{"id":176448792,"date":"2015-01-17T01:34:00","date_gmt":"2015-01-17T07:34:00","guid":{"rendered":"http:\/\/kalamu.com\/neogriot\/?p=176448792"},"modified":"2015-01-17T01:34:00","modified_gmt":"2015-01-17T07:34:00","slug":"history-video-martin-luther-king-jr-on-the-humanity-of-jazz","status":"publish","type":"post","link":"http:\/\/kalamu.com\/neogriot\/2015\/01\/17\/history-video-martin-luther-king-jr-on-the-humanity-of-jazz\/","title":{"rendered":"HISTORY + VIDEO: Martin Luther King, Jr. On The Humanity Of Jazz"},"content":{"rendered":"<p><a href=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/01\/new-england-public-radio.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-176448793\" src=\"http:\/\/kalamu.com\/neogriot\/wp-content\/uploads\/2015\/01\/new-england-public-radio.jpg\" alt=\"new england public radio\" width=\"204\" height=\"71\" \/><\/a><\/p>\n<p>JANUARY 20, 2014<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<header class=\"entry-header\">\n<h1 class=\"entry-title\"><span style=\"font-size: 36pt;\"><strong><span style=\"color: #000000;\">Martin Luther King, Jr.<\/span><\/strong><\/span><\/h1>\n<h1 class=\"entry-title\"><span style=\"font-size: 36pt;\"><strong><span style=\"color: #000000;\"> On The Humanity <\/span><\/strong><\/span><\/h1>\n<h1 class=\"entry-title\"><span style=\"font-size: 36pt;\"><strong><span style=\"color: #000000;\">Of Jazz<\/span><\/strong><\/span><\/h1>\n<p>&nbsp;<\/p>\n<p class=\"entry-meta\"><span style=\"font-size: 14pt;\"><strong><span class=\"entry-author\" style=\"color: #000000;\">by:\u00a0<a class=\"entry-author-link\" style=\"color: #000000;\" href=\"http:\/\/nepr.net\/music\/author\/tom-reney\/\" rel=\"author\">Tom Reney<\/a><\/span><\/strong><\/span><\/p>\n<\/header>\n<div class=\"entry-content\">\n<p><span style=\"color: #000000; font-size: 14pt;\">In the speech he gave before the Lincoln Memorial at the March on Washington in August 1963, Martin Luther King, Jr., employed the refrain, \u201cNow is the time.\u201d\u00a0 Was he inspired by Charlie Parker\u2019s, \u201cNow\u2019s the Time,\u201d the original blues that Bird recorded on his Savoy\u00a0Jazz\u00a0debut in 1945?\u00a0 As evidenced by his introductory remarks for the Berlin Jazz Festival the following year, King had a profound appreciation of jazz.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/nepr.legacy.files.s3.amazonaws.com\/MLK%20and%20Mahalia%201963.jpg\" alt=\"\" width=\"620\" height=\"413\" \/><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">(Mahalia Jackson, wearing corsage, looks\u00a0over at MLK speaking at the March on Washington.)\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">In September 1964, as the guest of Mayor Willy Brandt, King spent two days in (West) Berlin.\u00a0 During the whirlwind visit, he gave a sermon to a crowd of 20,000, visited the Berlin Wall, and attended a memorial concert for President Kennedy.\u00a0 It\u2019s also long been reported that he gave the keynote address to the inaugural Berlin Jazz Festival, but in recent years that\u2019s been disputed by Bruce Jackson and Professor David Demsey of William Patterson University.\u00a0 Whether spoken or merely written for the festival\u2019s program, King offers genuine insight about the role that jazz musicians played as they \u201cchampioned\u201d the search for identity among African Americans. \u201cLong before the modern essayists and scholars wrote of \u2018racial identity\u2019 as a problem for a multi-racial world, musicians were returning to their roots to affirm that which was stirring within their souls,\u201d King wrote.\u00a0 (Read the complete text below.)<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><iframe loading=\"lazy\" id=\"_dytid_5826\" src=\"http:\/\/www.youtube.com\/embed\/SBV-rPgMDRI\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">Duke Ellington composed\u00a0\u201cKing Fit the Battle of Alabam,\u201d\u00a0for his 1963 musical,\u00a0<em>My People.\u00a0\u00a0<\/em>It was staged in Chicago for the Century of Negro Progress Exhibition\u00a0celebrating the centennial of the Emancipation Proclamation.\u00a0 Alas, it never got to Broadway, but some of the music was later incorporated into the Sacred Concerts.\u00a0 \u201cKing Fit the Battle\u2026\u201d celebrates MLK, lunch counter sit-ins, freedom riders, and satirizes the notorious Birmingham, Alabama Sheriff Bull Connors.\u00a0 While he was in Chicago, Ellington met Dr. King in a meeting that was arranged by Marian Logan, wife of Ellington and Billy Strayhorn\u2019s friend and physician, Dr. Arthur Logan.\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><iframe loading=\"lazy\" id=\"_dytid_9755\" src=\"http:\/\/www.youtube.com\/embed\/GaySAIUlYsc\" width=\"420\" height=\"315\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">One senses that Dr. King\u00a0would have understood what\u00a0Stanley Crouch meant in his 2009\u00a0<em>Daily News\u00a0<\/em>column lamenting the absence of jazz in the public rituals of the Obama administration.\u00a0 \u201cJazz predicted the civil rights movement more than any other art in America\u2026Jazz was always an art, but because of the race of its creators, it was always more than music.\u00a0Once the whites who played it and the listeners who loved it began to balk at the limitations imposed by segregation, jazz became a futuristic social force in which one was finally judged purely on the basis of one\u2019s individual ability.\u201d\u00a0Or, as King famously put it, \u201cJudged not by the\u00a0color of their skin but by the content of\u00a0their character.\u201d\u00a0\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">Speaking of Birmingham, here\u2019s the John Coltrane Quartet playing \u201cAlabama\u201d on Ralph J. Gleason\u2019s public television series,\u00a0<em>Jazz Casual.\u00a0\u00a0<\/em>Coltrane composed the elegy in commemoration of the four girls murdered in the fire-bombing of the 16th Street Baptist Church in Birmingham on September 15, 1963.\u00a0 Trane first recorded the piece on November 18; this was taped on December 7.)<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\"><iframe loading=\"lazy\" id=\"_dytid_4775\" src=\"http:\/\/www.youtube.com\/embed\/saN1BwlxJxA\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<blockquote><p><span style=\"color: #000000; font-size: 14pt;\"><em>Humanity and the Importance of Jazz<br \/>\n<\/em><\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">\u201cGod has brought many things out of oppression. He has endowed his<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">creatures with the capacity to create \u2013 and from this capacity has<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">flowed the sweet songs of sorrow and joy that have allowed man to cope<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">with his environment and many different situations.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">\u201cJazz speaks for life. The Blues tell the story of life\u2019s difficulties,<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">and if you think for a moment, you will realize that they take the<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">hardest realities of life and put them into music, only to come out with<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">some new hope or sense of triumph. This is triumphant music.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">\u201cModern Jazz has continued in this tradition, singing the songs of a more<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">complicated urban existence. When life itself offers no order and<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">meaning, the musician creates an order and meaning from the sounds of<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">the earth which flow through his instrument.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">\u201cIt is no wonder that so much of the search for identity among American<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">Negroes was championed by Jazz musicians. Long before the modern<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">essayists and scholars wrote of \u201cracial identity\u201d as a problem for a<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">multi-racial world, musicians were returning to their roots to affirm<\/span><br \/>\n<span style=\"color: #000000; font-size: 14pt;\">that which was stirring within their souls.<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">\u201cMuch of the power of our Freedom Movement in the United States has come<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">from this music. It has strengthened us with its sweet rhythms when<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">courage began to fail. It has calmed us with its rich harmonies when<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">spirits were down. And now, Jazz is exported to the world. For in the<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">particular struggle of the Negro in America there is something akin to<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">the universal struggle of modern man. Everybody has the Blues. Everybody<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">longs for meaning. Everybody needs to love and be loved. Everybody needs<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">to clap hands and be happy. Everybody longs for faith. In music,<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">especially this broad category called Jazz, there is a stepping stone<\/span>\u00a0<span style=\"color: #000000; font-size: 14pt;\">towards all of these.\u201d<\/span><\/p><\/blockquote>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&gt;via:\u00a0<a href=\"http:\/\/nepr.net\/music\/2014\/01\/20\/martin-luther-king-jr-humanity-jazz\/\" target=\"_blank\">http:\/\/nepr.net\/music\/2014\/01\/20\/martin-luther-king-jr-humanity-jazz\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>JANUARY 20, 2014 &nbsp; &nbsp; Martin Luther King, Jr. On The Humanity Of Jazz &nbsp; by:\u00a0Tom Reney In the speech he gave before the Lincoln Memorial at the March on Washington in August 1963, Martin Luther King, Jr., employed the refrain, \u201cNow is the time.\u201d\u00a0 Was he inspired by Charlie Parker\u2019s, \u201cNow\u2019s the Time,\u201d the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_s2mail":"yes"},"categories":[6],"tags":[4,12,11],"_links":{"self":[{"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176448792"}],"collection":[{"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/comments?post=176448792"}],"version-history":[{"count":4,"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176448792\/revisions"}],"predecessor-version":[{"id":176448797,"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/posts\/176448792\/revisions\/176448797"}],"wp:attachment":[{"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/media?parent=176448792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/categories?post=176448792"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kalamu.com\/neogriot\/wp-json\/wp\/v2\/tags?post=176448792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}