Info

Kalamu ya Salaam's information blog

 

 

 

lianne 06

LIANNE LA HAVAS

lianne 04

by SURAYA MOHAMED
In 2012, my kids introduced me to Lianne La Havas’ debut album, Is Your Love Big Enough? One play and I was hooked; I’ve been a fan ever since. Her music works for any activity, any emotion.

The first time I saw La Havas live, I was unprepared for the experience: Her music touched my heart in a way I’d never experienced before. I cried through the entire performance. Her music was that powerful, with lyrics woven together with beautiful harmonies; it pulled emotions out of me I didn’t even know existed.

La Havas is soulful yet playful, raw and vulnerable in a commanding kind of way, and her new second album, Blood, is as amazing as the first. In this Tiny Desk performance, she plays two new songs — “What You Don’t Do” and “Unstoppable” — as well as “Forget,” from her first album. She and her talented collaborators, James Wyatt on piano and Frida Mariama Touray on backing vocals, rehearsed this special arrangement during the sound check just moments before the performance. It’s wonderfully intimate, with just guitar accompanied by vocals that embellish without getting in the way. If you’re like me, you will never get enough.

Blood is available now. 
iTunes:https://itunes.apple.com/us/album/blo…
Amazon: http://www.amazon.com/Blood-Lianne-La…

Set List
“What You Don’t Do” 00:00
“Unstoppable” 04:00 
“Forget” 08:41

Credits
Producers: Suraya Mohomed, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; photo by Jun Tsuboike/NPR

For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/ti…

_____________________________

 

Sept 2015

Sept 2015

 

 

Lianne La Havas Wax Poetics Interview

With her new album BloodLianne La Havas delivered one of the finer works of 2015, a rich and searching R&B document that lets her audience in to some of her most vulnerable spaces. Each listen peels back layers of joy and pain and is, in its own way, a discovery. Now, in a new video interview with Wax Poetics, La Havas offers insights into the album’s intentions, where it got its name and what it’s like for her as a talented female instrumentalist working in today’s music industry.

“The title ‘Blood,’–I just really like that word, and I wanted to get it into a song title or a lyric of some kind,” La Havas says in the clip. Songwriting eventually lead her to penning a tune about her grandmother, and “blood” was the first lyric that spilled out onto the page. As the clip rolls, we learn that a trip to Jamaica was what finally put the 26-year-old in the right headspace to record the record, and working with a number of producers is what made the final product ultimately so diverse.

Things do get bittersweet, though, as La Havas laments that many seem to be taken aback by her ability to play her own instrument. “I find it interesting that it’s genuinely quite surprising that I play guitar,” she says, remarking that so often, women are presumed to be capable of belting out vocals but not expertly strumming. There’s much more to be gained from the interview, so watch the clip below, which comes interspersed with shots of her recent performance at New York City’s Bowery Ballroom, plus clips of her performing the beautiful new number “Midnight.” Blood is, of course, available on iTunes, and you owe it to your ears to get a copy.

>via: http://www.okayplayer.com/news/lianne-la-havas-blood-wax-poetics-interview.html