grammy Award-winning musician Esperanza Spalding has a problem with using the phrase “protest song” to describe her new recording, “We Are America.” The song, along with its accompanying music video, demands congressional action to close the detention center at Guantanamo Bay.

” ‘Protest’ doesn’t seem accurate to me,” she tells NPR’s Celeste Headlee. “We weren’t thinking of a ‘protest’ song, we’re thinking of a ‘let’s get together and do something pro-active, creative and productive’ song.”

She says she grew increasingly motivated to take on the cause of closing Guantanamo as she learned more about the “human rights violations and, actually, the constitutional violations that this continued detention represents.” But it was news of hunger strikes and force-feedings earlier this year that prompted her to action. “I just felt, I really want to do more, and if I can become a public champion for this, let me find a way to do it.”

In the music video, Spalding joined up with artists Janelle Monae, Stevie Wonder and Harry Belafonte with a mission to let people know what is still happening at Guantanamo, and to say that everyone’s voice is important in this debate. “We really do have the power as a people,” she says. “Part of the message of the song is, ‘This is not our America. We are America. I am America. Esperanza Spalding is America. And all the people in this video are America, and no, we don’t condone this behavior, and we don’t want it anymore.”

She says that ultimately the song is celebratory. “It’s not heavy. It’s not sad. It’s not angry,” she says. “We’re saying, ‘Yes, let us celebrate this freedom that we have and make sure that our voices are heard that this is not the country that we believe in.'”

 

>via: http://www.npr.org/2013/11/22/246617031/esperanza-spalding-guantanamo-is-not-our-america

 

 

 

 

 

bright hill

Bright Hill Press Poetry Book Competition

Deadline: 
November 30, 2013 

Entry Fee: 

 $25

 

E-mail address: 

 wordthur@stny.rr.com

 

A prize of $1,000, publication by Bright Hill Press, and 30 author copies is given annually for a poetry collection. Submit a manuscript of 48 to 65 pages with a $25 entry fee by November 30. All entries are considered for publication. Send an SASE, call, e-mail, or visit the website for complete guidelines.

Bright Hill Press, Poetry Book Competition, 94 Church Street, Treadwell, NY 13846. (607) 829-5055. Bertha Rogers, Editor.

 

>via: http://www.pw.org/writing_contests/poetry_book_competition

 

 

 

 

mississippi_review_v41_n1_2_2013__42101.1375122220.1280.1280

Mississippi Review Prize

Deadline: 
December 1, 2013 

Entry Fee: 

 $15

 

E-mail address: 

 msreview@usm.edu

 

Two prizes of $1,000 each and publication in Mississippi Review are given annually for a poem and a short story. Current or former University of Southern Mississippi students are ineligible. Rebecca Morgan Frank will judge in poetry and Andrew Malan Milward will judge in fiction. Submit three to five poems totaling no more than 10 pages or a short story of 1,000 to 8,000 words with a $15 entry fee ($16 for online submissions), which includes a copy of the prize issue, by December 1. All entries are considered for publication. Send an SASE, call, e-mail, or visit the website for complete guidelines.

Mississippi Review, Mississippi Review Prize, 118 College Drive, #5144, Hattiesburg, MS 39406. (601) 266-4321. Andrew Malan Milward, Editor in Chief.

 

>via: http://www.pw.org/writing_contests/mississippi_review_prize

 

 

 

 

 

ala

BCALA Literary Awards

TO ALL PUBLISHERS:

The Literary Awards Committee of the Black Caucus of the American Library Association (BCALA) is now accepting submissions for the annual BCALA Literary Awards. The Committee will present three prizes of $500.00 each for adult books written by African American authors: a First Novelist Award, a Fiction Award and a Nonfiction Award. The First Novelist Awardis given to recognize an outstanding work by a first time African American fiction writer. Honor Book citations are also awarded in fiction and nonfiction without any accompanying monetary remuneration. Additionally, an Outstanding Contribution to Publishing citation is provided to an author and/or publishing company for unique books that offer a positive depiction of African Americans.

First presented at the Second National Conference of African American Librarians in 1994, the BCALA Literary Awards acknowledge outstanding works of fiction and nonfiction for adult audiences by African American authors. Recipients of this award offer outstanding depictions of the cultural, historical or sociopolitical aspects of the Black Diaspora and embody the highest quality of writing style and research methodology, if applicable. Accompanying this notice, is a copy of the BCALA Literary Awards Criteria.

Books from small, large and specialty publishers are welcome for review consideration. Titles forwarded for review must be published between January 2009 and December 2009. Sets or multi-volume works are eligible. New editions of previously published works are eligible only if more than 30% of the total content is new or revised material. Inspirational and self-help books are ineligible.

Please send one copy of each title submitted to each member of the Literary Awards Committee as soon as possible. A list of committee members and their addresses is provided. Supply all available information regarding the submission, including promotional material, author biography and available news articles and reviews. Only finished, published books should be submitted; galleys (bound or unbound) are unacceptable.

The final submission date to each juror is December 18, 2009. Decisions will be made during the American Library Association’s Midwinter Meeting in Boston, MA in January 2010.The awards will be presented in Washington, DC during ALA’s Annual Conference in June 2010. Publishers and authors will be advised of the Literary Award Committee’s decision in advance of the conference.

If you have any questions, please feel free to contact, jwhite@durhamcountync.gov. We extend our sincere thanks in advance for your cooperation in making these awards possible.

Sincerely yours,

Joel White, Chair

Black Caucus Literary Awards Committee

Virginia Toliver, Vice Chair

Black Caucus Literary Awards Committee

 

Black Caucus Literary Awards Committee

BCALA Literary Awards Criteria

The Black Caucus of the American Library Association (BCALA) presents three (3) $500.00 awards: one for adult fiction, one for nonfiction and one for a first novelist. These awards acknowledge outstanding achievement in the presentation of the cultural, historical and sociopolitical aspects of the Black Diaspora.

The Fiction Award recognizes depictions of sensitive and authentic personal experience either within the framework of contemporary literary standards and themes or which explore innovative literary formats.

The Nonfiction Award honors cultural, historical, political, or social criticism or academic and/or professional research which significantly advances the body of knowledge currently associated with the people and the legacy of the Black Diaspora. (Categories could include the humanities, science and technology, social and behavioral sciences and reference).

The First Novelist Award acknowledges outstanding achievement in writing and storytelling by a first time fiction writer.

The Outstanding Contribution to Publishing Citation recognizes the author and/or the publishing company (for their support and publication of) special and unique books that recognize the outstanding achievements and positive depiction of contributions of the people and legacy of the Black Diaspora.

Purpose: To encourage the artistic expression of the African American experience via literature and scholarly research including biographical, historical and social history treatments by African Americans.  

Criteria:

1. Must portray some aspect of the African American experience past, present or future.

2. Must be written by an African American.

3. Must be published in the United States in the year preceding presentation of the award.

4. Must be an original work.

Joel W. White, Chair
BCALA Literary Awards Committee
Email: whitejw@forsythlibrary.org
Voice: (336) 703-3041 Fax: 336-727-2549

 

>via: http://www.bcala.org/awards/literary