<\/p>\n
Radical Black Reading: Summer 2013<\/span><\/h1>\nBy\u00a0THE PUBLIC ARCHIVE<\/span><\/a>\u00a0<\/strong><\/span><\/div>\n\n![\"\"](\"http:\/\/harlemworldblog.files.wordpress.com\/2012\/02\/dog-mulzac-obit-articlelarge.jpg\")
<\/p>\n
The\u00a0New York Times<\/em>\u2019 dismissive,\u00a0error-strewn<\/span><\/a>\u00a0obituary<\/span><\/a>\u00a0of Una G. Mulzac, the late proprietor of Harlem\u2019s now-closed Liberation Books, cast her as a cantankerous crank-pot holding anachronistic political beliefs. Yet for many people, folk like Mulzac were historians, vernacular archivists, and living repositories of pan-African memory. Places like Liberation Books \u2013 alongside San Francisco\u2019sendangered Marcus Books<\/span><\/a>, Toronto\u2019s long-shuttered\u00a0Third World Books<\/span><\/a>\u00a0& Crafts, and a host of other stores \u2013 doubled as public libraries, informalclassrooms<\/span><\/a>, and sites of pilgrimage. The daughter of Hugh Mulzac, author of\u00a0A Star to Steer By<\/em>\u00a0and a shipmate on Marcus Garvey\u2019s Black Star Line, Mulzac was an activist in her own right and through Liberation Books, she staked a claim for bookselling as a political act. Unfortunately, it\u2019s a claim that is losing ground as fast as independent Black bookstores have been closing. While the era of\u00a0Amazon<\/span><\/a>and AbeBooks has provided us with greater access to Black literature than at any time in history, one-click purchases and algorithmically-determined recommendations can never replace the intimate and independent Black public spheres created by booksellers like Mulzac and bookstores like Liberation Books. No wonder the\u00a0Times\u2019<\/em>\u00a0contempt.<\/span><\/p>\nGiven the history of Mulzac and Liberation Books, it\u2019s appropriate that Kenyan playwright, novelist, and critic Ng\u0169g\u0129 wa Thiong\u2019o peers out from behind her in the above photograph. Ng\u0169g\u0129\u2019s classic\u00a0Decolonizing the Mind:<\/em><\/span><\/a>\u00a0The Politics of Language in African Literature<\/em>\u00a0(James Currey) demonstrates an acute understanding of the political economy of knowledge in the colonial context while arguing that alternative languages, genres, and venues were necessary for the project of post-colonial freedom. At one point abandoning the English language to write only in Gikuyu, Ng\u0169g\u0129 has returned from his self-imposed linguistic exile with a productive flourish. In 2007 he published the masterful absurdist political satire\u00a0The Wizard of the Crow<\/span><\/a><\/em>. He has followed it with three volumes of criticism and two installments of a memoir. The criticism revisits the terrain of\u00a0Decolonizing the Mind\u00a0<\/em>while confirming the continued importance of its interventions in the contemporary historical context.\u00a0<\/em>With its title borrowed from poet Kamau Brathwaite\u2019s\u00a0Islands<\/em>, Ng\u0169g\u0129\u2019s\u00a0<\/em>Something Torn and New<\/em><\/span><\/a>: An African Renaissance<\/em>\u00a0(Basic Civitas), is a wide-ranging but compact exploration of African independence, freedom, and what George Lamming has called the \u201csovereignty of the imagination.\u201d\u00a0Globalectic<\/em><\/span><\/a>s: Theory and the Politics of Knowing<\/em>\u00a0(Columbia) approaches questions of national identity, internationalism, and literary and cultural production within the landscape of neocolonialism and neoliberal globalization.<\/em>\u00a0In the Name of the Mother: Reflections on Writers and Empire<\/em>\u00a0(James Currey) consists of critical essays on a range of writers, from Ousmane Sembene to Tsitsi Dangarembga.\u00a0<\/em>In his memoirs,\u00a0Dreams in a Time of War: A Childhood Memoir<\/em><\/span><\/a>\u00a0(Random House) and\u00a0In the House of the Interpreter: A Memoir<\/em><\/span><\/a>\u00a0(Random House), Ng\u0169g\u0129 provides readers with a personal account of the experiences and transformations that led to the critical turns of his intellectual and political development.<\/span><\/p>\nThe publication of Ng\u0169g\u0129\u2019s memoirs has been complemented by the recent release (and in one case, re-release) of a number of biographies of major figures of anti-colonial struggle within the African diaspora. In the exceptional\u00a0<\/em>Eslanda<\/em><\/span><\/a>: The Large Unconventional Life of Mrs Paul Robeson<\/em>\u00a0(Yale), historian Barbara Ranbsy has brought Elsanda Goode Robeson out from the shadows of her often-over shadowed husband. Eslanda Robeson was tirelessly committed to women\u2019s liberation, anti-racism, and anti-colonialism. She was also a journalist and an anthropologist who trained with Bronislaw Malinowski and wrote the neglected monograph\u00a0African Journey\u00a0<\/em>in 1941. Rambsy recounts Robeson\u2019s intellectual and political career \u2013 including her\u00a0unflinching testimony<\/span><\/a>\u00a0before the House Un-American Activities Committee \u2013 while reconstructing the complex contours of her longstanding and unconventional relationship with Mr. Robeson. It\u2019s an engaging history of Black politics \u2013 and of Black love. The late\u00a0David Macey\u2019s<\/span><\/a>comprehensive, unsurpassed, and unsentimental\u00a0Frantz Fanon:<\/em><\/span><\/a>\u00a0A Biography<\/em>, first published in 2000, has been updated and re-issued by Verso. Macey, who remembers buying his first copies of Fanon at Francois\u00a0Maspero<\/span><\/a>\u2019s\u00a0La Joie de lire<\/span><\/a>bookstore in Paris (which he describes as \u201cas much a library as a bookshop\u201d) recovers Fanon from those who dismiss him as an angry apostle of anti-colonial violence \u2013 or embrace him simply as a silly postcolonial theorist. He also claims the\u00a0contemporary relevance<\/span><\/a>\u00a0of Fanon in Algeria, France, and the\u00a0d\u00e9partements<\/em>of Gaudeloupe and Martininque. In\u00a0S is for Samora<\/em><\/span><\/a>: A Lexical Biography of Samora Machel and the Mozambican Dream<\/em>\u00a0(Columbia\/Hurst), Sarah LeFanu breaks with biographical tradition and orders the narrative of Mozambique\u2019s independence struggle and the history of its assassinated leader around a series of charged keywords. The results make for smart, compelling reading. Claremount Chung has edited the transcriptions of his interviews with Walter Rodney\u2019s friends, colleagues, and acquaintances for the documentary\u00a0W.A.R. Stories: Walter Anthony Rodney<\/span><\/a><\/em>, and collected them as\u00a0Walter Rodney<\/em><\/span><\/a>: A Promise of Revolution<\/em>\u00a0(Monthly Review). Inspired and moving, Chung\u2019s compilation contains evocations of Rodney\u2019s life and testimonials of his legacy from the likes of Robert Hill, Amiri Baraka, Leith Mullings, Issa G. Shivji, Clive Y. Thomas, and Rupert\u00a0Roopnaraine<\/span><\/a>.<\/span><\/p>\nPoet, editor, essayist and publisher\u00a0Miguel D. Mena<\/span><\/a>\u00a0has been a force in independent publishing in the Dominican Republic since the mid-1980s. He is currently editor of\u00a0Cielo Naranja<\/span><\/a>, a fantastic website that serves as a portal to a rich archive of editorials, essays, and commentary on Dominican intellectual history, the place of the Dominican Republic in the context of\u00a0the wider Caribbean<\/span><\/a>, and of Dominican\u00a0architectural and urban studies.<\/span><\/a>\u00a0Mena has also launched the imprint Ediciones Cielonaranja as an outlet for inexpensive though smartly-packaged re-issues of out-of-print classics of Dominican history, criticism and poetry. Thus far, Ediciones Cielonaranja has published a series of titles by Rene del Risco Bermudez, Juan Sanchez Lamouth, and Fabio Fiallo, and others under the banner Biblioteca de literature Dominicana; a number of historical compilations through its Coleccion archivos, and, via La Biblioteca<\/strong>\u00a0<\/strong>Pedro Henr\u00edquez Ure\u00f1a<\/span><\/a>, the collected work of the early twentieth century Dominican humanist, philologist, critic and editor. The output of Mena (he has just published a remarkable three volume study of the\u00a0poetry<\/span><\/a>\u00a0and\u00a0poetics<\/span><\/a>\u00a0of Dominican\u00a0urbanism<\/span><\/a>) and Ediciones Cielonaranja has been nothing short of astonishing.<\/span><\/p>\nAlso coming from the Spanish-speaking Caribbean are a trio of monographs that are both path-breaking and genre-busting. Alexandra T. Vazquez\u2019s\u00a0Listening in Detail: Performances of Cuban Music<\/span><\/a>\u00a0is a shot across the bow of the fetishistic collecting of Cuban cultural production by imperial ethnographers as well as an exploration of performance, circulation, and interpretation that is both muscular in analysis and nattily elegant in style. B\u00e1rbaro Mart\u00ednez-Ruiz\u2019s\u00a0<\/em>Kongo Graphic Writing and Other Narratives of the Sign<\/em><\/span><\/a>\u00a0<\/em>is a learned, lucid and pioneering exploration of indigenous Central African writing systems and their emergence in the greater Caribbean. Exhaustively researched and full of trenchant interpretation, Jossiano Arroyo\u2019s\u00a0Writing Secrecy in Caribbean Freemasonry<\/em><\/span><\/a>(Palgrave MacMillan) recovers the presence of Masonic signs, systems, and rituals in the dissident, anti-colonial writing of nineteenth-century Caribbean intellectuals Andr\u00e9s Cassard, Ram\u00f3n E.\u00a0Betances<\/span><\/a>, Jos\u00e9 Mart\u00ed, Arturo Schomburg, and Rafael Serra.<\/span><\/p>\nFinally, Kingston, Jamaica\u2019s Ian Randle Publishers has just released three readers dedicated to Caribbean thought. The first two,\u00a0Caribbean Political Thought: The Colonial State to Caribbean Internationalisms<\/em>\u00a0and\u00a0Caribbean Political Thought: Theories of the Post-Colonial State<\/em>\u00a0were edited by political philosopher Aaron Kamugisha of the University of the West Indies, Cave Hill.\u00a0The Colonial State to Caribbean Internationalism<\/span><\/a>s<\/em>\u00a0offers a simply astounding compilation of five-hundred-years worth of manifestos, constitutional excerpts, and speeches \u2013 from Jean-Jacques Dessalines famous \u201cLiberty or Death\u201d proclamation to the interventions of Sylvia Wynter, with contributions from Aime and Suzanne Cesaire, Antenor Firmin, George Padmore, Marcus Garvey, Frantz Fanon and others along the way. It includes the 1912 program of Cuba\u2019s\u00a0Partido Independiente de Color\u00a0<\/em>and Dantes Bellegarde\u2019s 1930 appeal to the League of Nations on the threat of the United States to world peace.\u00a0Theories of the Post-Colonial State<\/em>\u00a0<\/span><\/a>comes as a continuation of the first volume and focuses on the post-World War II examination of Caribbean political life after independence and decolonization. Kamugisha assembles a jaw-dropping collection of theorists and intellectuals including Michel-Rolph Trouillot, Norman Girvan, Eudine Barriteau, Patricia Mohammed, Stuart Hall, and Edouard Glissant, to name but a representative few. The third volume,\u00a0Caribbean Cultural Thought,\u00a0<\/span><\/a><\/em>was co-edited with Yanique Hume, a critic and dance who also teaches at UWI Cave Hill, and contains the formative interventions on Caribbean aesthetics, sexuality and gender, cultural identity, nationalism, and social change, and religion and spirituality.\u00a0<\/em>Dedicated to the peoples of Haiti, Jamaica, and Trinidad \u2013 and to the region\u2019s thinkers and theorists \u2013 together, these readers are indispensible guides to the intellectual history of the region. On their publication, Kamugisha gave thanks \u201cto the ancestors for Caribbean thought in pursuit of freedom.\u201d We\u2019re sure it\u2019s a sentiment Una Mulzac would have approved.<\/span><\/p>\nEnjoy the summer.<\/span><\/p>\nThe Public Archive<\/em>\u00a0<editor@thepublicarchive.com><\/span><\/p>\nImage<\/em>: Una G. Mulzac (April 19, 1923 \u2013 January 21, 2012) in Liberation Books, Harlem, USA. Source:\u00a0Harlem World Magazine<\/span><\/a>.<\/em><\/span><\/p>\nRadical Black Reading<\/em>:\u00a02011<\/span><\/a>.\u00a02012<\/span><\/a>. Reading Haiti:\u00a02011<\/span><\/a>.\u00a02012.<\/span><\/a>\u00a0Radical Black Cities:\u00a02012<\/span><\/a>.<\/span><\/p>\n<\/div>\n <\/p>\n
<\/p>\n
The\u00a0New York Times<\/em>\u2019 dismissive,\u00a0error-strewn<\/span><\/a>\u00a0obituary<\/span><\/a>\u00a0of Una G. Mulzac, the late proprietor of Harlem\u2019s now-closed Liberation Books, cast her as a cantankerous crank-pot holding anachronistic political beliefs. Yet for many people, folk like Mulzac were historians, vernacular archivists, and living repositories of pan-African memory. Places like Liberation Books \u2013 alongside San Francisco\u2019sendangered Marcus Books<\/span><\/a>, Toronto\u2019s long-shuttered\u00a0Third World Books<\/span><\/a>\u00a0& Crafts, and a host of other stores \u2013 doubled as public libraries, informalclassrooms<\/span><\/a>, and sites of pilgrimage. The daughter of Hugh Mulzac, author of\u00a0A Star to Steer By<\/em>\u00a0and a shipmate on Marcus Garvey\u2019s Black Star Line, Mulzac was an activist in her own right and through Liberation Books, she staked a claim for bookselling as a political act. Unfortunately, it\u2019s a claim that is losing ground as fast as independent Black bookstores have been closing. While the era of\u00a0Amazon<\/span><\/a>and AbeBooks has provided us with greater access to Black literature than at any time in history, one-click purchases and algorithmically-determined recommendations can never replace the intimate and independent Black public spheres created by booksellers like Mulzac and bookstores like Liberation Books. No wonder the\u00a0Times\u2019<\/em>\u00a0contempt.<\/span><\/p>\n Given the history of Mulzac and Liberation Books, it\u2019s appropriate that Kenyan playwright, novelist, and critic Ng\u0169g\u0129 wa Thiong\u2019o peers out from behind her in the above photograph. Ng\u0169g\u0129\u2019s classic\u00a0Decolonizing the Mind:<\/em><\/span><\/a>\u00a0The Politics of Language in African Literature<\/em>\u00a0(James Currey) demonstrates an acute understanding of the political economy of knowledge in the colonial context while arguing that alternative languages, genres, and venues were necessary for the project of post-colonial freedom. At one point abandoning the English language to write only in Gikuyu, Ng\u0169g\u0129 has returned from his self-imposed linguistic exile with a productive flourish. In 2007 he published the masterful absurdist political satire\u00a0The Wizard of the Crow<\/span><\/a><\/em>. He has followed it with three volumes of criticism and two installments of a memoir. The criticism revisits the terrain of\u00a0Decolonizing the Mind\u00a0<\/em>while confirming the continued importance of its interventions in the contemporary historical context.\u00a0<\/em>With its title borrowed from poet Kamau Brathwaite\u2019s\u00a0Islands<\/em>, Ng\u0169g\u0129\u2019s\u00a0<\/em>Something Torn and New<\/em><\/span><\/a>: An African Renaissance<\/em>\u00a0(Basic Civitas), is a wide-ranging but compact exploration of African independence, freedom, and what George Lamming has called the \u201csovereignty of the imagination.\u201d\u00a0Globalectic<\/em><\/span><\/a>s: Theory and the Politics of Knowing<\/em>\u00a0(Columbia) approaches questions of national identity, internationalism, and literary and cultural production within the landscape of neocolonialism and neoliberal globalization.<\/em>\u00a0In the Name of the Mother: Reflections on Writers and Empire<\/em>\u00a0(James Currey) consists of critical essays on a range of writers, from Ousmane Sembene to Tsitsi Dangarembga.\u00a0<\/em>In his memoirs,\u00a0Dreams in a Time of War: A Childhood Memoir<\/em><\/span><\/a>\u00a0(Random House) and\u00a0In the House of the Interpreter: A Memoir<\/em><\/span><\/a>\u00a0(Random House), Ng\u0169g\u0129 provides readers with a personal account of the experiences and transformations that led to the critical turns of his intellectual and political development.<\/span><\/p>\n The publication of Ng\u0169g\u0129\u2019s memoirs has been complemented by the recent release (and in one case, re-release) of a number of biographies of major figures of anti-colonial struggle within the African diaspora. In the exceptional\u00a0<\/em>Eslanda<\/em><\/span><\/a>: The Large Unconventional Life of Mrs Paul Robeson<\/em>\u00a0(Yale), historian Barbara Ranbsy has brought Elsanda Goode Robeson out from the shadows of her often-over shadowed husband. Eslanda Robeson was tirelessly committed to women\u2019s liberation, anti-racism, and anti-colonialism. She was also a journalist and an anthropologist who trained with Bronislaw Malinowski and wrote the neglected monograph\u00a0African Journey\u00a0<\/em>in 1941. Rambsy recounts Robeson\u2019s intellectual and political career \u2013 including her\u00a0unflinching testimony<\/span><\/a>\u00a0before the House Un-American Activities Committee \u2013 while reconstructing the complex contours of her longstanding and unconventional relationship with Mr. Robeson. It\u2019s an engaging history of Black politics \u2013 and of Black love. The late\u00a0David Macey\u2019s<\/span><\/a>comprehensive, unsurpassed, and unsentimental\u00a0Frantz Fanon:<\/em><\/span><\/a>\u00a0A Biography<\/em>, first published in 2000, has been updated and re-issued by Verso. Macey, who remembers buying his first copies of Fanon at Francois\u00a0Maspero<\/span><\/a>\u2019s\u00a0La Joie de lire<\/span><\/a>bookstore in Paris (which he describes as \u201cas much a library as a bookshop\u201d) recovers Fanon from those who dismiss him as an angry apostle of anti-colonial violence \u2013 or embrace him simply as a silly postcolonial theorist. He also claims the\u00a0contemporary relevance<\/span><\/a>\u00a0of Fanon in Algeria, France, and the\u00a0d\u00e9partements<\/em>of Gaudeloupe and Martininque. In\u00a0S is for Samora<\/em><\/span><\/a>: A Lexical Biography of Samora Machel and the Mozambican Dream<\/em>\u00a0(Columbia\/Hurst), Sarah LeFanu breaks with biographical tradition and orders the narrative of Mozambique\u2019s independence struggle and the history of its assassinated leader around a series of charged keywords. The results make for smart, compelling reading. Claremount Chung has edited the transcriptions of his interviews with Walter Rodney\u2019s friends, colleagues, and acquaintances for the documentary\u00a0W.A.R. Stories: Walter Anthony Rodney<\/span><\/a><\/em>, and collected them as\u00a0Walter Rodney<\/em><\/span><\/a>: A Promise of Revolution<\/em>\u00a0(Monthly Review). Inspired and moving, Chung\u2019s compilation contains evocations of Rodney\u2019s life and testimonials of his legacy from the likes of Robert Hill, Amiri Baraka, Leith Mullings, Issa G. Shivji, Clive Y. Thomas, and Rupert\u00a0Roopnaraine<\/span><\/a>.<\/span><\/p>\n Poet, editor, essayist and publisher\u00a0Miguel D. Mena<\/span><\/a>\u00a0has been a force in independent publishing in the Dominican Republic since the mid-1980s. He is currently editor of\u00a0Cielo Naranja<\/span><\/a>, a fantastic website that serves as a portal to a rich archive of editorials, essays, and commentary on Dominican intellectual history, the place of the Dominican Republic in the context of\u00a0the wider Caribbean<\/span><\/a>, and of Dominican\u00a0architectural and urban studies.<\/span><\/a>\u00a0Mena has also launched the imprint Ediciones Cielonaranja as an outlet for inexpensive though smartly-packaged re-issues of out-of-print classics of Dominican history, criticism and poetry. Thus far, Ediciones Cielonaranja has published a series of titles by Rene del Risco Bermudez, Juan Sanchez Lamouth, and Fabio Fiallo, and others under the banner Biblioteca de literature Dominicana; a number of historical compilations through its Coleccion archivos, and, via La Biblioteca<\/strong>\u00a0<\/strong>Pedro Henr\u00edquez Ure\u00f1a<\/span><\/a>, the collected work of the early twentieth century Dominican humanist, philologist, critic and editor. The output of Mena (he has just published a remarkable three volume study of the\u00a0poetry<\/span><\/a>\u00a0and\u00a0poetics<\/span><\/a>\u00a0of Dominican\u00a0urbanism<\/span><\/a>) and Ediciones Cielonaranja has been nothing short of astonishing.<\/span><\/p>\n Also coming from the Spanish-speaking Caribbean are a trio of monographs that are both path-breaking and genre-busting. Alexandra T. Vazquez\u2019s\u00a0Listening in Detail: Performances of Cuban Music<\/span><\/a>\u00a0is a shot across the bow of the fetishistic collecting of Cuban cultural production by imperial ethnographers as well as an exploration of performance, circulation, and interpretation that is both muscular in analysis and nattily elegant in style. B\u00e1rbaro Mart\u00ednez-Ruiz\u2019s\u00a0<\/em>Kongo Graphic Writing and Other Narratives of the Sign<\/em><\/span><\/a>\u00a0<\/em>is a learned, lucid and pioneering exploration of indigenous Central African writing systems and their emergence in the greater Caribbean. Exhaustively researched and full of trenchant interpretation, Jossiano Arroyo\u2019s\u00a0Writing Secrecy in Caribbean Freemasonry<\/em><\/span><\/a>(Palgrave MacMillan) recovers the presence of Masonic signs, systems, and rituals in the dissident, anti-colonial writing of nineteenth-century Caribbean intellectuals Andr\u00e9s Cassard, Ram\u00f3n E.\u00a0Betances<\/span><\/a>, Jos\u00e9 Mart\u00ed, Arturo Schomburg, and Rafael Serra.<\/span><\/p>\n Finally, Kingston, Jamaica\u2019s Ian Randle Publishers has just released three readers dedicated to Caribbean thought. The first two,\u00a0Caribbean Political Thought: The Colonial State to Caribbean Internationalisms<\/em>\u00a0and\u00a0Caribbean Political Thought: Theories of the Post-Colonial State<\/em>\u00a0were edited by political philosopher Aaron Kamugisha of the University of the West Indies, Cave Hill.\u00a0The Colonial State to Caribbean Internationalism<\/span><\/a>s<\/em>\u00a0offers a simply astounding compilation of five-hundred-years worth of manifestos, constitutional excerpts, and speeches \u2013 from Jean-Jacques Dessalines famous \u201cLiberty or Death\u201d proclamation to the interventions of Sylvia Wynter, with contributions from Aime and Suzanne Cesaire, Antenor Firmin, George Padmore, Marcus Garvey, Frantz Fanon and others along the way. It includes the 1912 program of Cuba\u2019s\u00a0Partido Independiente de Color\u00a0<\/em>and Dantes Bellegarde\u2019s 1930 appeal to the League of Nations on the threat of the United States to world peace.\u00a0Theories of the Post-Colonial State<\/em>\u00a0<\/span><\/a>comes as a continuation of the first volume and focuses on the post-World War II examination of Caribbean political life after independence and decolonization. Kamugisha assembles a jaw-dropping collection of theorists and intellectuals including Michel-Rolph Trouillot, Norman Girvan, Eudine Barriteau, Patricia Mohammed, Stuart Hall, and Edouard Glissant, to name but a representative few. The third volume,\u00a0Caribbean Cultural Thought,\u00a0<\/span><\/a><\/em>was co-edited with Yanique Hume, a critic and dance who also teaches at UWI Cave Hill, and contains the formative interventions on Caribbean aesthetics, sexuality and gender, cultural identity, nationalism, and social change, and religion and spirituality.\u00a0<\/em>Dedicated to the peoples of Haiti, Jamaica, and Trinidad \u2013 and to the region\u2019s thinkers and theorists \u2013 together, these readers are indispensible guides to the intellectual history of the region. On their publication, Kamugisha gave thanks \u201cto the ancestors for Caribbean thought in pursuit of freedom.\u201d We\u2019re sure it\u2019s a sentiment Una Mulzac would have approved.<\/span><\/p>\n Enjoy the summer.<\/span><\/p>\n The Public Archive<\/em>\u00a0<editor@thepublicarchive.com><\/span><\/p>\n Image<\/em>: Una G. Mulzac (April 19, 1923 \u2013 January 21, 2012) in Liberation Books, Harlem, USA. Source:\u00a0Harlem World Magazine<\/span><\/a>.<\/em><\/span><\/p>\n Radical Black Reading<\/em>:\u00a02011<\/span><\/a>.\u00a02012<\/span><\/a>. Reading Haiti:\u00a02011<\/span><\/a>.\u00a02012.<\/span><\/a>\u00a0Radical Black Cities:\u00a02012<\/span><\/a>.<\/span><\/p>\n<\/div>\n <\/p>\n