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Kalamu ya Salaam's information blog

 

AFRICAN, BLACK & DIASPORIC HISTORY

  • October 10, 2014

 

 

 

 

Separate Cinema:

The First 100 Years of

Black Poster Art

soulbrotherv2:Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike LeeThis magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.[book link]Shouldn’t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.
soulbrotherv2:</p><br /> <p>Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee<br /><br /> This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.<br /><br /> [book link]</p><br /> <p>Shouldn&#8217;t it be called African American poster art.

soulbrotherv2:

Separate Cinema: The First 100 Years of Black Poster Art edited by John Duke Kisch with a foreword by Henry Louis Gates, Jr. and an afterword by Spike Lee

This magnificent volume is a celebration of the first 100 years of black film poster art. A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day.

[book link]

Shouldn’t it be called African American poster art.

 

>via: http://diasporicroots.tumblr.com/post/99643515963/soulbrotherv2-separate-cinema-the-first-100